Results: 20
The Mother of Moses.
- Published in:
- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 3, doi. 10.29411/ncaw.2024.23.1.2v2
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- Article
Caspar David Friedrich und die Vorboten der Romantik (Caspar David Friedrich and the Precursors of Romanticism).
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 334, doi. 10.29411/ncaw.2024.23.1.21
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Fashioned by Sargent.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 312, doi. 10.29411/ncaw.2024.23.1.20
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- Article
Louis Janmot: Le Poème de l’âme (Louis Janmot: The Poem of the Soul).
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 293, doi. 10.29411/ncaw.2024.23.1.19
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- Article
Degas and the Laundress: Women, Work, and Impressionism.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 280, doi. 10.29411/ncaw.2024.23.1.18
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- Article
Francisco Pradilla (1848–1921): Más que un pintor de historia.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 270, doi. 10.29411/ncaw.2024.23.1.17
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The Rossettis.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 259, doi. 10.29411/ncaw.2024.23.1.16
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Reckoning with Millet’s Man with a Hoe, 1863–1900.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 241, doi. 10.29411/ncaw.2024.23.1.15
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- Article
Théodore Rousseau and the Rise of the Modern Art Market.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 235, doi. 10.29411/ncaw.2024.23.1.14
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- Article
Sculpture at the Ends of Slavery.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 227, doi. 10.29411/ncaw.2024.23.1.13
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- Article
The Presence of the Past in French Art, 1870–1905: Modernity and Continuity.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 208, doi. 10.29411/ncaw.2024.23.1.12
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Creole: Portraits of France’s Foreign Relations during the Long Nineteenth Century.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 199, doi. 10.29411/ncaw.2024.23.1.11
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Scented Visions: Smell in Art, 1850–1914.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 195, doi. 10.29411/ncaw.2024.23.1.10
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Artful Subversion: Empress Dowager Cixi’s Image Making.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 184, doi. 10.29411/ncaw.2024.23.1.9
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Reinstalling Nineteenth-Century American Art in US Museums.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 179, doi. 10.29411/ncaw.2024.23.1.8
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Mary Ann Flaxman, Portrait of Eleanor Anne Porden, ca. 1811.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 165, doi. 10.29411/ncaw.2024.23.1.7
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Augustus Saint-Gaudens, Antinous, 1874.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 146, doi. 10.29411/ncaw.2024.23.1.6
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From Center to Periphery: International Collaboration in Mid-Nineteenth Century Rome and the Artistic Milieu for a Silver Commission for Malta.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 117, doi. 10.29411/ncaw.2024.23.1.5
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A City of One’s Own: The Parisian Letters of the Swedish Painter Hanna Hirsch-Pauli.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 80, doi. 10.29411/ncaw.2024.23.1.4
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“Her Own Room Will Be a Picture”: Alva Vanderbilt’s Bedroom à la Pompadour at Marble House (1892) by Jules Allard et Fils.
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- Nineteenth-Century Art Worldwide, 2024, v. 23, n. 1, p. 44, doi. 10.29411/ncaw.2024.23.1.3
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