Works matching IS 02115913 AND DT 2021
Results: 40
Review of Spiritual and Corporeal Selves in India: Approaches in a Global World.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 257, doi. 10.25145/j.recaesin.2021.83.24
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Review of Revolving Around India(s): Alternative Images, Emerging Perspectives.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 255, doi. 10.25145/j.recaesin.2021.83.23
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People’s cinema with people’s support: a review of the 7th Kolkata people’s film festival.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 253, doi. 10.25145/j.recaesin.2021.83.22
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“KALIGHAT”.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 251, doi. 10.25145/j.recaesin.2021.83.21
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“BHAVANI CINEMA”.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 245, doi. 10.25145/j.recaesin.2021.83.20
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A FINAL SHOWDOWN AGAINST STREAMING GIANTS.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 235, doi. 10.25145/j.recaesin.2021.83.19
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“ME, SARBAJAYA”.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 233, doi. 10.25145/j.recaesin.2021.83.18
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LETTING FEAR GO: AN INTEVIEW WITH PRODUCER PARAMITA BANERJEE.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 223, doi. 10.25145/j.recaesin.2021.83.17
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NEW NARRATIVES IN THE INDIAN LGBTIQ+ COMMUNITY: AN INTERVIEW WITH FILM-MAKER SUKHDEEP SINGH.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 215, doi. 10.25145/j.recaesin.2021.83.16
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“WRITING IS HOW I UNDERSTAND THE WORLD”: AGEING AND GENDER, QUALITY OF LIFE AND CREATIVITY. AN INTERVIEW WITH LORNA CROZIER.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 213, doi. 10.25145/j.recaesin.2021.82.16
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TO MY GRANDMOTHER THE OLD TEA FACTORY AT KEARSNEY, NATAL. .
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 193, doi. 10.25145/j.recaesin.2021.82.14
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THE MAKING OF THE FILM BRIDGE (2016): THE ALCHEMIC PROCESS OF TRANSFORMING SELF AND SOCIETY.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 205, doi. 10.25145/j.recaesin.2021.83.15
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INTRODUCTION.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 9, doi. 10.25145/j.recaesin.2021.82.01
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“CHITTHI AAYI HAI”: DIASPORIC SENSIBILITIES, MEMORY AND NOSTALGIA.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 161, doi. 10.25145/j.recaesin.2021.83.12
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Cultural Representations of India and Indian Diasporas on Screen.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 11, doi. 10.25145/j.recaesin.2021.83.01
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VIOLENCE AND SILENCE: KEN MCMULLEN’S PARTITION AND GURINDER CHADHA’S VICEROY’S HOUSE.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 189, doi. 10.25145/j.recaesin.2021.83.14
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GURINDER CHADHA’S VICEROY’S HOUSE (2017) AND OTHER EVICTIONS: TRANSNATIONAL CONNECTIONS OF PAST AND PRESENT CRISES IN CINEMA.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 173, doi. 10.25145/j.recaesin.2021.83.13
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OCEAN AS HERITAGE: ON TAMIL POETRY AND IDENTITY, TRANSNATIONAL POLITICS, AND THE RECOGNITION OF GENOCIDE. AN INTERVIEW WITH CHERAN.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 202, doi. 10.25145/j.recaesin.2021.82.15
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FROM PUNJAB TO PEGGY’S COVE: JOYFUL ACTIVISM IN BEHIND THE BHANGRA BOYS (2019).
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 151, doi. 10.25145/j.recaesin.2021.83.11
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THOSE WHO HAVE LOVED ARE THOSE THAT HAVE FOUND GOD: QUEER SIKH NARRATIVES IN SAB RAB DE BANDE (WE’RE ALL GOD’S CREATION) (2020).
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 131, doi. 10.25145/j.recaesin.2021.83.10
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INDIA’S INDIGENOUS LEAR: IYOBINTE PUSTHAKAM.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 117, doi. 10.25145/j.recaesin.2021.83.09
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SEXUALITY AND EVIL: LADY MACBETH IN THE INDIAN FILM ADAPTATIONS OF MACBETH MAQBOOL AND VEERAM.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 105, doi. 10.25145/j.recaesin.2021.83.08
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SNAPSHOTS OF INDIAN OTHERNESS IN APARNA SEN’S CINEMA.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 91, doi. 10.25145/j.recaesin.2021.83.07
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A READING OF SATYAJIT RAY’S PATHER PANCHALI AND AGANTUK AS SUBTEXTS OF FICTIONAL ETHNOGRAPHY.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 77, doi. 10.25145/j.recaesin.2021.83.06
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BELIEVE ME, DO NOT BELIEVE ME: JHUMPA LAHIRI AND THE ROYAL FAMILY OF OUDH.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 67, doi. 10.25145/j.recaesin.2021.83.05
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AN ERA OF DARKNESS: SATYAJIT RAY’S ANTICOLONIAL PROJECT.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 51, doi. 10.25145/j.recaesin.2021.83.04
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ANTI-CASTE AESTHET(H)ICS IN CONTEMPORARY DALIT CINEMA: THE CASE OF ASURAN (2019).
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 37, doi. 10.25145/j.recaesin.2021.83.03
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ORIGINS AND EVOLUTION OF INDIAN CINEMA: A CALEIDOSCOPIC VISION OF INDIA.
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- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 21, doi. 10.25145/j.recaesin.2021.83.02
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THE INDIAN OCEAN AS A UNIFYING FORCE: A MEMOIR.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 181, doi. 10.25145/j.recaesin.2021.82.13
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OUR MAN IN MAURITIUS.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 175, doi. 10.25145/j.recaesin.2021.82.12
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THE MYTH OF THE EMPTY TERRITORY: THE TRAGEDY OF THE CHAGOS ISLANDERS.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 155, doi. 10.25145/j.recaesin.2021.82.11
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AN UNCONSTRUCTABLE INDIAN OCEAN: AMITAV GHOSH’S ECOLOGICAL IMAGINARY IN SEA OF POPPIES AND THE GREAT DERANGEMENT.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 143, doi. 10.25145/j.recaesin.2021.82.10
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ACHMAT DANGOR (1948-2020) AND M.G. VASSANJI (1950-): THE RECEPTION OF TWO AFRINDIAN VOICES IN SPAIN.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 123, doi. 10.25145/j.recaesin.2021.82.09
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“STORIES WHICH GO ON AND ON”: TRANSFORMATIVE RESILIENCE AGAINST GENDER VIOLENCE IN TISHANI DOSHI’S GIRLS ARE COMING OUT OF THE WOODS.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 109, doi. 10.25145/j.recaesin.2021.82.08
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SINGING AGAINST ANTI-ASIAN SENTIMENT IN THE EAST AFRICAN POSTCOLONY: JAGJIT SING’S “PORTRAIT OF AN ASIAN AS AN EAST AFRICAN”.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 95, doi. 10.25145/j.recaesin.2021.82.07
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EXPLORING THE INTERSTICES OF AGING AND NARRATIVE AGENCY IN M.G. VASSANJI’S THE BOOK OF SECRETS AND ABDULRAZAK GURNAH’S BY THE SEA.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 79, doi. 10.25145/j.recaesin.2021.82.06
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THE FIGHT FOR LAND, WATER AND DIGNITY IN LINDSEY COLLEN’S THE MALARIA MAN AND HER NEIGHBOURS.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 63, doi. 10.25145/j.recaesin.2021.82.05
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EXPLORING THE CHALLENGES OF ETHNIC FLUIDITY WITHIN THE WRITINGS OF RONNIE GOVENDER.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 47, doi. 10.25145/j.recaesin.2021.82.04
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NEGOTIATING IDENTITY AND BELONGING IN THE WESTERN INDIAN OCEAN: FLUID ENABLING SPACES IN M.G. VASSANJI’S UHURU STREET.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 27, doi. 10.25145/j.recaesin.2021.82.03
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INDIAN OCEAN IMAGINARIES. THE ACADEMIC TRAJECTORY OF THE RATNAKARA RESEARCH GROUP.
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- Revista Canaria de Estudios Ingleses, 2021, n. 82, p. 13, doi. 10.25145/j.recaesin.2021.82.02
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