Works matching IS 18417191 AND DT 2024 AND VI 20 AND IP 1
Results: 9
THE TEACHER WITH THE DRAGON TATTOO: BETWEEN VULNERABILITY AND EMPOWERMENT IN THE LIFE STORY OF A JAPANESE LANGUAGE TEACHER.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 115, doi. 10.24818/SYN/2024/20/1.08
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RESEARCH ON THE IMPACT OF TELEWORK ON WORK-LIFE BALANCE IN JAPANESE HUMAN RESOURCES MANAGEMENT.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 101, doi. 10.24818/SYN/2024/20/1.07
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JOURNEY AS SELF-REFLECTION - KAIKŌ TAKESHI'S "ESCAPE" FROM JAPAN.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 83, doi. 10.24818/SYN/2024/20/1.06
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A SONG OF CONTINUITY: KAGURA SECRET SONG AND THE VICENNIAL RENEWAL OF ISE JINGŪ ON THE EVE OF THE MODERN PERIOD.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 69, doi. 10.24818/SYN/2024/20/1.05
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THE GERMAN IDEALIST CONCEPTION OF FREEDOM IN MODERN JAPANESE PHILOSOPHY: A SURVEY.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 51, doi. 10.24818/SYN/2024/20/1.04
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PICTORIAL MAPS AND THE RISE OF MODERN RESORT IN ŌISO IN THE MID-MEIJI PERIOD.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 37, doi. 10.24818/SYN/2024/20/1.03
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FROM NOH PLAYS TO MODERN ANIME: THE ROLE OF PEONY FLOWERS IN JAPANESE CULTURAL IMAGERY.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 23, doi. 10.24818/SYN/2024/20/1.02
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RECONSTRUCTION OF THE NATIONAL THEATRE OF JAPAN AND KABUKI: CONTEMPORARY INTERDEPENDENCIES AND PROSPECTIVE CHALLENGES.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 8, doi. 10.24818/SYN/2024/20/1.01
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EDITORIAL.
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- Synergy (1841-7191), 2024, v. 20, n. 1, p. 5
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