About the Authors.
- Published in:
- Music & the Moving Image, 2025, v. 18, n. 1, p. 72, doi. 10.5406/19407610.18.1.04
- Publication type:
- Article
Works matching DE "FILM soundtracks"
Results: 525
1
2
Geschichte und die Krise der dramatischen Form: Handlungsfäden und Handlungsgewebe zwischen Hauptmanns Die Weber (1892), Brecht, Szondi und Polleschs Passing (2020).
- Published in:
- Forum Modernes Theater, 2024, v. 35, n. 1/2, p. 55, doi. 10.24053/FMTh-2024-0005
- By:
- Publication type:
- Article
3
Sonic Space in Djibril Diop Mambety's Films.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
4
Magical Musical Tour: Rock and Pop in Film Soundtracks.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
5
What Maisie Heard: Sound, Sexuality, and the Subjective Camera.
- Published in:
- Henry James Review, 2022, v. 43, n. 2, p. 178, doi. 10.1353/hjr.2022.0013
- By:
- Publication type:
- Article
6
Theories of the Soundtrack.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
7
Revisiting the Boulevard: The Gender & Sexual Politics of Michael Pressman's Boulevard Nights.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
8
Primal sound effects.
- Published in:
- Marketing Research, 2011, v. 23, n. 1, p. 3
- Publication type:
- Article
9
Dis/joint: Unification of Sound, Music, Narrative, and Animation in Liz and the Blue Bird.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
10
Entre la tradición y la vanguardia, un análisis del documental Antonio Gaudí (1984): Teshigahara Hiroshi y Takemitsu Tōru.
- Published in:
- Mirai. Estudios Japoneses, 2021, v. 5, p. 185, doi. 10.5209/mira.74362
- By:
- Publication type:
- Article
11
Alejandro Amenabar, Composer.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2010, v. 87, n. 2, p. 195, doi. 10.1080/14753821003693776
- By:
- Publication type:
- Article
12
La traducción de canciones en películas: análisis contrastivo de géneros cinematográficos.
- Published in:
- Estudios de Traducción, 2021, n. 11, p. 137, doi. 10.5209/estr.69389
- By:
- Publication type:
- Article
13
Kerouac on Record: A Literary Soundtrack.
- Published in:
- Journal of Beat Studies, 2019, v. 7, p. 84
- By:
- Publication type:
- Article
14
An Overview of the Codes and Conventions of Drama Film Music.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 253, doi. 10.31926/but.pa.2022.15.64.3.27
- By:
- Publication type:
- Article
15
The Semantics and Pragmatics of the character of Edgardo from Donizetti's Lucia di Lammermoor.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 101, doi. 10.31926/but.pa.2020.13.62.2.11
- By:
- Publication type:
- Article
16
Each Night in Rapture: The Silent Sound of Shame.
- Published in:
- Studies in Gender & Sexuality, 2015, v. 16, n. 2, p. 123, doi. 10.1080/15240657.2015.1038190
- By:
- Publication type:
- Article
17
Distracting effect of TV watching on children's reactivity.
- Published in:
- 2010
- By:
- Publication type:
- journal article
18
Regards sur la musique en Roumanie au XX<sup>e</sup> siècle. Musiciens, musiques, institutions.
- Published in:
- Martor, 2022, v. 27, p. 198
- By:
- Publication type:
- Article
19
Approaches to Sound Design: Murch and Burtt.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 169, doi. 10.3366/sound.2018.0129
- By:
- Publication type:
- Article
20
Unplugging the Matrix.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 78, doi. 10.3366/sound.2018.0119
- By:
- Publication type:
- Article
21
Engagement versus Immersion.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 73, doi. 10.3366/sound.2018.0118
- By:
- Publication type:
- Article
22
Symphonies of Noise: The Urban Soundscape in Rouben Mamoulian's Applause, City Lights, Dr Jekyll and Mr Hyde and Love Me Tonight.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 91, doi. 10.3366/sound.2018.0123
- By:
- Publication type:
- Article
23
Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 135, doi. 10.3366/sound.2018.0126
- By:
- Publication type:
- Article
24
Sounds of Slowness: Ambience and Absurd Humour in Slow Sound Design.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 31, doi. 10.3366/sound.2018.0115
- By:
- Publication type:
- Article
25
Editorial.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 93, doi. 10.3366/sound.2017.0101
- Publication type:
- Article
26
Front matter.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 1, doi. 10.3366/sound.2017.0100
- Publication type:
- Article
27
Back matter.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. -1, doi. 10.3366/sound.2017.0111
- Publication type:
- Article
28
Cartographic Soundtrack: Voice, Sound and Music in Birdman.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 137, doi. 10.3366/sound.2017.0105
- By:
- Publication type:
- Article
29
Environmental Sound and Soundscape Composition in Landscape and Nature Documentaries.
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 172, doi. 10.3366/sound.2017.0109
- By:
- Publication type:
- Article
30
Audio Imagineering: Utilising the Four Sound Areas Framework for Emotive Sound Design within Contemporary Audio Post-production.
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 77, doi. 10.3366/sound.2016.0084
- By:
- Publication type:
- Article
31
Sound, Space, Gravity: A Kaleidoscopic Hearing (part I).
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 1, doi. 10.3366/sound.2016.0079
- By:
- Publication type:
- Article
32
The Soundscapes of Conflict: A transcript of a talk by Nadim Mishlawi and Rana Eid presented at the School of Sound, London, on 10 April 2015.
- Published in:
- New Soundtrack, 2015, v. 5, n. 2, p. 153, doi. 10.3366/sound.2015.0076
- By:
- Publication type:
- Article
33
Editorial.
- Published in:
- New Soundtrack, 2015, v. 5, n. 1, p. 1, doi. 10.3366/sound.2015.0064
- Publication type:
- Article
34
The auditory spectacle: designing sound for the 'dubbing era' of Indian cinema.
- Published in:
- New Soundtrack, 2015, v. 5, n. 1, p. 55, doi. 10.3366/sound.2015.0068
- By:
- Publication type:
- Article
35
Scoring film: The New Soundtrack Interview with Neil Brand.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 1, doi. 10.3366/sound.2014.0048
- Publication type:
- Article
36
The sound of Agnès Varda.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 29, doi. 10.3366/sound.2014.0050
- By:
- Publication type:
- Article
37
The believability of redubs and post-synchronised voices: Merging new voices with existing audio-visuals.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 59, doi. 10.3366/sound.2014.0052
- By:
- Publication type:
- Article
38
Listen to Nice.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 89, doi. 10.3366/sound.2013.0040
- By:
- Publication type:
- Article
39
Emil und die Detektive: Early German sound cinema aesthetic.
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 41, doi. 10.3366/sound.2014.0051
- By:
- Publication type:
- Article
40
Altered States, Altered Sounds: An investigation of how 'subjective states' are signified by the soundtrack of dream sequences in narrative fiction cinema.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 175, doi. 10.3366/sound.2013.0045
- By:
- Publication type:
- Article
41
Editorial.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. v, doi. 10.3366/sound.2013.0039
- Publication type:
- Article
42
The sounds of space: Social space and social listening (Part II).
- Published in:
- New Soundtrack, 2014, v. 4, n. 1, p. 15, doi. 10.3366/sound.2014.0049
- By:
- Publication type:
- Article
43
Knocking at the door of cinematic artifice: Dolby Atmos, challenges and opportunities.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 107, doi. 10.3366/sound.2013.0041
- By:
- Publication type:
- Article
44
Landscape, soundscape, taskscape in the films The Hurt Locker (2008), Katalin Varga (2009).
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 123, doi. 10.3366/sound.2013.0042
- By:
- Publication type:
- Article
45
What do we hear? The pluralism of sound design in Hollywood sound production.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 137, doi. 10.3366/sound.2013.0043
- By:
- Publication type:
- Article
46
The sounds of space: Social space and social listening (Part 1).
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 159, doi. 10.3366/sound.2013.0044
- By:
- Publication type:
- Article
47
'The Soundtrack': The School of Sound Summer Workshop at the ifs internationale filmschule köln.
- Published in:
- New Soundtrack, 2013, v. 3, n. 1, p. 81, doi. 10.3366/sound.2013.0037
- By:
- Publication type:
- Article
48
The 'clap'.
- Published in:
- New Soundtrack, 2013, v. 3, n. 1, p. 17, doi. 10.3366/sound.2013.0032
- By:
- Publication type:
- Article
49
Sound at the centre: An interview with Peter Strickland.
- Published in:
- 2013
- By:
- Publication type:
- Interview
50
Bringing vinyl into the digital domain: Aesthetics in David Lynch's Inland Empire (2006).
- Published in:
- New Soundtrack, 2012, v. 2, n. 2, p. 97, doi. 10.3366/sound.2012.0032
- By:
- Publication type:
- Article