SHWAN SEBASTIAN - BRAHMS' NOVEL LANGUAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 295
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Works matching IS 18444369 AND DT 2024 AND VI 69
Results: 80
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EXPLORING MALAYSIAN MUSIC: ANALYSIS OF BERLAGU SEMALAM BY ALWAGERA.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 283, doi. 10.24193/subbmusica.2024.spiss3.17
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SYMMETRICAL MUSICAL STRUCTURES IN THE CREDO FROM MISSA POPULARIS (MÅRTEN JANSSON).
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 269, doi. 10.24193/subbmusica.2024.spiss3.16
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THE REVEAL OF CHINESE MUSICAL TECHNIQUE "RUN QIANG" IN BRIGHT SHENG'S PIANO WORKS "MY SONG" AND "MY OTHER SONG".
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 249, doi. 10.24193/subbmusica.2024.spiss3.15
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5
"MIROIRS ET REFLETS" BY GABRIEL IRANYI - AN AUDITORY METAPHOR OF VISUAL INTERACTIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 235, doi. 10.24193/subbmusica.2024.spiss3.14
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6
VENI CREATOR FOR CHOIR AND ORGAN BY ARVO PÄRT. THE STYLISTIC AND INTERPRETATIVE ANALYSIS - CONDUCTOR'S GUIDE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 223, doi. 10.24193/subbmusica.2024.spiss3.13
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7
TERÉNYI EDE: OLD TRANSYLVANIAN PSALMS FOR MIXED CHOIR. HARMONIC COLOUR EFFECTS PERMEATING THE STRUCTURE. 1. PSALM-SONGS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 211, doi. 10.24193/subbmusica.2024.spiss3.12
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8
LIBRETTO OF MAURICIO KAGEL'S SANKT-BACH-PASSION: BETWEEN TRADITION AND AVANT-GARDE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 197, doi. 10.24193/subbmusica.2024.spiss3.11
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9
TIBERIU OLAH'S EVENIMENTE 1907 (EVENTS 1907). MODERNISM DISGUISED IN A HISTORICAL MOVIE SCORE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 181, doi. 10.24193/subbmusica.2024.spiss3.10
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10
RECONCEPTUALIZING MUSICAL TEMPORALITY: THE INFINITE SOUND AND PERPETUAL MOTION IN LIGETI'S CONTINUUM.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 165, doi. 10.24193/subbmusica.2024.spiss3.09
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11
SAXOPHONE, STYLISTIC ORIENTATIONS AND DIRECTIONS IN TABLEAUX DE PROVENCE - J. M. PAULE MAURICE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 149, doi. 10.24193/subbmusica.2024.spiss3.08
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12
GUITAR PRELUDES BY HEITOR VILLA-LOBOS: GENRE TRADITIONS OF BRAZILIAN MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 127, doi. 10.24193/subbmusica.2024.spiss3.07
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13
DER SCHWANENDREHER: PAUL HINDEMITH'S VIOLA CONCERTO AND ITS EARLY MUSIC INFLUENCES.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 103, doi. 10.24193/subbmusica.2024.spiss3.06
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14
CHOPINIAN PARTICULARITIES OF THE SONATA FOR CELLO AND PIANO, OP. 65.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 77, doi. 10.24193/subbmusica.2024.spiss3.05
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15
MELODIC TYPES ORIGINATING IN OTHER AREAS IN THE OLD-STYLE PROPER SONG FROM THE PĂDURENI LAND, HUNEDOARA COUNTY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 57, doi. 10.24193/subbmusica.2024.spiss3.04
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16
CHRISTIAN CEREMONIAL FOLK SONG. CASE STUDY: PILGRIMAGE SONGS FROM NICULA MONASTERY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 33, doi. 10.24193/subbmusica.2024.spiss3.03
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17
MUSIC THERAPY METHODS FOR APHASIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 21, doi. 10.24193/subbmusica.2024.spiss3.02
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18
BORYS LIATOSHYNSKY'S OPERA THE GOLDEN HOOP: HISTORY, VERSIONS, PRIMARY SOURCES.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 9, doi. 10.24193/subbmusica.2024.spiss3.01
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19
THE FANTASTIC IN MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 251, doi. 10.24193/subbmusica.2024.2.18
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20
ARCHETYPICAL SIGNS OF THE KOLOMYIKA IN THE UKRAINIAN MUSIC OF THE 21ST CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 241, doi. 10.24193/subbmusica.2024.2.17
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A LARGE POLYPHONIC CYCLE IN THE PIANO WORKS OF UKRAINIAN COMPOSERS OF THE TWENTIETH AND EARLY TWENTY-FIRST CENTURIES: THE ISSUE OF INTEGRITY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 227, doi. 10.24193/subbmusica.2024.2.16
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22
BAI JUYI'S POETRY IN GYÖRGY KÓSA'S WORKS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 217, doi. 10.24193/subbmusica.2024.2.15
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23
OVERTURE "SHÉHÉRAZADE" BY MAURICE RAVEL: GENRE AND SEMANTIC PROJECTIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 207, doi. 10.24193/subbmusica.2024.2.14
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24
ORIENTAL OTHERNESS REPRESENTED IN FRENCH CHAMBER WORKS OF THE 19TH CENTURY: DAVID, BIZET, SAINT-SAËNS, DEBUSSY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 189, doi. 10.24193/subbmusica.2024.2.13
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25
THE INTERSECTION BETWEEN MUSIC AND CREATIVITY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 175, doi. 10.24193/subbmusica.2024.2.12
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26
EFFECTIVENESS OF AUTHENTIC PERFORMANCE METHODS FOR THE DEVELOPMENT OF MUSICAL INTERPRETATION IN MUSIC STUDENTS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 153, doi. 10.24193/subbmusica.2024.2.11
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27
MUSICAL PERFORMANCE IN THE CONTEXT OF THE DEVELOPMENT OF CONTEMPORARY MUSICAL ART.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 139, doi. 10.24193/subbmusica.2024.2.10
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28
USING MODERN CONDUCTING APPROACHES IN THE PERFORMANCE OF CLASSICAL REPERTOIRE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 121, doi. 10.24193/subbmusica.2024.2.09
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29
INTERPRETATION OF THE PSALM GENRE IN THE WORKS OF JAROSLAV ZATLOUKAL AND EUGEN SUCHON.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 109, doi. 10.24193/subbmusica.2024.2.08
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30
ENESCIAN PIANISM AND INTERPRETATIVE STYLE IN CHAMBER MUSIC WORKS: IMPROMPTU CONCERTANT FOR VIOLIN AND PIANO, CONCERTSTÜCK FOR VIOLA AND PIANO, LÉGENDE FOR TRUMPET AND PIANO AND CANTABILE ET PRESTO FOR FLUTE AND PIANO.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 89, doi. 10.24193/subbmusica.2024.2.07
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31
AESTHETICS AND PHILOSOPHY OF THE PERFORMANCE INTERPRETATION OF THE AUTHOR'S CONCEPT OF A MUSICAL WORK.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 79, doi. 10.24193/subbmusica.2024.2.06
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32
THE USE OF VIRTUAL PLATFORMS IN TEACHING TO PLAY BASS GUITAR.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 61, doi. 10.24193/subbmusica.2024.2.05
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33
WILLIAM SHAKESPEARE'S LEGACY IN VOCAL PEDAGOGY: REVOLUTIONIZING THE ART OF SINGING THROUGH BREATHING TECHNIQUES.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 51, doi. 10.24193/subbmusica.2024.2.04
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THE ROLE OF PEDAGOGICAL MENTORING IN BUILDING PROFESSIONAL COMPETENCIES OF FUTURE MUSIC TEACHERS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 35, doi. 10.24193/subbmusica.2024.2.03
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35
DEVELOPING CHILDREN'S MELODIC AND RHYTHMIC SKILLS WITH PLAYFUL TASKS IN CLASSROOM MUSIC LESSONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 21, doi. 10.24193/subbmusica.2024.2.02
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36
CREATIVITY AND CENSORSHIP IN MUSIC: 'LIKE THE DANUBE CARVING THROUGH A MOUNTAIN, IT PRODUCES WONDERS' - A DIALOGUE WITH ADRIAN POP.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, n. 2, p. 9, doi. 10.24193/subbmusica.2024.2.01
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37
ARTISTIC PRACTICES IN THE CONTEXT OF THE EVOLUTION FROM WEB 1.0 TO WEB 3.0.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 103, doi. 10.24193/subbmusica.2024.spiss2.08
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38
THE VOICE OF THE UPIC: TECHNOLOGY AND VIRTUAL AGENCY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 91, doi. 10.24193/subbmusica.2024.spiss2.07
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39
GYÖRGY LIGETI: HAMBURGISCHES KONZERT FÜR HORN UND KAMMERORCHESTER MIT 4 OBLIGATEN NATURHÖRNERN. ASPECTS OF A CRYSTALLINE MICROTONALITY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 61, doi. 10.24193/subbmusica.2024.spiss2.06
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40
THE CORRESPONDENCE BETWEEN LIGETI AND ADORNO IN THE LIGHT OF DISCUSSIONS ON LIGETI'S POSITION IN MODERNISM -- WITH A SIDEWAYS GLANCE AT LE GRAND MACABRE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 47, doi. 10.24193/subbmusica.2024.spiss2.05
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41
GYÖRGY LIGETI, FRICTION, AND THE UNCERTAIN IMAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 37, doi. 10.24193/subbmusica.2024.spiss2.04
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42
NOTES ON LE GRAND MACABRE AND THE AESTHETICS OF CAMP.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 25, doi. 10.24193/subbmusica.2024.spiss2.03
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43
LIGETI'S SONIC ODYSSEY. MUSIC AS A GATEWAY TO THE UNKNOWN IN 2001: A SPACE ODYSSEY.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 17, doi. 10.24193/subbmusica.2024.spiss2.02
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44
MYTHS, THE FOCUS OF 20<sup>TH</sup> CENTURY COMPOSERS. AUREL STROE -- ORESTIA II.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 193, doi. 10.24193/subbmusica.2024.spiss1.13
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45
A MULTILEVEL ANALYSIS OF FAZIL SAY'S SONATA FOR VIOLIN AND PIANO OP.7.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 277, doi. 10.24193/subbmusica.2024.spiss1.17
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46
DA PACEM DOMINE BY ARVO PÄRT. THE STYLISTIC AND INTERPRETATIVE ANALYSIS -- CONDUCTOR'S GUIDE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 261, doi. 10.24193/subbmusica.2024.spiss1.16
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47
THE GATES OF SKY BY EDE TERÉNYI: MUSIC ANALYSIS.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 215, doi. 10.24193/subbmusica.2024.spiss1.15
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48
TRADITION AND MODERNISM IN THE WORKS OF WILHELM GEORG BERGER; SONATA FOR VIOLA AND CELLO OP. 18.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 205, doi. 10.24193/subbmusica.2024.spiss1.14
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49
LIGETI IN COLOGNE.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 7, doi. 10.24193/subbmusica.2024.spiss2.01
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50
HETEROPHONY IN "SOLO FOR MARIMBAPHONE AND VIBRAPHONE", COMPOSED BY ŞTEFAN NICULESCU.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 185, doi. 10.24193/subbmusica.2024.spiss1.12
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