Works matching IS 18444369 AND DT 2022
Results: 43
FROM CHOIR TO STRING QUARTET – SOUND METAMORPHOSES IN THE COMPOSITION OF THE WORK OPT BAGATELE PENTRU CVARTET DE COARDE BY ADRIAN POP.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 225, doi. 10.24193/subbmusica.2022.spiss2.14
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IN SEARCH OF “THE MORE IMPORTANT” IN STRING QUARTET NO. 1 BY DIETER ACKER.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 203, doi. 10.24193/subbmusica.2022.spiss2.13
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ZOLTÁN KODÁLY: HUSZT – A CHORAL WORK COMPOSED ON A POEM BY FERENC KÖLCSEY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 189, doi. 10.24193/subbmusica.2022.spiss2.12
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TRADITIONS AND INNOVATIONS IN CONTEMPORARY VOCAL AND CHORAL ART.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 73, doi. 10.24193/subbmusica.2022.spiss2.06
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MUSICAL SYMBOLS IN THE OPERA THE THREE SISTERS BY PÉTER EÖTVÖS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 65, doi. 10.24193/subbmusica.2022.spiss2.05
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THE CONNECTION BETWEEN A PROFESSIONAL SINGER’S INTONATION AND THE COORDINATION OF THE CYBERNETIC CIRCUITS OF THE EAR.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 127, doi. 10.24193/subbmusica.2022.spiss2.09
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SPECIFIC SOUND PRODUCTION TECHNIQUES IN ACADEMIC GUITAR MUSIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 111, doi. 10.24193/subbmusica.2022.spiss2.08
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FUNDAMENTAL ANALYSIS OF CHICK COREA’S IMPROVISATION IN SPAIN (1972).
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 99, doi. 10.24193/subbmusica.2022.spiss2.07
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CONSTRAINT AND FREEDOM. KODÁLY: CHILDREN’S DANCES AND 24 LITTLE CANONS ON THE BLACK KEYS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 163, doi. 10.24193/subbmusica.2022.spiss2.11
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ZOLTÁN KODÁLY, SEVEN PIANO PIECES OP. 11.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 143, doi. 10.24193/subbmusica.2022.spiss2.10
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THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 51, doi. 10.24193/subbmusica.2022.spiss2.04
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INDIAN RHYTHMIC GESTURE AND TINTA IN FRENCH OPERAS OF THE SECOND HALF OF THE 19TH CENTURY AND EARLY 20 TH CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 33, doi. 10.24193/subbmusica.2022.spiss2.03
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CHINESE NATIONAL PIANO STYLE IN “TWO POEM CLASSICS OF THE TANG DYNASTY” BY XU ZHENMIN.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 21, doi. 10.24193/subbmusica.2022.spiss2.02
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THE ORIGIN OF THE CONCEPT OF STYLE IN EUROPEAN MUSICAL THINKING.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 7, doi. 10.24193/subbmusica.2022.spiss2.01
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J. PEZEL'S MUSIC FOR THE ENSEMBLE OF COPPER WIND INSTRUMENTS IN THE CONTEXT OF GERMAN TRADITION OF 17<sup>th</sup> CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 127, doi. 10.24193/subbmusica.2022.spiss1.09
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GENRE EVOLUTION OF THE PSALM AND ECCLESIASTICAL MINIATURE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 115, doi. 10.24193/subbmusica.2022.spiss1.08
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THE PRINCIPLES OF INTERPRETATION OF THE POETIC PRIMARY SOURCE IN BALLADS BY F. SCHUBERT, S. MONIUSZHKO, H. WOLF ON GOETHE'S TEXT «KENNST DU DAS LAND».
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 103, doi. 10.24193/subbmusica.2022.spiss1.07
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PRACTICES OF VISUAL ARTS IN THE MUSIC OF THE TWENTIETH AND EARLY TWENTY-FIRST CENTURIES.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 79, doi. 10.24193/subbmusica.2022.spiss1.06
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CHORAL MUSIC BY SAMUEL BARBER: GENRE AND STYLE ASPECTS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 63, doi. 10.24193/subbmusica.2022.spiss1.05
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A "WELL-TEMPERED FLUTE" BY T. BOEHM - THE FINAL STAGE OF ITS EVOLUTION AND THE STANDARDIZATION OF ITS TUNING SYSTEM.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 49, doi. 10.24193/subbmusica.2022.spiss1.04
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GENRE TRADITION AS AN ARTISTIC CATEGORY (ON THE EXAMPLE OF UKRAINIAN ORGAN MUSIC OF THE LATE XX - EARLY XXI CENTURY).
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 33, doi. 10.24193/subbmusica.2022.spiss1.03
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THE CHALLENGES OF PROFESSIONAL COMPETENCE OF LVIV REGION MILITARY CONDUCTORS IN THE FIRST DECADES OF THE XX<sup>th</sup> CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 21, doi. 10.24193/subbmusica.2022.spiss1.02
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MUSICAL AMATEUR PERFORMANCE IN UKRAINE OF THE 1930S AS THE MANIFESTATION OF SOVIET TOTALITARIAN IDEOLOGY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 7, doi. 10.24193/subbmusica.2022.spiss1.01
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THE HYPNOTIC GARDEN: REPETITION AND TRANCE IN SALVATORE SCIARRINO'S WORKS FOR FLUTE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 321, doi. 10.24193/subbmusica.2022.1.20
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EXPRESSION OF THE ROMANIAN FOLK STYLE IN BÉLA BARTÓK'S STRING QUARTET NO. 1.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 305, doi. 10.24193/subbmusica.2022.1.19
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IN DIALOGUE WITH IMPRESSIONISM: JEUX D'EAU BY MAURICE RAVEL.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 277, doi. 10.24193/subbmusica.2022.1.18
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THE CHARACTER "LUCREZIA BORGIA" OF DONIZETTI'S HOMONYMOUS OPERA. AN ANALYSIS OF CHARACTER AND VOCAL FEATURES.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 263, doi. 10.24193/subbmusica.2022.1.17
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THE FORMAL, TONAL, AND HARMONIC LOGIC OF L. VAN BEETHOVEN'S AN DIE FERNE GELIEBTE (TO THE DISTANT BELOVED) (OP. 98) SONG CYCLE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 243, doi. 10.24193/subbmusica.2022.1.16
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DAS GEBET „VATERUNSER" IN DER KOMPONISTISCHEN SICHT VON CIPRIAN PORUMBESCU - THEOLOGISCHE UND MUSIKOLOGISCHE ASPEKTE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 229, doi. 10.24193/subbmusica.2022.1.15
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THEOLOGICAL, LITERARY, AND MUSICAL KNOWLEDGE, ALL IN THE SERVICE OF SACRED MUSIC. THE PSALM ARRANGEMENTS OF KÁLMÁN CSOMASZ TÓTH.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 213, doi. 10.24193/subbmusica.2022.1.14
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VOCAL DEPERSONALIZATION IN SCAT SINGING.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 195, doi. 10.24193/subbmusica.2022.1.13
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MUSIC TRANSFER AND CULTURAL CONTACT: ROMANIAN POPULAR SONGS IN THE REPERTOIRE OF THE SAXONS FROM THE SECAŞE VALLEY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 175, doi. 10.24193/subbmusica.2022.1.12
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THE ASSESSMENT OF ORIGINALITY IN ACADEMIC RESEARCH.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 165, doi. 10.24193/subbmusica.2022.1.11
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THE BEGINNING OF MODERNISM IN THE MUSIC OF SERBIAN COMPOSERS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 155, doi. 10.24193/subbmusica.2022.1.10
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COMPOSITIONAL PARTICULARITIES AND ASIAN INFLUENCES IN THE MUSICAL CONCEPTION AND WORKS OF JOHN CAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 139, doi. 10.24193/subbmusica.2022.1.09
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A PERSPECTIVE ON THE OPERA AUDIENCE OF THE 21<sup>ST</sup> CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 119, doi. 10.24193/subbmusica.2022.1.08
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CONVERTING NATIONALISM INTO SOCIALISM THROUGH FOLK MUSIC IN STALINIST ROMANIA.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 99, doi. 10.24193/subbmusica.2022.1.07
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THE CHANGING OF THE AESTHETIC BALLET'S SPHERE IN THE INTERWAR PERIOD. BETWEEN THE DECONSTRUCTION OF OSKAR SCHLEMMER'S BALLET AND THE IDEA OF "GEBRAUCHMUSIK" OF PAUL HINDEMITH - AN IMAGISTIC ALLEY FROM OSKAR SCHLEMMER TO CÉLINE DION [1922-2019].
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 71, doi. 10.24193/subbmusica.2022.1.06
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SIGNIFICANT PERSONALITIES AS TURNING POINTS IN THE LIFE AND MUSIC OF JOHANNES BRAHMS.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 57, doi. 10.24193/subbmusica.2022.1.05
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PROPOSAL OF AN ALTERNATIVE REPERTOIRE FOR CLASSICAL MUSIC AUDITION THROUGH THE ROCK GENRE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 49, doi. 10.24193/subbmusica.2022.1.04
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A CASE STUDY ON SONGWRITING IN MUSIC THERAPY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 37, doi. 10.24193/subbmusica.2022.1.03
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ENCOURAGING GUIDELINES IN NEUROMUSICOLOGICAL RESEARCH REGARDING CLASSICAL MUSIC'S USAGE IN SONIC THERAPY - WHEN SCIENCE BECOMES MAGIC.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 21, doi. 10.24193/subbmusica.2022.1.02
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KATALIN INCZE G.: PORTRAIT OF A COMPOSER.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 9, doi. 10.24193/subbmusica.2022.1.01
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