Seventeenth-Century Opera and the Sound of the Commedia dell'Arte.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
Works matching DE "17TH century opera"
Results: 18
1
2
The Confusion of Diverse Voices: Musical and Social Polyphony in Seventeenth-Century French Opera.
- Published in:
- Renaissance Quarterly, 2020, v. 73, n. 2, p. 567, doi. 10.1017/rqx.2020.5
- By:
- Publication type:
- Article
3
Music in the London Theatre from Purcell to Handel. Ed. by Colin Timms and Bruce Wood.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
4
Teatro musical en festejos escolares hispánicos de la Edad Moderna.
- Published in:
- RILCE. Revista de Filología Hispánica, 2014, v. 30, n. 1, p. 19, doi. 10.15581/008.30.302
- By:
- Publication type:
- Article
5
Denaturing the Castrato.
- Published in:
- Opera Quarterly, 2008, v. 24, n. 3/4, p. 178, doi. 10.1093/oq/kbp021
- By:
- Publication type:
- Article
6
HABSBURG QUEENS OF POLAND AND MUSIC AT THE POLISH ROYAL COURT AT THE END OF 16TH AND IN THE 17TH CENTURIES.
- Published in:
- Croatian Musicological Review / Arti Musices, 2016, v. 47, n. 1/2, p. 7
- By:
- Publication type:
- Article
7
Baroque Pageantry, Enlightenment Inwardness, Prerevolutionary Courtly & Popular Solidarity: The Evolution of Alcestis Operas in the 17<sup>th</sup> and 18<sup>th</sup> Centuries.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
8
⪡SCRIVERE A GUSTI DEL POPOLO⪢.
- Published in:
- Il Saggiatore Musicale, 2006, v. 13, n. 2, p. 221
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- Publication type:
- Article
9
A Night at the Opera.
- Published in:
- History Today, 1985, v. 35, n. 3, p. 8
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- Publication type:
- Article
10
Dressed to impress: the costumes for Antonio Cesti’s Orontea in Rome (1661).
- Published in:
- Early Music, 2013, v. 41, n. 3, p. 461, doi. 10.1093/em/cat077
- By:
- Publication type:
- Article
11
An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 519, doi. 10.1093/em/car082
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- Publication type:
- Article
12
Winds, cupids, little zephyrs and sirens: Monteverdi and Le nozze di Tetide (1616–1617).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 489, doi. 10.1093/em/car081
- By:
- Publication type:
- Article
13
Weeping at the water's edge.
- Published in:
- Early Music, 1999, v. 27, n. 3, p. 407, doi. 10.1093/earlyj/XXVII.3.407
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- Publication type:
- Article
14
Lamenting Ariadne?
- Published in:
- Early Music, 1999, v. 27, n. 3, p. 395, doi. 10.1093/earlyj/XXVII.3.395
- By:
- Publication type:
- Article
15
Chacone pour une Femme: Chaconne De Phaeton: A Performance Study.
- Published in:
- Dance Research, 1997, v. XV, n. 2, p. 150, doi. 10.2307/1290893
- By:
- Publication type:
- Article
16
"Ayre, agua, fuego y tierra": The Four Elements and Musical Harmony in Calderon's Celos aun del aire matan.
- Published in:
- Confluencia: Revista Hispánica de Cultura y Literatura, 2015, v. 30, n. 3, p. 86, doi. 10.1353/cnf.2015.0030
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- Publication type:
- Article
17
Divas in the Drawing Room, or Italian Opera Comes to Highbury.
- Published in:
- Persuasions: The Jane Austen Journal Online, 2016, v. 37, n. 1, p. 11
- By:
- Publication type:
- Article
18
Fashionable Acts: Opera and Elite Culture in London, 1780-1880.
- Published in:
- 2008
- By:
- Publication type:
- Book Review