'A PIERCING VIRTUE': EMILY DICKINSON IN MARGARET DRABBLE'S THE WATERFALL.Published in:Modern Fiction Studies, 1990, v. 36, n. 2, p. 181, doi. 10.1353/mfs.0.0954By:Bergmann, Harriet F.Publication type:Article
Neurosis and Recovery in Margaret Drabble's The Waterfall.Published in:PsyArt, 2012, p. 24By:Zivley, Sherry LutzPublication type:Article
FEMININE ENDINGS- AND BEGINNINGS: MARGARET DRABBLE'S THE WATERFALL.Published in:1980By:Rose, Ellen CronanPublication type:Literary Criticism
Margaret Drabble's The Waterfall: The writer as fiction, or overcoming the dilemma of female authorship.Published in:1989By:Shurbutt, S.B.Publication type:Literary Criticism
Subject, Object, and the Alternation of First- and Third-Person Narration in Novels by Alther, Atwood, and Drabble: Toward a Theory of Feminist Aesthetics.Published in:1989By:Peel, EllenPublication type:Literary Criticism
Ironic autobiography: from The Waterfall to The Handmaid's Tale.Published in:1988By:Walker, NancyPublication type:Literary Criticism
The Imagery of Water: A Tool of Expression and Deciphering Life (A Comparative Study of The Waterfall and On Chesil Beach).Published in:Labyrinth: An International Refereed Journal of Postmodern Studies, 2019, v. 10, n. 2, p. 145By:GAYA, ANKITA ANANYAAPublication type:Article