Primary-Process Transformations in Music оr Discourse About the Ineffable.
- Published in:
- Muzikologija, 2015, n. 19, p. 157, doi. 10.2298/MUZ1519157Z
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- Article
Works matching IS 14509814 AND DT 2015
Results: 17
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“We are not a Female Band, We are a BAND!”: Female Performance as a Model of Gender Transgression in Serbian Popular Music.
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- Muzikologija, 2015, n. 19, p. 135, doi. 10.2298/MUZ1519135N
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The Speech Choir in Central European Theatres and Literary-Musical Works in the First Third of the 20th Century.
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- Muzikologija, 2015, n. 18, p. 159, doi. 10.2298/MUZ1518159M
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Ревија музике, заборављени музички часопис међуратног Београда
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- Muzikologija, 2015, n. 19, p. 119, doi. 10.2298/MUZ1519119V
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5
„Doch wie’s da drin aussieht, geht niemand was an.“ Musikausübung und Politikverständnis bei Hermann Scherchen.
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- Muzikologija, 2015, n. 19, p. 67, doi. 10.2298/MUZ1519067L
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- Article
6
Музика, плес и памћење: ка преиспитивању метода теренског истраживања плеса
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- Muzikologija, 2015, n. 19, p. 51, doi. 10.2298/MUZ1519051R
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Early Ukrainian-Belarusian-Polish Traditional Melo-Massif: Interethnic Wedding Macro-Areas.
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- Muzikologija, 2015, n. 19, p. 23, doi. 10.2298/MUZ1519023K
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8
Globalisation and Western Мusic Нistoriography.
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- Muzikologija, 2015, n. 19, p. 9, doi. 10.2298/MUZ1519009R
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Певање унутрашњег простора. О симфонијској и концертантној музици Милорада Маринковића
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- Muzikologija, 2015, n. 19, p. 83, doi. 10.2298/MUZ1519083J
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10
Janáček's and Freud's Vienna: the Fight for Recognition of Two Great Contemporaries.
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- Muzikologija, 2015, n. 18, p. 147, doi. 10.2298/MUZ1518147M
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The Coexistence of Older and Newer Two-Part Folk Singing in the Village of Prekonoga (Southeastern Serbia) as an Example of Bimusicality.
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- Muzikologija, 2015, n. 18, p. 133, doi. 10.2298/MUZ1518133D
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Методолошки диспути о тумачењу неумске нотације у XX веку
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- Muzikologija, 2015, n. 18, p. 15, doi. 10.2298/MUZ1518015P
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13
The Inscription of the Feminine Body in the Field of Sound: Vocal Expression as a Platform of Feminine Writing (écriture féminine).
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- Muzikologija, 2015, n. 18, p. 115, doi. 10.2298/MUZ1518115S
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14
Popular Music and Producing Collectivities: the Challenges of Audience Research in Contemporary Musicology.
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- Muzikologija, 2015, n. 18, p. 99, doi. 10.2298/MUZ1518099P
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A New Interdisciplinary Approach to the Study of the Origins of Traditional Polyphony.
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- Muzikologija, 2015, n. 18, p. 77, doi. 10.2298/MUZ1518077J
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Consequences of the Affective Turn: Exploring Music Practices from without and within.
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- Muzikologija, 2015, n. 18, p. 57, doi. 10.2298/MUZ1518057A
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17
The Affective Turn in Ethnomusicology.
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- Muzikologija, 2015, n. 18, p. 35, doi. 10.2298/MUZ1518035H
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- Article