ENTRE VERSOS Y REALIDADES: UN VIAJE POR EL CONTENIDO DE LAS LETRAS DE LA MÚSICA URBANA. REVISIÓN DE LITERATURA.
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- Ciencia y Sociedad, 2025, v. 50, n. 1, p. 7, doi. 10.22206/cys.2025.v50i1.3325
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Works matching DE "MUSICAL interpretation"
Results: 806
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FRANSIZ KEMAN EKOLÜ'NDE RODOLFO KREUTZER'İN ROLÜ VE PEDAGOJİK KATKILARI.
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- International Journal of Eurasian Education & Culture, 2025, v. 10, n. 29, p. 20, doi. 10.35826/ijoecc.2865
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- Article
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Interpretive autonomy at the heart of classical musicians' learning and well-being: the role of professional education.
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- Frontiers in Psychology, 2025, p. 1, doi. 10.3389/fpsyg.2025.1543268
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- Article
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ŽIŽEK, WAGNER, BRECHT.
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- Communications from the International Brecht Society, 2020, n. 2, p. 11
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- Article
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Transcendence in Leonard Bernstein's Kaddish Symphony.
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- Quarterly Journal of Speech, 1994, v. 80, n. 2, p. 150, doi. 10.1080/00335639409384065
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An evaluation of linear and non-linear models of expressive dynamics in classical piano and symphonic music.
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- Machine Learning, 2017, v. 106, n. 6, p. 887, doi. 10.1007/s10994-017-5631-y
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- Article
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High Key Transgression: Queerness, Disability Justice, and Music to Reimagine Our Selves.
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- Voices in Urban Education, 2023, v. 51, n. 2, p. 4, doi. 10.35240/vue.12
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- Article
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GÜNÜMÜZ TÜRK BESTECİLERİNİN PİYANO ESERLERİNDE ÇAĞDAŞ MÜZİK TEKNİKLERİNİN KULLANIMI ÜZERİNE BİR İNCELEME.
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- Motif Academy Journal of Folklore, 2024, v. 17, n. 47, p. 1594, doi. 10.12981/mahder.1507702
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Hitchcock and Von Trier: the Operatic Melancholia in Cinema.
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- Polish Journal of Aesthetics, 2022, n. 66, p. 83, doi. 10.19205/66.22.6
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Vibrations of Worldly Matter. ASMR as Contemporary Musique Concrète.
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- Polish Journal of Aesthetics, 2020, n. 57, p. 21, doi. 10.19205/57.20.1
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Processual Form in Sufi Dhikr Ritual.
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- Musicologist, 2022, v. 6, n. 2, p. 110, doi. 10.33906/musicologist.1014113
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Broken-Continuity in Saariaho's Terra Memoria.
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- Musicologist, 2020, v. 4, n. 2, p. 227, doi. 10.33906/musicologist.775821
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En conversación con Alfred Brendel.
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- Epistemus. Journal of Music, Cognition & Culture Research, 2024, v. 12, n. 2, p. 1, doi. 10.24215/18530494e079
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- Article
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Notación indeterminada e interpretación: sentando las bases para una epistemología de la práctica en obras experimentales indeterminadas actuales.
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- Epistemus. Journal of Music, Cognition & Culture Research, 2023, v. 11, n. 2, p. 1, doi. 10.24215/18530494e057
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Fire As A First Cause Of Phenomenon In Gaston Bachelard’s The Psychoanalysis Of Fire And Igor Stravinsky’s The Rite Of Spring.
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- Kwartalnik Mlodych Muzykologów UJ, 2021, v. 50, n. 3, p. 43, doi. 10.4467/23537094KMMUJ.21.006.16100
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Satisficing goals and methods in human-machine music improvisations: Experiments with Dory.
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- Journal of Creative Music Systems, 2018, v. 2, n. 2, p. 1, doi. 10.5920/jcms.2018.03
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PRACTICAL LESSONS IN MUSIC.--(III.).
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- Journal of Education, 1886, v. 23, n. 12, p. 181
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ROTE-SINGING.
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- Journal of Education, 1884, v. 19, n. 5, p. 67
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19
ДИАГНОСТИЦИРАНЕ НА ТЕОРЕТИЧНИТЕ ЗНАНИЯ НА СТУДЕНТИТЕ ЧРЕЗ ТЕСТ ЗА ИЗРАЗНИТЕ СРЕДСТВА В МУЗИКАТА
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- Management & Education / Upravlenie i Obrazovanie, 2020, v. 16, n. 3, p. 90
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ЕЛЕМЕНТИТЕ НА МУЗИКАЛНАТА ИЗРАЗНОСТ -- БАЗИСЕН ФАКТОР В ОБУЧЕНИЕТО ПО МУЗИКА В НАЧАЛНА УЧИЛИЩНА ВЪЗРАСТ
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- Management & Education / Upravlenie i Obrazovanie, 2019, v. 15, n. 3, p. 217
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- Article
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Routledge International Handbook of Irish Studies.
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- Studi Irlandesi, 2022, v. 12, p. 309, doi. 10.13128/SIJIS-2239-3978-13757
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- Article
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Exhibition Tlapitzalli. La Forma del Sonido in the Museo Regional de Guanajuato Alhóndiga de Granaditas.
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- 2023
- Publication type:
- Exhibition Review
23
Phrase-Level Modeling of Expression in Violin Performances.
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- Frontiers in Psychology, 2019, p. N.PAG, doi. 10.3389/fpsyg.2019.00776
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Analysis of Tonguing and Blowing Actions During Clarinet Performance.
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- Frontiers in Psychology, 2018, p. 1, doi. 10.3389/fpsyg.2018.00617
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- Article
25
Touch and passion: unlocking the power of the lute.
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- Early Music, 2013, v. 41, n. 2, p. 298
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26
Gustav Leonhardt’s ‘authenticity’.
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- Early Music, 2013, v. 41, n. 1, p. 86, doi. 10.1093/em/cat002
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27
Rediscovering the language of Classical and Romantic performance.
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- Early Music, 2013, v. 41, n. 1, p. 72, doi. 10.1093/em/cat004
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28
Banking on Brahms’s tempos: a literalist look at the Italian terminology in his Variations on a theme by Haydn.
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- Early Music, 2012, v. 40, n. 1, p. 111, doi. 10.1093/em/car120
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29
A new perspective on the performance of dotted rhythms.
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- Early Music, 2010, v. 38, n. 4, p. 585, doi. 10.1093/em/caq079
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30
Still performing Bach.
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- Early Music, 2009, v. 37, n. 3, p. 524, doi. 10.1093/em/cap021
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31
French overturs at the keyboard: the Handel tradition.
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- Early Music, 2007, v. 35, n. 2, p. 271, doi. 10.1093/em/cal118
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32
Byrd, Augustine, and Tribute, Domine.
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- Early Music, 2004, v. 32, n. 4, p. 569, doi. 10.1093/em/32.4.569
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33
Editorial.
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- 2000
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- Editorial
34
Marenzio and Wert read Tasso: A study in contrasting aesthetics.
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- Early Music, 1999, v. 27, n. 4, p. 555, doi. 10.1093/earlyj/XXVII.4.555
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35
Modern Schubert interpretation in the light of the pedagogical sources of his day.
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- Early Music, 1997, v. 25, n. 1, p. 100, doi. 10.1093/earlyj/XXV.1.101
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36
A French overture revisited.
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- Early Music, 1997, v. 25, n. 1, p. 47, doi. 10.1093/earlyj/XXV.1.47
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37
Editorial.
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- 1996
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- Editorial
38
Phrasing in contention.
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- Early Music, 1996, v. 24, n. 2, p. 291, doi. 10.1093/earlyj/XXIV.2.290
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39
Wotan Envy.
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- Parallax, 2006, v. 12, n. 4, p. 26, doi. 10.1080/13534640600955984
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40
Critica muzicală în era digitală: terminologia și cadrul mediatic.
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- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2019, v. 10, n. 2, p. 23, doi. 10.47809/ictmf.2019.02.03
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41
Cântăm împreună la instrumente, fără partituri muzicale, ca intervenţlie educativă pentru iniţierea de procese creative.
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- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2013, v. 4, n. 1, p. 73
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42
Firm Footing in the Heavens and Faltering Steps on Earth: Harmonic Language and Structure as Word Painting in Johannes Brahms's Gesang der Parzen.
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- Choral Scholar, 2010, v. 2, n. 1, p. 17
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- Article
43
'From Body to Body, on the Hither Side of Words or Concepts'.
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- Swedish Journal of Musicology / Svensk Tidskrift foer Musikforskning, 2013, v. 95, p. 121
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44
Interpreting Texts as Scripts: The Lyric Model.
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- Swedish Journal of Musicology / Svensk Tidskrift foer Musikforskning, 2013, v. 95, p. 95
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GLAZBA U IZVEDBI: O GLAZBENOJ INTERPRETACIJI SEVDALINKE OD 1920-IH DO 1950-IH.
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- Croatian Musicological Review / Arti Musices, 2022, v. 53, n. 2, p. 265, doi. 10.21857/y6zolb6j5m
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HRVATSKI GLAZBENI ČASOPISI 1903-1945. KAO GLAZBENOHISTORIOGRAFSKI IZVORI.
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- Croatian Musicological Review / Arti Musices, 2019, v. 50, n. 1/2, p. 377, doi. 10.21857/yk3jwhx139
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PRACTICAL REASON NOT AS SUCH.
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- Journal of Ethics & Social Philosophy, 2018, v. 13, n. 2, p. 125, doi. 10.26556/jesp.v13i2.257
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48
Composers’ Intentions? Lost Traditions of Musical Performance by Andrew Parrott.
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- 2016
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- Book Review
49
John Cage and David Tudor: Correspondence on Interpretation and Performance by Martin Iddon.
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- 2014
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- Publication type:
- Book Review
50
The Poverty of Musical Ontology.
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- Journal of Music & Meaning, 2014, v. 13, p. 1
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- Article