Works matching IS 2299811X AND DT 2022 AND VI 11
Results: 11
NOMAD AND SHAMAN, FLAGS AND TERREMONTO. Arahmaiani Feisal’s artistic practice from the perspective of Joseph Beuys’ “social sculpture”.
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- Art of the Orient, 2022, v. 11, p. 180, doi. 10.15804/aoto202210
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- Article
BETWEEN MIND AND SOUL – PUSTAHA MANUSCRIPTS IN BATAK SOCIETY. Concerning the collections of Batak manuscripts – part I.
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- Art of the Orient, 2022, v. 11, p. 164, doi. 10.15804/aoto202209
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REVISING THE TIGER. The case of the instrument of Tipu Sultan in the Victoria and Albert Museum and the discussion on contested heritage.
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- Art of the Orient, 2022, v. 11, p. 152, doi. 10.15804/aoto202208
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GLIMPSES INTO THE HISTORY, DESIGN AND CONSTRUCTION OF ST. ANDREW’S KIRK, MADRAS.
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- Art of the Orient, 2022, v. 11, p. 140, doi. 10.15804/aoto202207
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REPRESENTATION AND SIGNIFICANCE OF ANIMALS AND BIRDS IN TEMPLE ART: A Case Study of Paramara Temples.
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- Art of the Orient, 2022, v. 11, p. 127, doi. 10.15804/aoto202206
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SWORDS AND DAGGERS ON THE WALLPAINTINGS OF KUCHA IN THE 1ST AND 2ND INDO-IRANIAN STYLE AND ITS SIGNIFICANCE FOR DATING.
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- Art of the Orient, 2022, v. 11, p. 93, doi. 10.15804/aoto202205
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- Article
SIHR UL BAYAN: AWADH POETRY IN DELHI PAINTING (An imperial later Mughal manuscript from the National Museum, New Delhi).
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- Art of the Orient, 2022, v. 11, p. 79, doi. 10.15804/aoto202204
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IMAGING THE DIVINE. The Depiction of Gods and Deified Beings in Illustrations of Kalpasūtra Manuscripts from Western India.
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- Art of the Orient, 2022, v. 11, p. 51, doi. 10.15804/aoto202203
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THE IMPORTANCE OF THE BODY IN INDIAN CULTURE and selected issues regarding its manifestation in art.
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- Art of the Orient, 2022, v. 11, p. 28, doi. 10.15804/aoto202202
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THE ABHAYA GESTURE IN INDIAN ART. Visual Means to Invoke Divine Protection.
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- Art of the Orient, 2022, v. 11, p. 7, doi. 10.15804/aoto202201
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INTRODUCTION.
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- Art of the Orient, 2022, v. 11, p. 5, doi. 10.15804/aoto202201
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- Article