Works matching Licensing Act of 1737
1
- Pólemos (2035-5262), 2014, v. 8, n. 2, p. 321, doi. 10.1515/pol-2014-0020
- Article
3
- Victorian Literature & Culture, 2019, v. 47, n. 2, p. 305, doi. 10.1017/S1060150318001560
- Weltman, Sharon Aronofsky
- Article
4
- Milton Quarterly, 2024, v. 58, n. 3, p. 55, doi. 10.1111/milt.12491
- Article
6
- Theatre Survey, 1973, v. 14, n. 2, p. 91, doi. 10.1017/S0040557400005925
- Article
7
- Research Ideas & Outcome Journal, 2017, v. 3, p. 1, doi. 10.3897/rio.3.e14672
- Article
9
- Early Music, 1998, v. 26, n. 2, p. 213, doi. 10.1093/earlyj/XXVI.2.213
- Article
10
- Theatre Survey, 1985, v. 26, n. 1, p. 21, doi. 10.1017/S0040557400000302
- Milhous, Judith;
- Hume, Robert D.
- Article
11
- Theatre Survey, 1968, v. 9, n. 2, p. 65, doi. 10.1017/S004055740000733X
- Article
12
- Eighteenth Century: Theory & Interpretation, 2002, v. 43, n. 3, p. 236
- Article
13
- Cultural & Social History, 2004, v. 1, n. 2, p. 159, doi. 10.1191/1478003804cs0009oa
- Article
14
- Theatre Symposium, 2008, v. 16, p. 75, doi. 10.1353/tsy.2008.0005
- Article
16
- Restoration & 18th Century Theatre Research, 2009, v. 24, n. 2, p. 45
- Article
17
- Quarterly Journal of Speech, 1964, v. 50, n. 3, p. 252, doi. 10.1080/00335636409382667
- Article
18
- Conrad Studies, 2009, v. 4, p. 150
- Article
19
- Cahiers Victoriens & Edouardiens, 2017, n. 86, p. 1, doi. 10.4000/cve.3303
- Turina, Ana Fernández-Caparrós
- Article