Works matching IS 1731450X AND DT 2024 AND VI 37 AND IP 46
Results: 25
Plagiat w dobie sztucznej inteligencji.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 405, doi. 10.14746/i.2024.37.46.24
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Cinematic Virtual Reality: The Paradox of the Omniscient Viewer in Omnidirectional Space versus Artistic Authorial Control.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 393, doi. 10.14746/i.2024.37.46.23
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Wolność tłumacza w procesie lokalizacji gier wideo na przykładzie Final Fantasy XV.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 380, doi. 10.14746/i.2024.37.46.22
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Powrót (2003) Andrieja Zwiagincewa jako film inicjacyjny.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 371, doi. 10.14746/i.2024.37.46.21
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Krajobraz miasta w narracji filmów dokumentalnych o Lublinie.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 360, doi. 10.14746/i.2024.37.46.20
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UATV: Ukraine's Voice on the Information Battlefield.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 349, doi. 10.14746/i.2024.37.46.19
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Pozycja aktora w obliczu rozwoju platform streamingowych.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 334, doi. 10.14746/i.2024.37.46.18
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„Bo to jej udało się uciec" - droga do emancypacji Josephine w komiksie Fatale Eda Brubakera i Seana Phillipsa.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 319, doi. 10.14746/i.2024.37.46.17
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AUTHOR GALLERY.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 296
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Trzykrotny „półkownik" III RP. Rzecz o współczesnej cenzurze na przykładzie filmu Witajcie w życiu Henryka Dederki.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 281, doi. 10.14746/i.2024.37.46.16
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Pod upadającym nadzorem. Cenzura filmów polskich w latach 1986-1989.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 261, doi. 10.14746/i.2024.37.46.15
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Różne przejawy cenzury wobec serialu Dom Jana Łomnickiego.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 245, doi. 10.14746/i.2024.37.46.14
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Liczenie złotówek. Polskie filmy fantastyczno-przygodowe lat 80. w świetle protokołów komisji kolaudacyjnych.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 221, doi. 10.14746/i.2024.37.46.13
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Pomiędzy okaleczeniem a autorską strategią. Wpływ cenzury na twórczość Luisa Garcíi Berlangi.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 201, doi. 10.14746/i.2024.37.46.12
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Filosowiecki tryb cenzury filmowej we Włoszech epoki zimnej wojny - kontekst i studia przypadków.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 185, doi. 10.14746/i.2024.37.46.11
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Przekształcenia w zakresie cenzury filmowej w Japonii do końca II wojny światowej.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 171, doi. 10.14746/i.2024.37.46.10
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„Ku nowym czynom, ukochany mężu..." O Stukasach Karla Rittera.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 153, doi. 10.14746/i.2024.37.46.9
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Into the Writers' Room: Looking at Polish Characters in Contemporary Dutch-Language Audiovisual Fiction Through the Lens of Production Research.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 125, doi. 10.14746/i.2024.37.46.8
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Censorship, Speakability and Contemporary Green Fiction Cinema.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 109, doi. 10.14746/i.2024.37.46.7
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Sex, Drugs, and Suicide in Youth-oriented TV Series of Different Countries: Controversial Content and the Level of Acceptability for a Sensitive Audience.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 93, doi. 10.14746/i.2024.37.46.6
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Oranges on the Telly: Films and Series in the Christmas Programming of Polish Socialist Television.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 71, doi. 10.14746/i.2024.37.46.5
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Hong Kong's Tightened Film Censorship and Its Implication on Hong Kong Cinema.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 55, doi. 10.14746/i.2024.37.46.4
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The Rating System as Part of the American Film Industry (1970-2019).
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 43, doi. 10.14746/i.2024.37.46.3
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Practices of Co-censorship: The Bilateral Control of Italian-Yugoslavian Co-productions.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 25, doi. 10.14746/i.2024.37.46.2
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Morality Behind Bars: Regulating Prison Films in Postwar Hollywood.
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- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2024, v. 37, n. 46, p. 7, doi. 10.14746/i.2024.37.46.1
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