Why use Linear Workflows with Non-linear Tools?
- Published in:
- New Soundtrack, 2016, v. 6, n. 1, p. 51, doi. 10.3366/sound.2016.0082
- By:
- Publication type:
- Article
Works matching DE "SOUND editing"
Results: 25
1
2
What do we hear? The pluralism of sound design in Hollywood sound production.
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 137, doi. 10.3366/sound.2013.0043
- By:
- Publication type:
- Article
3
The Electric Ear, Part Two.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. 113, doi. 10.3366/sound.2011.0014
- By:
- Publication type:
- Article
4
Play It As It Lays.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. 177, doi. 10.3366/sound.2011.0018
- By:
- Publication type:
- Article
5
The Innovation of Re-Recording in the Hollywood Studios.
- Published in:
- Film History, 2012, v. 24, n. 1, p. 5, doi. 10.2979/filmhistory.24.1.5
- By:
- Publication type:
- Article
6
Crossing Lines: The Sound of the Border in Orson Welles's Touch of Evil (1958).
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
7
Fast generation of audio signatures to describe iTunes libraries.
- Published in:
- Journal of New Music Research, 2006, v. 35, n. 1, p. 51, doi. 10.1080/09298210600696634
- By:
- Publication type:
- Article
8
THE ARTIFICE OF NINETEENTH-CENTURY PHONOGRAPHIC BUSINESS DICTATION.
- Published in:
- 2013
- By:
- Publication type:
- Essay
9
Experimental Sound Mixing for The Well, a Short Film Made for Tablets.
- Published in:
- Leonardo Music Journal, 2018, v. 28, n. 1, p. 65, doi. 10.1162/LMJ_a_00996
- By:
- Publication type:
- Article
10
Analyzing Performance and Meaning in Film.
- Published in:
- 2006
- By:
- Publication type:
- Editorial
11
PROVIDING ACCESS TO MUSIC-THEATRE WORKS WITH ELECTRONIC SOUND ON TAPE: THE CASE OF CONSTANÇA CAPDEVILLE.
- Published in:
- IASA Journal, 2017, n. 47, p. 48, doi. 10.35320/ij.v0i47.55
- By:
- Publication type:
- Article
12
Truth in the mix: Frederick Wiseman's construction of the observational microphone.
- Published in:
- Jump Cut: A Review of Contemporary Media, 2012, n. 54, p. 36
- By:
- Publication type:
- Article
13
How Sound Design Shapes the Audience's Response in Baz Luhrmann's Australia.
- Published in:
- International Journal of the Image, 2014, v. 5, n. 1, p. 25
- By:
- Publication type:
- Article
14
The Unbearable Lightness of Being: Alan Splet and the Dual Role of Editing Sound and Music.
- Published in:
- Music & the Moving Image, 2011, v. 4, n. 3, p. 1, doi. 10.5406/musimoviimag.4.3.0001
- By:
- Publication type:
- Article
15
RAZVOJ JEDNOSTAVNOG ALATA ZA ANALIZU ZVUKA NA MOBILNOJ ANDROID PLATFORMI.
- Published in:
- Technical Journal / Tehnički Glasnik, 2013, v. 7, n. 2, p. 177
- By:
- Publication type:
- Article
16
A Real-Time Semiautonomous Audio Panning System for Music Mixing.
- Published in:
- EURASIP Journal on Advances in Signal Processing, 2010, p. 1, doi. 10.1155/2010/436895
- By:
- Publication type:
- Article
17
La anticipación del sonido y su relación con la estructura narrativa del mensaje audiovisual.
- Published in:
- Revista Latina de Comunicación Social, 2008, n. 63, p. 400, doi. 10.4185/rlcs-63-2008-790-400-408
- By:
- Publication type:
- Article
18
Designing Sound and Silence.
- Published in:
- NORDICOM Review, 2006, v. 27, p. 21
- By:
- Publication type:
- Article
19
Electronic realities and identity fugue in Chris Petit's Radio On (1979).
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 143, doi. 10.1386/st.2.2.143/1
- By:
- Publication type:
- Article
20
The omnipresent soundscape of drones: reflections on Bill Viola's sound design in Five Angels for the Millennium.
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 127, doi. 10.1386/st.2.2.127/1
- By:
- Publication type:
- Article
21
School of Sound Symposium, London 2009; keynote lecture.
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 111, doi. 10.1386/st.2.2.111/1
- Publication type:
- Article
22
Cold world: the deathly void of sound.
- Published in:
- Soundtrack, 2009, v. 2, n. 2, p. 87, doi. 10.1386/st.2.2.87/1
- By:
- Publication type:
- Article
23
'I wanted an electronic silence...' Musicality in Sound Design and the Influences of New Music on the Process of Sound Design for Film.
- Published in:
- Soundtrack, 2008, v. 1, n. 3, p. 193, doi. 10.1386/st.1.3.193_1
- By:
- Publication type:
- Article
24
What's happening? Story, scene and sound in Hou Hsiao-Hsien.
- Published in:
- Inter-Asia Cultural Studies, 2008, v. 9, n. 2, p. 258, doi. 10.1080/14649370801965620
- By:
- Publication type:
- Article
25
Voice-Driven Sound Effect Manipulation.
- Published in:
- International Journal of Human-Computer Interaction, 2012, v. 28, n. 6, p. 373, doi. 10.1080/10447318.2011.595359
- By:
- Publication type:
- Article