Behind the money: Alejandro González Iñárritu as career director.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 9, doi. 10.1386/slac_00033_1
- By:
- Publication type:
- Article
Works matching Alejandro González Iñárritu
Results: 59
1
2
Shifting conceptions of Alejandro González Iñárritu: Interpreting the auteur.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 3, doi. 10.1386/slac_00032_2
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- Publication type:
- Article
3
Alejandro González Iñárritu.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
4
Rehabilitating Neoliberalism: Disability Representation in the Films of Alejandro González Iñárritu and Guillermo Arriaga.
- Published in:
- 2015
- By:
- Publication type:
- Essay
5
Whose film is it anyway? The battle over auteur status between Alejandro González Iñárritu and Guillermo Arriaga.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 19, doi. 10.1386/slac_00034_1
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- Publication type:
- Article
6
Alejandro González Iñárritu.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
7
Birdman Or (The Unexpected Virtue of Ignorance). (2014). Directed by Alejandro González Iñárritu. Written By Alejandro González Iñárritu, Nicolas Giacobone, Alexander Dinelaris, & Armando Bo.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
8
Alejandro González Iñárritu: director without borders.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2009, v. 7, n. 2, p. 101, doi. 10.1386/ncin.7.2.101/1
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- Publication type:
- Article
9
"¿Hay algo que no te deja ir?": Ecos de Pedro Páramo en Biutiful de Alejandro González Iñárritu.
- Published in:
- Romance Notes, 2022, v. 62, n. 3, p. 579, doi. 10.1353/rmc.2022.0044
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- Publication type:
- Article
10
Mosaic Space and Mosaic Auteurs: On the Cinema of Alejandro González Iñárritu, Atom Egoyan, Hou Hsiao-hsien and Michael Haneke.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
11
Biutiful, by Alejandro González Iñárritu.
- Published in:
- Salmagundi, 2011, p. 41
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- Publication type:
- Article
12
A TIME TO LOVE AND A TIME TO DIE: DESIRE AND NARRATIVE STRUCTURE IN 21 GRAMS.
- Published in:
- 2009
- By:
- Publication type:
- Film/TV Criticism and Review
13
Facing the Specter of Immigration in Biutiful.
- Published in:
- Symposium, 2015, v. 69, n. 1, p. 25, doi. 10.1080/00397709.2015.1004273
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- Publication type:
- Article
14
'El pinche acentito ese': deseo transatlántico y exotismo satírico en el cine mexicano del cambio de milenio: Amores perros, Y tu mamá también, Sin dejar huella.
- Published in:
- Hispanic Research Journal, 2009, v. 10, n. 5, p. 457, doi. 10.1179/146827309X12541438883067
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- Publication type:
- Article
15
Espectros de la paternidad y disolución de fronteras en Biutiful de Alejando González Iñárritu.
- Published in:
- Journal of Spanish Cultural Studies, 2015, v. 16, n. 2, p. 179, doi. 10.1080/14636204.2015.1089651
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- Publication type:
- Article
16
Revisiting 'Falling Man' at 20: the 9/11 Archive and Missing Images of Jumpers.
- Published in:
- Comparative American Studies, 2021, v. 18, n. 4, p. 448, doi. 10.1080/14775700.2021.1990642
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- Publication type:
- Article
17
The Allegory of the Meat Market in Amores perros: Cannibalism, Consumption, and Money.
- Published in:
- Hispanic Review, 2022, v. 90, n. 1, p. 1, doi. 10.1353/hir.2022.0000
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- Publication type:
- Article
18
Transplant temporalities and deadly reproductive futurity in Alejandro González Iñárritu’s 21 Grams.
- Published in:
- European Journal of Cultural Studies, 2016, v. 19, n. 1, p. 51, doi. 10.1177/1367549415585549
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- Publication type:
- Article
19
Truth or Dare.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
20
"Bardo, or the Mexican digital diaspora".
- Published in:
- Transnational Screens, 2024, v. 15, n. 3, p. 271, doi. 10.1080/25785273.2023.2271291
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- Publication type:
- Article
21
More-than-human worlds through the Neo-Western landscapes of Jauja and The Revenant.
- Published in:
- Transnational Screens, 2020, v. 11, n. 2, p. 155, doi. 10.1080/25785273.2020.1787673
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- Publication type:
- Article
22
On a happy journey?
- Published in:
- Short Film Studies, 2014, v. 4, n. 1, p. 47, doi. 10.1386/sfs.4.1.47_1
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- Publication type:
- Article
23
A Biutiful city: Alejandro González Iñárritu's filmic critique of the 'Barcelona model'.
- Published in:
- Studies in Hispanic Cinemas, 2012, v. 9, n. 1, p. 19, doi. 10.1386/shci.9.1.19_1
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- Publication type:
- Article
24
The Monstrous-Masculine: Adolescence, Abjection, and the Screen Male in Denys Arcand's Les Invasions barbares (2003) and Alejandro González Iñárritu's Amores perros (2000).
- Published in:
- FIAR: Forum for Inter-American Research, 2008, v. 1, n. 1, p. 35
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- Publication type:
- Article
25
Birdman y las nuevas aventuras de un quijote: parodia y transtextualidad.
- Published in:
- eHumanista, 2020, v. 45, p. 144
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- Publication type:
- Article
26
La Barcelona postolímpica en el cine.
- Published in:
- Tercio Creciente, 2021, p. 53, doi. 10.17561/rtc.19.5584
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- Publication type:
- Article
27
LA RECEPCIÓN DEL CINE MEXICANO Y LAS CONSTRUCCIONES DE GÉNERO. ¿FORMACIÓN DE UNA AUDIENCIA NACIONAL?
- Published in:
- Revista de Estudios de Género, La Ventana, 2008, v. 3, n. 27, p. 58
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- Publication type:
- Article
28
Film zakulisowy jako gatunek i zwierciadło społeczne.
- Published in:
- Film Quarterly / Kwartalnik Filmowy, 2021, n. 116, p. 190, doi. 10.36744/kf.902
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- Publication type:
- Article
29
'Believe It or Not, This is Power': Embodied Crisis and the Superhero on Film.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
30
"There's Nothin' Like the Real Thing".
- Published in:
- Jung Journal: Culture & Psyche, 2015, v. 9, n. 3, p. 71, doi. 10.1080/19342039.2015.1053382
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- Publication type:
- Article
31
HEART OF THE MATTER.
- Published in:
- 2014
- By:
- Publication type:
- Essay
32
Entre el Cha Cha Chá y el Estado: El cine nacional mexicano y sus arquetipos.
- Published in:
- Contracorriente: Una Revista de Estudios Latinoamericanos, 2011, v. 8, n. 3, p. 163
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- Publication type:
- Article
33
Images in the aftermath of trauma: Responding to September 11th.
- Published in:
- Crime, Media, Culture, 2007, v. 3, n. 1, p. 30, doi. 10.1177/1741659007074444
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- Publication type:
- Article
34
ABRAZAR LA MUERTE en cuatro películas recientes.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
35
Crash and Return: Choque, Allusion and Composite Structure in Alejandro González Iñárritu's Amores perros (2000).
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
36
Bargaining with globalization: The cinema of Juan José Campanella.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 115, doi. 10.1386/ncin.16.2.115_1
- By:
- Publication type:
- Article
37
Breaking the Ties that Bind: A Review of Babel.
- Published in:
- 2007
- By:
- Publication type:
- Film/TV Criticism and Review
38
Mental Debility as the Superhero Trait of Today's Real Human in Alejandro González Iñárritu's Birdman.
- Published in:
- Disability Studies Quarterly, 2019, v. 39, n. 2, p. N.PAG, doi. 10.18061/dsq.v39i2.6343
- By:
- Publication type:
- Article
39
Interview with Alejandro G. Iñárritu.
- Published in:
- 2020
- By:
- Publication type:
- Interview
40
"We Are All Uxbal": Narrative Complexity in the Urban Borderlands in Biutiful.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
41
Alejandro González Iñárritu's melodramatic masculinities.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 1, p. 57, doi. 10.1386/slac_00036_1
- By:
- Publication type:
- Article
42
Book Reviews.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2015, v. 12, n. 2, p. 209, doi. 10.1386/slac.12.2.209_5
- By:
- Publication type:
- Article
43
The Languages of Globalisation.
- Published in:
- Nordic Irish Studies, 2008, v. 7, p. 1
- By:
- Publication type:
- Article
44
THE SPECTATOR IN VR - AN INVISIBLE-PRESENT OPERATOR.
- Published in:
- Concept (2248-3756), 2021, v. 22, n. 1, p. 274
- By:
- Publication type:
- Article
45
SİNEMA VE RESİM SANATININ KESİŞEN NOKTASI: ANDREİ TARKOVSKİ.
- Published in:
- Art-E, 2024, v. 17, n. 34, p. 1056, doi. 10.21602/sduarte.1546020
- By:
- Publication type:
- Article
46
NARRATIVA, AFECTOS Y EXPERIENCIA: LAS CONFIGURACIONES IDEOLOÓGICAS DEL NEOLIBERALISMO EN MÉXICO.
- Published in:
- 2009
- By:
- Publication type:
- Literary Criticism
47
Multilingüismo y subtitulación: la (in) comunicación en Babel.
- Published in:
- Foro Hispánico, 2016, v. 51, p. 137, doi. 10.1163/9789004309586_011
- By:
- Publication type:
- Article
48
Babel's national frames in global Hollywood.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
49
Hareket-İmge ve Zaman-İmge Kavramları Doğrultusunda "21 Gram"a Bir Bakış.
- Published in:
- Journal of Akdeniz University Faculty of Communication / Akdeniz Iletişim, 2015, n. 24, p. 114, doi. 10.31123/akil.437433
- By:
- Publication type:
- Article
50
The Human Heart of Psychiatry.
- Published in:
- 2007
- By:
- Publication type:
- Film/TV Criticism and Review