Landscape, soundscape, taskscape in the films The Hurt Locker (2008), Katalin Varga (2009).
- Published in:
- New Soundtrack, 2013, v. 3, n. 2, p. 123, doi. 10.3366/sound.2013.0042
- By:
- Publication type:
- Article
Works matching Hurt Locker (Film)
Results: 6
1
2
Signifying Trauma in the Post-9/11 Combat Film: The Hurt Locker and In the Valley of Elah.
- Published in:
- Journal of War & Culture Studies, 2020, v. 13, n. 3, p. 237, doi. 10.1080/17526272.2019.1615706
- By:
- Publication type:
- Article
3
Embodiment in the war film: Paradise Now and The Hurt Locker.
- Published in:
- Journal of War & Culture Studies, 2012, v. 5, n. 1, p. 7, doi. 10.1386/jwcs.5.1.7_1
- By:
- Publication type:
- Article
4
Samuel Fuller's Schizo-violent Cinema and the Affective Politics of War.
- Published in:
- Deleuze Studies, 2012, v. 6, n. 3, p. 438, doi. 10.3366/dls.2012.0073
- By:
- Publication type:
- Article
5
Surfing a political soundscape: Kathryn Bigelow's Point Break.
- Published in:
- Soundtrack, 2010, v. 3, n. 2, p. 97, doi. 10.1386/st.3.2.97_1
- By:
- Publication type:
- Article
6
Screening war: American Sniper, Hurt Locker, and drone vision.
- Published in:
- International Journal of Contemporary Iraqi Studies, 2016, v. 10, n. 3, p. 229, doi. 10.1386/ijcis.10.3.229_1
- By:
- Publication type:
- Article