Editorial.
- Published in:
- 2020
- By:
- Publication type:
- Editorial
Works matching IS 20443714 AND DT 2020 AND VI 8 AND IP 1/2
Results: 15
1
2
Stepping to the fore: The promotion of Irish dance in Australia.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 47, doi. 10.1386/scene_00022_1
- By:
- Publication type:
- Article
3
Performances of autonomy: Feminist performance practice and reproductive rights activism in Ireland.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 29, doi. 10.1386/scene_00021_1
- By:
- Publication type:
- Article
4
Commemoration, ambivalent attachments and catharsis: David Ireland's Cyprus Avenue at the Abbey Theatre in 2016.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 91, doi. 10.1386/scene_00025_1
- By:
- Publication type:
- Article
5
'It is suicide to be abroad. But what it is to be at home ...': Beckett as national performance.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 73, doi. 10.1386/scene_00024_1
- By:
- Publication type:
- Article
6
'Irish ... but nothing Irish': The performance of Ireland on the British colonial stage.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 135, doi. 10.1386/scene_00028_1
- By:
- Publication type:
- Article
7
Performing Ireland: Now, then, now ...
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 7, doi. 10.1386/scene_00020_1
- By:
- Publication type:
- Article
8
'Racy of the soil': Jason Sherlock, Gaelic games and the performance of Irishness as a racial identity.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 61, doi. 10.1386/scene_00023_1
- By:
- Publication type:
- Article
9
I'm Garrett Lynch (IRL).
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 213, doi. 10.1386/scene_00033_1
- By:
- Publication type:
- Article
10
Cilliní: (Re)addressing the past in the present.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 175, doi. 10.1386/scene_00031_1
- By:
- Publication type:
- Article
11
Touch in Irish performance art: Haptic encounters in Becoming Beloved (1995) and The Touching Contract (2016).
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 159, doi. 10.1386/scene_00030_1
- By:
- Publication type:
- Article
12
Incarcerated women and feminist activism: A case study of Margaretta D'Arcy.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 149, doi. 10.1386/scene_00029_1
- By:
- Publication type:
- Article
13
Irish outsiders: Performing Irish heritage on the streets of New York.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 121, doi. 10.1386/scene_00027_1
- By:
- Publication type:
- Article
14
Performing geopower: Eile and border-fictioning.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 195, doi. 10.1386/scene_00032_1
- By:
- Publication type:
- Article
15
Collapsing time: LGBTQ+ rights in Northern Ireland, A Queer Céilí at the Marty Forsythe.
- Published in:
- Scene (2044-3714), 2020, v. 8, n. 1/2, p. 105, doi. 10.1386/scene_00026_1
- By:
- Publication type:
- Article