Pure Dance, Natalia Osipova.
- Published in:
- Scene (2044-3714), 2018, v. 6, n. 2, p. 180, doi. 10.1386/scene_00018_5
- By:
- Publication type:
- Article
Works matching IS 20443714 AND DT 2018 AND VI 6 AND IP 2
Results: 8
1
2
Luisa Miller, English National Opera.
- Published in:
- Scene (2044-3714), 2018, v. 6, n. 2, p. 177, doi. 10.1386/scene_00017_5
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- Publication type:
- Article
3
Ballet and the Soviet body.
- Published in:
- Scene (2044-3714), 2018, v. 6, n. 2, p. 153, doi. 10.1386/scene_00015_1
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- Publication type:
- Article
4
What constitutes the arts?
- Published in:
- Scene (2044-3714), 2018, v. 6, n. 2, p. 103, doi. 10.1386/scene_00011_2
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- Publication type:
- Article
5
Notes from Notes on Blindness: The challenges of the in-house film production model in independent cinema.
- Published in:
- Scene (2044-3714), 2018, v. 6, n. 2, p. 121, doi. 10.1386/scene_00013_1
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- Publication type:
- Article
6
Assembly: Performing the materiality of Muslim prayer spaces.
- Published in:
- Scene (2044-3714), 2018, v. 6, n. 2, p. 133, doi. 10.1386/scene_00014_1
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- Publication type:
- Article
7
Theatres of sounds: The role of context in the presentation of electroacoustic music.
- Published in:
- Scene (2044-3714), 2018, v. 6, n. 2, p. 165, doi. 10.1386/scene_00016_1
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- Publication type:
- Article
8
Haunted Science: The BBC Radiophonic Workshop and the lost futures of hauntological music.
- Published in:
- Scene (2044-3714), 2018, v. 6, n. 2, p. 107, doi. 10.1386/scene_00012_1
- By:
- Publication type:
- Article