Hearing silence in Dylan Tighe's Record: Madness, autobiographical performance and the ethical encounter.Published in:Performing Ethos, 2018, v. 8, n. 1, p. 49, doi. 10.1386/peet.8.1.49_1By:Venn, JonPublication type:Article
The Saint Olav Drama (Spelet Om Heilag Olav): A perpetual mobile machine? Roots, rituals and respect.Published in:Performing Ethos, 2018, v. 8, n. 1, p. 35, doi. 10.1386/peet.8.1.35_1By:Tromsdal, RoarPublication type:Article
'Her heart knows my heart for a brief moment': Mediated affect and utopian impulse in Many Moons (2011) by Alice Birch.Published in:Performing Ethos, 2018, v. 8, n. 1, p. 19, doi. 10.1386/peet.8.1.19_1By:Escoda, ClaraPublication type:Article
Becoming ethical through relational interaction: An examination of a performance among internally displaced persons in Nigeria.Published in:Performing Ethos, 2018, v. 8, n. 1, p. 3, doi. 10.1386/peet.8.1.3_1By:Afolabi, TaiwoPublication type:Article