Works matching IS 13180509 AND DT 2016 AND VI 31 AND IP 181/182
Results: 19
At work with Pina Pausch: An interview with Dominique Mercy.
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- Maska, 2016, v. 31, n. 181/182, p. 100, doi. 10.1386/maska.31.181-182.100_7
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- Article
Introduction.
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- Maska, 2016, v. 31, n. 181/182, p. 40, doi. 10.1386/maska.31.181-182.40_2
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- Article
At work with Pina Bausch: Friendship and love - An interview with Raimund Hoghe.
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- Maska, 2016, v. 31, n. 181/182, p. 44, doi. 10.1386/maska.31.181-182.44_7
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- Article
New beginnings after the war: Precision and mental freedom in dance and choreography - An interview with Susanna Linke.
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- Maska, 2016, v. 31, n. 181/182, p. 58, doi. 10.1386/maska.31.181-182.58_7
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- Article
Re-inventing ballet: Motion, politics and working methods - An interview with William Forsythe.
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- Maska, 2016, v. 31, n. 181/182, p. 68, doi. 10.1386/maska.31.181-182.68_7
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- Article
Beginnings at Tanz-Theater Wuppertal: On relevance, form and love - An interview with Vivienne Newport.
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- Maska, 2016, v. 31, n. 181/182, p. 80, doi. 10.1386/maska.31.181-182.80_7
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- Article
Dancing and choreographing in post-war Germany: An interview with Reinhild Hoffman.
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- Maska, 2016, v. 31, n. 181/182, p. 92, doi. 10.1386/maska.31.181-182.92_7
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Political, intimate and spectacular.
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- Maska, 2016, v. 31, n. 181/182, p. 26, doi. 10.1386/maska.31.181-182.26_1
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- Article
To the last breath.
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- Maska, 2016, v. 31, n. 181/182, p. 146, doi. 10.1386/maska.31.181-182.146_7
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Traverses of art and audience participation: An interview with Olaf Nicolai.
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- Maska, 2016, v. 31, n. 181/182, p. 20, doi. 10.1386/maska.31.181-182.20_7
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- Article
A seeker of a break-through, original, unbending stance.
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- Maska, 2016, v. 31, n. 181/182, p. 142, doi. 10.1386/maska.31.181-182.142_7
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- Article
Balbina's 'theatre in the round'.
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- Maska, 2016, v. 31, n. 181/182, p. 160, doi. 10.1386/maska.31.181-182.160_7
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- Article
Editorial.
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- Maska, 2016, v. 31, n. 181/182, p. 4, doi. 10.1386/maska.31.181-182.4_2
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On the wings of imagination: The 8th Biennial of puppetry artists of Slovenia.
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- Maska, 2016, v. 31, n. 181/182, p. 112, doi. 10.1386/maska.31.181-182.112_1
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The postoperatic gap between body and voice.
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- Maska, 2016, v. 31, n. 181/182, p. 138, doi. 10.1386/maska.31.181-182.138_5
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- Article
Crisis, violence and hope in the global spectacle.
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- Maska, 2016, v. 31, n. 181/182, p. 6, doi. 10.1386/maska.31.181-182.6_1
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- Article
When drama theatre meets puppetry: How a unique symbiosis brought about distinctive changes in Bulgaria's theatre.
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- Maska, 2016, v. 31, n. 181/182, p. 120, doi. 10.1386/maska.31.181-182.120_1
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- Article
Criticism without adjectives: A fable about people from the edge.
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- Maska, 2016, v. 31, n. 181/182, p. 130, doi. 10.1386/maska.31.181-182.130_1
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- Article
Dr. Henrik Faust: 'Beauty is my grave.'.
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- Maska, 2016, v. 31, n. 181/182, p. 150, doi. 10.1386/maska.31.181-182.150_7
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- Article