Cinema as a safe vessel: Jonas Poher Rasmussen's Flee.
- Published in:
- Journal of Scandinavian Cinema, 2023, v. 13, n. 3, p. 301, doi. 10.1386/jsca_00099_1
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- Article
Works matching IS 20427891 AND DT 2023 AND VI 13 AND IP 3
Results: 7
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Symbolic purposes of style: Ruben Östlund's The Square.
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- Journal of Scandinavian Cinema, 2023, v. 13, n. 3, p. 283, doi. 10.1386/jsca_00100_1
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- Article
3
Contemporary Nordic art film comedy.
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- Journal of Scandinavian Cinema, 2023, v. 13, n. 3, p. 263, doi. 10.1386/jsca_00102_1
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- Article
4
Editorial.
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- Journal of Scandinavian Cinema, 2023, v. 13, n. 3, p. 213, doi. 10.1386/jsca_00103_2
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- Article
5
Listening to audiences to remain relevant: Audience research as a new production method for Scandinavian screen cultures in transition.
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- Journal of Scandinavian Cinema, 2023, v. 13, n. 3, p. 243, doi. 10.1386/jsca_00097_1
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- Article
6
Art cinema, film policy and the slaughterhouse of Swedish cinema.
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- Journal of Scandinavian Cinema, 2023, v. 13, n. 3, p. 219, doi. 10.1386/jsca_00098_1
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- Article
7
Special Issue: 'Contemporary Scandinavian Art Cinema and Screen Cultures in Transition'.
- Published in:
- Journal of Scandinavian Cinema, 2023, v. 13, n. 3, p. 215, doi. 10.1386/jsca_00101_2
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- Publication type:
- Article