Dreams and desire. The cinema of Pier Paolo Pasolini and Federico Fellini: A conversation with Roberto Chiesi.
- Published in:
- 2022
- By:
- Publication type:
- Interview
Works matching IS 20477368 AND DT 2022 AND VI 10 AND IP 1
Results: 20
1
2
Trailers as mediatized performances: Investigating the use of promotional videos among Italian contemporary theatre artists.
- Published in:
- Journal of Italian Cinema & Media Studies, 2022, v. 10, n. 1, p. 77, doi. 10.1386/jicms_00103_1
- By:
- Publication type:
- Article
3
The Cinema of Paolo Sorrentino: Commitment to Style, Russell J. A. Kilbourn (2020).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
4
Francesco Rosi Collection (1928–2008).
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
5
From Bethlehem to Basilicata: Framing Pasolini from Palestine.
- Published in:
- Journal of Italian Cinema & Media Studies, 2022, v. 10, n. 1, p. 59, doi. 10.1386/jicms_00102_1
- By:
- Publication type:
- Article
6
Photoromance, she read: Fandom and the politics of Italian media.
- Published in:
- Journal of Italian Cinema & Media Studies, 2022, v. 10, n. 1, p. 3, doi. 10.1386/jicms_00099_1
- By:
- Publication type:
- Article
7
Managing social, historical and ideological change in Italian cinema and media: Three new dissertations.
- Published in:
- 2022
- By:
- Publication type:
- Dissertation
8
Cecilia Mangini and Lino Del Fra Collection, Cineteca di Bologna.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
9
Heroes or criminals? The legitimacy of humanitarian organizations rescuing lives in the Central Mediterranean Sea after 2017.
- Published in:
- Journal of Italian Cinema & Media Studies, 2022, v. 10, n. 1, p. 37, doi. 10.1386/jicms_00101_1
- By:
- Publication type:
- Article
10
Amara terra mia/Io vado via: Cinema Italiano e canti della grande emigrazione del Novecento, Stefania Carpiceci (2020).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
11
Posthuman identity and the human–animal divide in Pier Paolo Pasolini's The Hawks and the Sparrows and Pigsty.
- Published in:
- Journal of Italian Cinema & Media Studies, 2022, v. 10, n. 1, p. 19, doi. 10.1386/jicms_00100_1
- By:
- Publication type:
- Article
12
The Photoromance: A Feminist Reading of Popular Culture, Paola Bonifazio (2020).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
13
Neorealist Film Culture, 1945–1954: Rome, Open Cinema, Francesco Pitassio (2019).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
14
Fame amid the Ruins: Italian Film Stardom in the Age of Neorealism, Stephen Gundle (2020).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
16
Clocking Out: The Machinery of Life in 1960s Italian Cinema, Karen Pinkus (2020).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
17
Hacked Transmissions: Technology and Connective Activism in Italy, Alessandra Renzi (2020).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
18
Imperfetto presente (voci dal primo lockdown) (Present Imperfect [Voices from the First Lockdown]), Maddalena Merlino and Claudio Paletto (dirs) (2020), Italy: Like a Gym in a Squat Film.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
19
Tornare all'Anormalità: più complesso di un virus (Back to Abnormality: More Complex than a Virus), Priscilla Aguirre Martínez, Raíssa Dourado, Diana Maria González, Paulina Gutiérrez, Lukas Jaramillo, Juan Pablo Patiño, Xabier Ortiz De De Urbina, Andrés Rico and Stefano Virgilio Cipressi (dirs) (2020), Ecuador, Brazil, Mexico, Chile, Colombia, Spain, USA, Italy: Fujakkà
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
20
Che fine hanno fatto i sogni? (Where Have All Our Dreams Gone?), Patrizia Fregonese de Filippo (dir.) (2020), Italy: Kalabrone Film Srl and Archivio Audiovisivo del Movimento Operaio e Democratico (AAMOD).
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review