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The cultural capital of the gothic horror adaptation: The case of Dario Argento's The Phantom of the Opera and Dracula 3D.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 229, doi. 10.1386/jicms.5.2.229_1
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- Article
'Why are there always three?': The Gothic occult in Dario Argento's Three Mothers Trilogy.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 211, doi. 10.1386/jicms.5.2.211_1
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Streaming Italian horror cinema in the United Kingdom: Lovefilm Instant.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 245, doi. 10.1386/jicms.5.2.245_1
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The Strange Vice of Mrs. Wardh and the Giallo: An International Film Conference, Rome, 7-9 June 2015.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 273, doi. 10.1386/jicms.5.2.273_7
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- Article
Spaghetti Cinema, University of Bedfordshire, Luton, UK, 9-10 May 2014.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 267, doi. 10.1386/jicms.5.2.267_7
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Italian horror cinema.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 153, doi. 10.1386/jicms.5.2.153_2
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'I have a picture of the Monster!': Il mostro di Frankenstein and the search for Italian horror cinema.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 159, doi. 10.1386/jicms.5.2.159_1
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- Article
All the colours of the dark: Film genre and the Italian giallo.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 173, doi. 10.1386/jicms.5.2.173_1
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A comparative analysis of the factors driving film cycles: Italian and American zombie film production, 1978-82.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 191, doi. 10.1386/jicms.5.2.191_1
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- Article
An interview with Sergio Martino: An American in Rome.
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- Journal of Italian Cinema & Media Studies, 2017, v. 5, n. 2, p. 261, doi. 10.1386/jicms.5.2.261_7
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- Article