MAPPING THE MONSTROUS: WOMEN’S HORRIFIC BODIES IN FRENCH EXTREME FILM.
- Published in:
- Estudios Humanisticos. Filologia, 2021, n. 43, p. 39, doi. 10.18002/ehf.v0i43.7039
- By:
- Publication type:
- Article
Works matching Extreme cinema
Results: 36
1
2
UN « JE» TYRANNIQUE? : Ce que Sartre et Céline peuvent nous dire du «cinéma extrême».
- Published in:
- Écrans, 2017, n. 8/9, p. 193
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- Publication type:
- Article
3
Corporeal violence in art-house cinema: Cannes 2009.
- Published in:
- 2016
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- Publication type:
- Film/TV Criticism and Review
4
THE END OF EXTREME CINEMA STUDIES.
- Published in:
- 2017
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- Publication type:
- Literary Criticism
5
Abjection and the New Extreme of utopia.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 1, p. 57, doi. 10.1386/ncin.16.1.57_1
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- Publication type:
- Article
6
Violence in Extreme Cinema and the Ethics of Spectatorship.
- Published in:
- Projections: The Journal for Movies & Mind, 2013, v. 7, n. 1, p. 25, doi. 10.3167/proj.2013.070104
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- Publication type:
- Article
7
The New Extremisms Rethinking Extreme Cinema.
- Published in:
- Cinephile, 2012, v. 8, n. 2, p. 6
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- Publication type:
- Article
8
The American Cinema of Excess: Extremes of the National Mind on Film.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
9
HORROR TO THE EXTREME: Changing Boundaries in Asian Cinema.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
10
TRAUMA, EXCESS, AND THE AESTHETICS OF AFFECT: THE EXTREME CINEMAS OF CHAN-WOOK PARK.
- Published in:
- Post Script, 2014, v. 34, n. 1, p. 33
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- Publication type:
- Article
11
Construcciones poéticas del cine en situaciones extremas El cine de lo real de F. Deligny.
- Published in:
- Ética y Cine Journal, 2025, v. 15, n. 1, p. 95, doi. 10.31056/2250.5415.v15.n1.48593
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- Publication type:
- Article
12
MORIRE E RI-NASCERE ESTREMI DI STORIE MIGRANTI NEL CINEMA.
- Published in:
- Scritture Migranti, 2019, n. 13, p. 65, doi. 10.6092/issn.2035-7141/12003
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- Publication type:
- Article
13
The Grace of Destruction: A Vital Ethology of Extreme Cinemas.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
14
Biopolitics and the Cinema of Extremes.
- Published in:
- Russian Review, 2023, v. 82, n. 1, p. 50, doi. 10.1111/russ.12395
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- Publication type:
- Article
15
Beyond "Extreme": Rereading Kim Ki-duk's Cinema of Ressentiment.
- Published in:
- Journal of Film & Video, 2010, v. 62, n. 1/2, p. 96, doi. 10.5406/jfilmvideo.62.1-2.0096
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- Publication type:
- Article
16
‘Asia Extreme’: Japanese cinema and British hype.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2007, v. 5, n. 1, p. 53, doi. 10.1386/ncin.5.1.53_1
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- Publication type:
- Article
17
The Grace of Destruction: A Vital Ethology of Extreme Cinemas.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
18
Extreme Asia: the rise of cult cinema from the Far East.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
19
A new media landscape? The BBFC, extreme cinema as cult, and technological change.
- Published in:
- New Review of Film & Television Studies, 2015, v. 13, n. 1, p. 83, doi. 10.1080/17400309.2014.982910
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- Publication type:
- Article
20
Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture.
- Published in:
- 2018
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- Publication type:
- Book Review
21
Shock Value: Audiences on the Censorship of A Serbian Film.
- Published in:
- Journal of British Cinema & Television, 2019, v. 16, n. 2, p. 191, doi. 10.3366/jbctv.2019.0468
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- Publication type:
- Article
22
'Cuts are not a viable option': The British Board of Film Classification, Hate Crime and Censorship for Adults in the Digital Age.
- Published in:
- Journal of British Cinema & Television, 2017, v. 14, n. 1, p. 77, doi. 10.3366/jbctv.2017.0353
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- Publication type:
- Article
23
Onscreen and off-screen flesh and blood: performance, affect and ethics in Catherine Breillat’s films.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
24
Cinema Exhibition on a Cultural Basis in Europe: Reflecting on the Contributions of the Nordic Model for Portuguese Local Cinema Policies.
- Published in:
- Journal of Arts Management, Law & Society, 2024, v. 54, n. 3, p. 172, doi. 10.1080/10632921.2024.2347391
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- Publication type:
- Article
25
TRAGEDIA DE VENGANZA Y ARTE DEL CUERPO EN EL BANQUETE CANÍBAL DE PETER GREENAWAY.
- Published in:
- Cartaphilus, 2016, v. 14, p. 306
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- Publication type:
- Article
26
Nonhuman Cinema and the Logistical Sublime∗.
- Published in:
- October, 2021, n. 177, p. 114, doi. 10.1162/octo_a_00435
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- Publication type:
- Article
27
Unwatchable, but highly readable.
- Published in:
- Jump Cut: A Review of Contemporary Media, 2019, n. 59, p. 1
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- Publication type:
- Article
28
ПОЭТИЧЕСКИЕ СИМВОЛЫ В СОВРЕМЕННОМ ФЕМИНИСТИЧЕСКОМ КИНО КАЗАХСТАНА
- Published in:
- Central Asian Journal of Art Studies, 2023, v. 8, n. 1, p. 30, doi. 10.47940/cajas.v8i1.614
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- Publication type:
- Article
29
Sensory everyday: Space, materiality and the body in the films of Tsai Ming-liang.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
30
Crypto-cannibalism: Meat, murder and monstrosity in Tiwa Moeithasong's The Meat Grinder.
- Published in:
- Horror Studies, 2014, v. 5, n. 2, p. 249, doi. 10.1386/host.5.2.249_1
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- Publication type:
- Article
31
From The Black Society to The Isle: Miike Takashi and Kim Ki-Duk at the intersection of Asia Extreme.
- Published in:
- Journal of Japanese & Korean Cinema, 2009, v. 1, n. 2, p. 167, doi. 10.1386/jjkc.1.2.167/1
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- Publication type:
- Article
32
All Stripped Down: The Spectacle of “Torture Porn”.
- Published in:
- Popular Communication, 2009, v. 7, n. 1, p. 40, doi. 10.1080/15405700802587232
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- Publication type:
- Article
33
Virtual terrors.
- Published in:
- Nous (0029-4624), 2023, v. 57, n. 4, p. 877, doi. 10.1111/nous.12432
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- Publication type:
- Article
34
نمائي املغاربي: ة للخطاب السّ ّ االشتغاالت الفكري الته ّ محاوالت الستيعاب الواقع وتم.
- Published in:
- Journal of Humanities & Social Sciences (2522-3380), 2023, v. 7, n. 3, p. 62, doi. 10.26389/AJSRP.D231022
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- Publication type:
- Article
35
Split identification: Representations of rape in Gaspar Noé's Irréversible and Catherine Breillat's A ma sæur!/Fat Girl.
- Published in:
- Studies in European Cinema, 2010, v. 7, n. 2, p. 95, doi. 10.1386/seci.7.2.95_1
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- Publication type:
- Article
36
Cinematic Violence Isn't Violent Enough.
- Published in:
- Discourse: Journal for Theoretical Studies in Media & Culture, 2018, v. 40, n. 3, p. 382, doi. 10.13110/discourse.40.3.0382
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- Publication type:
- Article