From orality to visuality: the question of aesthetics in African cinema.
- Published in:
- Journal of African Cinemas, 2009, v. 1, n. 2, p. 141, doi. 10.1386/jac.1.2.141/1
- By:
- Publication type:
- Article
Works matching IS 17549221 AND DT 2009 AND VI 1 AND IP 2
Results: 9
1
2
Ruin and renewal in Idrissa Ouédraogo's Yaaba.
- Published in:
- Journal of African Cinemas, 2009, v. 1, n. 2, p. 159, doi. 10.1386/jac.1.2.159/1
- By:
- Publication type:
- Article
3
Renewal in African cinema: genres and aestheticsIssue 2: Aesthetics and ideology.
- Published in:
- Journal of African Cinemas, 2009, v. 1, n. 2, p. 139, doi. 10.1386/jac.1.2.139/2
- By:
- Publication type:
- Article
4
Book Review.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
5
Violence in Souleymane Cissé's films: a cultural perspective.
- Published in:
- Journal of African Cinemas, 2009, v. 1, n. 2, p. 189, doi. 10.1386/jac.1.2.189/1
- By:
- Publication type:
- Article
6
Music and narrative in five films by Ousmane Sembène.
- Published in:
- Journal of African Cinemas, 2009, v. 1, n. 2, p. 207, doi. 10.1386/jac.1.2.207/1
- By:
- Publication type:
- Article
7
Index – Volume 1.
- Published in:
- Journal of African Cinemas, 2009, v. 1, n. 2, p. 238, doi. 10.1386/jac.1.2.238
- Publication type:
- Article
8
Problematizing a ‘fundamentalist’ ideology: A close analysis of Atef Hetata's The Closed Doors and Phil Mullaly's The Martyrs of Uganda.
- Published in:
- Journal of African Cinemas, 2009, v. 1, n. 2, p. 173, doi. 10.1386/jac.1.2.173/1
- By:
- Publication type:
- Article
9
Bumping into Reality, Brutal Realism and Bafundi 2009: Some Thoughts on a Student Film Festival.
- Published in:
- Journal of African Cinemas, 2009, v. 1, n. 2, p. 225, doi. 10.1386/jac.1.2.225/7
- By:
- Publication type:
- Article