Robert Eggers's The Lighthouse : Art horror, alienated labour and capitalist routinization.
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- Horror Studies, 2024, v. 15, n. 1, p. 41, doi. 10.1386/host_00079_1
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- Article
Works matching IS 20403275 AND DT 2024 AND VI 15 AND IP 1
Results: 8
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Tracing dental horror in contemporary American cinema.
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- Horror Studies, 2024, v. 15, n. 1, p. 9, doi. 10.1386/host_00077_1
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- Article
3
Glitches and ghosts: The digital uncanny in video games and creepypasta.
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- Horror Studies, 2024, v. 15, n. 1, p. 83, doi. 10.1386/host_00082_1
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- Article
4
From xenophobia to bodily effluvia: Monsters as anthropomorphized swearwords.
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- Horror Studies, 2024, v. 15, n. 1, p. 69, doi. 10.1386/host_00081_1
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- Article
5
Acid flashbacks: The psychedelic horror film post-1979.
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- Horror Studies, 2024, v. 15, n. 1, p. 55, doi. 10.1386/host_00080_1
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- Article
6
'Mimic the strata' or what is becoming about becoming – The Thing.
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- Horror Studies, 2024, v. 15, n. 1, p. 99, doi. 10.1386/host_00083_1
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- Article
7
Introduction.
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- Horror Studies, 2024, v. 15, n. 1, p. 3, doi. 10.1386/host_00076_2
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- Article
8
1973 and the American horror film: Political futurity in The Exorcist and The Texas Chain Saw Massacre.
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- Horror Studies, 2024, v. 15, n. 1, p. 25, doi. 10.1386/host_00078_1
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- Publication type:
- Article