'Awed listening': H. P. Lovecraft in classic and contemporary audio horror.
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- Horror Studies, 2022, v. 13, n. 1, p. 97, doi. 10.1386/host_00048_1
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- Article
Works matching IS 20403275 AND DT 2022 AND VI 13 AND IP 1
Results: 9
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The horrors of technology in the fiction of H. P. Lovecraft.
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- Horror Studies, 2022, v. 13, n. 1, p. 77, doi. 10.1386/host_00047_1
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- Article
3
'Ages five and up': Alien toys for children and the question of horror's histories.
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- Horror Studies, 2022, v. 13, n. 1, p. 7, doi. 10.1386/host_00043_1
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- Article
4
Real scary/scary real: Consuming simulated and authentic horrors in the digital era.
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- Horror Studies, 2022, v. 13, n. 1, p. 63, doi. 10.1386/host_00046_1
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- Article
5
Clive Barker's rhetorical dialectics: Stretching the intellectual imagination.
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- Horror Studies, 2022, v. 13, n. 1, p. 43, doi. 10.1386/host_00045_1
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- Article
6
Introduction.
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- Horror Studies, 2022, v. 13, n. 1, p. 3, doi. 10.1386/host_00042_2
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- Article
7
The meaningful art of one of the 'worst movies of all time': Phil Tucker's Robot Monster (1953) as an existentialist critique of American modernity.
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- Horror Studies, 2022, v. 13, n. 1, p. 27, doi. 10.1386/host_00044_1
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- Article
8
The sound of evil: How the sound design of Hereditary manifests the unseen and triggers fear.
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- Horror Studies, 2022, v. 13, n. 1, p. 133, doi. 10.1386/host_00050_1
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- Article
9
Sounding the abject in contemporary horror scoring.
- Published in:
- Horror Studies, 2022, v. 13, n. 1, p. 117, doi. 10.1386/host_00049_1
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- Publication type:
- Article