From filth-ghost to Khmer-witch: Phi Krasue's changing cinematic construction and its symbolism.
- Published in:
- Horror Studies, 2014, v. 5, n. 2, p. 183, doi. 10.1386/host.5.2.183_1
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- Article
Works matching IS 20403275 AND DT 2014 AND VI 5 AND IP 2
Results: 9
1
2
Staging the spectral: The border, haunting and politics in Mekong Hotel.
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- Horror Studies, 2014, v. 5, n. 2, p. 197, doi. 10.1386/host.5.2.197_1
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- Article
3
Reviews.
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- Horror Studies, 2014, v. 5, n. 2, p. 265, doi. 10.1386/host.5.2.265_5
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- Article
4
Thai horror film: International success, history and the avant-garde.
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- Horror Studies, 2014, v. 5, n. 2, p. 153, doi. 10.1386/host.5.2.153_2
- Publication type:
- Article
5
Reincarnating Mae Nak: The contemporary cinematic history of a Thai icon.
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- Horror Studies, 2014, v. 5, n. 2, p. 211, doi. 10.1386/host.5.2.211_1
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- Publication type:
- Article
6
The supernatural and post-war Thai cinema.
- Published in:
- Horror Studies, 2014, v. 5, n. 2, p. 157, doi. 10.1386/host.5.2.157_1
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- Article
7
Spirits in suburbia: Ghosts, global desires and the rise of Thai middle-class horror.
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- Horror Studies, 2014, v. 5, n. 2, p. 233, doi. 10.1386/host.5.2.233_1
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- Article
8
Crypto-cannibalism: Meat, murder and monstrosity in Tiwa Moeithasong's The Meat Grinder.
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- Horror Studies, 2014, v. 5, n. 2, p. 249, doi. 10.1386/host.5.2.249_1
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- Publication type:
- Article
9
Between subjugation and subversion: Ideological ambiguity in the cinematic Mae Nak of Thailand.
- Published in:
- Horror Studies, 2014, v. 5, n. 2, p. 171, doi. 10.1386/host.5.2.171_1
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- Publication type:
- Article