Works matching Alfred Hitchcock Films
Results: 206
FILM JAKO ILUSTRACJA RÓL SPOŁECZNYCH. OBRAZ MATKI W WYBRANYCH FILMACH ALFREDA HITCHCOCKA.
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- Studia Edukacyjne, 2023, n. 71, p. 259, doi. 10.14746/se.2023.71.17
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Alfred Hitchcock's Rereleased Films: Part Two.
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- Quarterly Review of Film & Video, 1989, v. 11, n. 2, p. 101, doi. 10.1080/10509208909361304
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Alfred Hitchcock's Rereleased Films: Part One.
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- 1989
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- Book Review
Chapter 8: The semiotic implications of multilingualism in the construction of suspense in Alfred Hitchcock's films.
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- Approaches to Translation Studies, 2014, v. 39, p. 141
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The Cinema, or the Egg: The Fowl Aesthetics of Alfred Hitchcock's Film Form.
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- Quarterly Review of Film & Video, 2018, v. 35, n. 5, p. 423, doi. 10.1080/10509208.2018.1460999
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Alfred Hitchcock and Beyond: An Interview with Film Scholar Dr. Richard Allen.
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- Film Matters, 2013, v. 4, n. 4, p. 52, doi. 10.1386/fm.4.4.52_1
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The Architecture of Suspense: The Built World in the Films of Alfred Hitchcock by Christine Madrid French: The Wrong House: The Architecture of Alfred Hitchcock by Steven Jacobs.
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- Film International (16516826), 2023, v. 21, n. 1/2, p. 167, doi. 10.1386/fint_00214_5
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'Is it for this you widen your eye rings?' Looking, Overlooking and Cold War Paranoia: the art of the voyeur in the poetry of Sylvia Plath and the films of Alfred Hitchcock.
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- Women's History Review, 2009, v. 18, n. 4, p. 547, doi. 10.1080/09612020903112182
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VAIZDINIS IR MUZIKINIS DAUGIAPO-TEKSTIŠKUMAS ALFREDO HITCHCOCKO FILMUOSE: LANGAS Į KIEMĄ / PSICHOPATAS.
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- Logos: A Journal, of Religion, Philosophy Comparative Cultural Studies & Art (08687692), 2017, n. 91, p. 198, doi. 10.24101/logos.2017.39
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Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock.
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- 2015
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- Book Review
William Rothman, Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock (New York: Columbia University Press, 2014), pp. ix + 302, 111 b+w illus., ISBN 978 0 231 16603 4 (pb), $30/£20.50.
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- Journal of British Cinema & Television, 2015, v. 12, n. 3, p. 414, doi. 10.3366/jbctv.2015.0273
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REPUTATION BUILDING AND THE FILM ART WORLD: The Case of Alfred Hitchcock.
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- Sociological Quarterly, 1989, v. 30, n. 1, p. 15, doi. 10.1111/j.1533-8525.1989.tb01509.x
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Propuesta de un modelo de análisis cinematográfico integral y aplicación del modelo a rear window, (La ventana indiscreta, 1954) de Alfred Hitchcock.
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- Comunicación y Hombre, 2017, n. 13, p. 183, doi. 10.32466/eufv-cyh.2017.13.222.183-199
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- Article
CARNE ASSADA COM REPOLHO E BATATAS: A CARGA DRAMÁTICA DOS ALIMENTOS NO FILME "SABOTAGE" DE ALFRED HITCHCOCK.
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- Esferas, 2019, n. 15, p. 90, doi. 10.31501/esf.v0i15.10519
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The architecture of suspense: The built world in the films of Alfred Hitchcock, by Christine Madrid French: Charlottesville and London, University of Virginia Press, 2022.
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- 2024
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- Book Review
"We All Go a Little Mad Sometimes:" Representations of Insanity in the Films of Alfred Hitchcock.
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- Culture, Medicine & Psychiatry, 2023, v. 47, n. 1, p. 152, doi. 10.1007/s11013-022-09789-y
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The Architecture of Suspense: The Built World in the Films of Alfred Hitchcock.
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- ARRIS: The Journal of the Southeast Chapter of the Society of Architectural Historians, 2024, v. 35, p. 54
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Classical Myth in Four Films of Alfred Hitchcock.
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- 2020
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- Book Review
Classical Myth in Four Films of Alfred Hitchcock.
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- 2018
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- Book Review
Classical myth in Alfred Hitchcock's Wrong Man and Grace Kelly films.
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- 2020
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- Book Review
Classical Myth in Four Films of Alfred Hitchcock.
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- 2017
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- Book Review
Archetypes as Propaganda in Alfred Hitchcock's "Lost" World War II Films.
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- Film & History (03603695), 1997, v. 27, n. 1-4, p. 80, doi. 10.1353/flm.1997.a395904
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- Article
LAS CIUDADES EN EL CINE DE ALFRED HITCHCOCK. UNA APROXIMACIÓN A LOS ESTUDIOS FÍLMICOS DESDE EL AMBITO DE LA GEOGRAFÍA.
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- Espacio, Tiempo y Forma: Serie VI, Geografía, 2011, n. 4/5, p. 123
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- Article
ADAPTER EN CONTRECHAMP: Bertrand Bonello lecteur de Sueurs froides (D'entre les morts) et spectateur de Vertigo.
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- Intercâmbio, 2020, n. 13, p. 102
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Usages de l'image cinématographique dans Les grandes blondes de Jean Echenoz.
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- Études Françaises, 2020, v. 56, n. 2, p. 121, doi. 10.7202/1072482ar
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El cine come metalenguaje. Haciendo visible el código de la moda.
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- Cuadernos del Centro de Estudios de Diseño y Comunicación, 2016, v. 16, n. 58, p. 141
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KRAFT DES LEEREN: Einfühlung in McGuffins.
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- Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft (ZÄK), 2018, v. 63, n. 1, p. 61, doi. 10.28937/1000108134
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Using Alfred Hitchcock's Psycho to Demonstrate the Importance of Thoughtful Reading and Writing.
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- Teaching English in the Two Year College, 2016, v. 44, n. 1, p. 96, doi. 10.58680/tetyc201628771
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The dark side of blondeness: Vertigo and race.
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- Screen, 2018, v. 59, n. 1, p. 59, doi. 10.1093/screen/hjy004
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Screening and disclosing fantasy: rear projection in Hitchcock.
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- 2015
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- Film/TV Criticism and Review
Hitchcock and Powell: two directions for British cinema.
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- Screen, 2005, v. 46, n. 1, p. 5, doi. 10.1093/screen/46.1.5
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'Wandering with precision': contamination and the mise-enscene of desire in Chris Marker's Sans soleil.
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- 2004
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- Arts/Entertainment Review
Primal scenes and the female gothic: Rebecca and Gaslight.
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- Screen, 1995, v. 36, n. 4, p. 341, doi. 10.1093/screen/36.4.341
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Proof with and without probabilities.
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- Artificial Intelligence & Law, 2017, v. 25, n. 1, p. 127, doi. 10.1007/s10506-017-9199-4
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Hitchcock's Underground.
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- Modernism/Modernity, 2015, v. 22, n. 1, p. 125, doi. 10.1353/mod.2015.0004
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Editorial: Introduction to Special Archival Issue of LFQ.
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- Literature Film Quarterly, 2021, v. 49, n. 1, p. 1
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Monstrous Beckett: Viewing Eh Joe through the Peephole of Psycho.
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- 2018
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- Literary Criticism
Alfred Hitchcock's Psycho and the Cinematic Novels of Don DeLillo and Manuel Muñoz.
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- Literature Film Quarterly, 2015, v. 43, n. 1, p. 4
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Cinematic Novels, Cinema from Novels, and Adaptation Policy: LFQ at 43.
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- Literature Film Quarterly, 2015, v. 43, n. 1, p. 2
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Hitchcock's Terrorists: Sources and Significance.
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- 2011
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- Film/TV Criticism and Review
Screen Narratives.
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- Literature Film Quarterly, 2006, v. 34, n. 1, p. 2
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- Article
Hanging with Hitchcock.
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- 2004
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- Book Review
Expressionist Themes in Strangers on a Train.
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- Literature Film Quarterly, 2003, v. 31, n. 4, p. 260
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Hitchcock Without Hitchcock.
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- Literature Film Quarterly, 2003, v. 31, n. 4, p. 248
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Fashion Dreams: Hitchcock, Women, and Lisa Fremont.
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- Literature Film Quarterly, 2000, v. 28, n. 4, p. 274
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101 Ways to Tell Hitchcock's Psycho From Gus Van Sant's.
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- Literature Film Quarterly, 2000, v. 28, n. 4, p. 269
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Reading the Birds and "The Birds."
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- Literature Film Quarterly, 2000, v. 28, n. 4, p. 250
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It's the Cold War, Stupid: An Obvious History of the Political Hitchcock.
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- Literature Film Quarterly, 1999, v. 27, n. 1, p. 3
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The ideological transformation of Conrad's The Secret Agent into Hitchcock's Sabotage.
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- Literature Film Quarterly, 1994, v. 22, n. 3, p. 199
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Sometimes a cigar is not just a cigar: A Freudian analysis of Uncle Charles in Hitchcock's...
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- Literature Film Quarterly, 1991, v. 19, n. 4, p. 267
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- Article