Childhood Transformation Rooms in David Lean's Oliver Twist (1948) and Vincente Minnelli's Gigi (1958).
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 98, doi. 10.1386/fint_00193_1
- By:
- Publication type:
- Article
Works matching IS 16516826 AND DT 2022 AND VI 20 AND IP 4
Results: 14
1
2
Against Stereotypical Representations: On young Saudi directors.
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 84, doi. 10.1386/fint_00192_1
- By:
- Publication type:
- Article
3
Women Producers, Writers, Illustrators and Directors in BoJack Horseman.
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 7, doi. 10.1386/fint_00186_1
- By:
- Publication type:
- Article
4
Introducing Short Film, the Great Neglected Art Form of Our Age.
- Published in:
- 2022
- By:
- Publication type:
- Proceeding
5
Exploring Images of Community, Collectivity and 'The People' within Emergent Discussions of a Folk Cinema.
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 53, doi. 10.1386/fint_00187_1
- By:
- Publication type:
- Article
6
'We're Just Telling Our Stories as People': Production choices and Minari 's take on the diasporic American dream.
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 43, doi. 10.1386/fint_00184_1
- By:
- Publication type:
- Article
7
Editorial Issue 102.
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 4, doi. 10.1386/fint_00199_2
- By:
- Publication type:
- Article
8
The Magdalene Sisters (2002) and Little Black Spiders (2012): Liberation of the body along with modernist dancers Mary Wigman and Isadora Duncan.
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 30, doi. 10.1386/fint_00185_1
- By:
- Publication type:
- Article
9
Parting Words: Viewing films one image at a time; or, remembering Hannah Frank (1984–2017).
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 151, doi. 10.1386/fint_00200_7
- By:
- Publication type:
- Article
10
A Transcending Social Space: Luca Guadagnino's We Are Who We Are (HBO, 2020).
- Published in:
- 2022
- By:
- Publication type:
- Interview
11
Exploitation as Artefact: The Toolbox Murders (1978).
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 143, doi. 10.1386/fint_00197_5
- By:
- Publication type:
- Article
12
Falling into the Realm of Chaos: Fusing damnation and technology in Event Horizon (1997).
- Published in:
- 2022
- By:
- Publication type:
- Product Review
13
An Outsider Festival Presents Outsiders: The 2022 San Sebastian International Film Festival.
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 129, doi. 10.1386/fint_00195_7
- By:
- Publication type:
- Article
14
Personal Confrontation in and with Wilderness vs. the Comforts of Community.
- Published in:
- Film International (16516826), 2022, v. 20, n. 4, p. 124, doi. 10.1386/fint_00194_1
- By:
- Publication type:
- Article