The copyright implications of Beyoncé's choreographic 'borrowings'.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 95, doi. 10.1386/chor.4.1.95_1
- By:
- Publication type:
- Article
Works matching IS 20405669 AND DT 2013 AND VI 4 AND IP 1
Results: 8
1
2
'Time + materials: Choreographic experiments with labour and finance in The Dangerologists' Work Songs'.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 75, doi. 10.1386/chor.4.1.75_1
- By:
- Publication type:
- Article
3
Creative choice - on whose authority.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 59, doi. 10.1386/chor.4.1.59_1
- By:
- Publication type:
- Article
4
A meeting place: Translating Ben Wright's Passing Strange and Wonderful to the screen.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 47, doi. 10.1386/chor.4.1.47_1
- By:
- Publication type:
- Article
5
Dancing Across the Page: Narrative and Embodied Ways of Knowing.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
6
The fool's journey and poisonous mushrooms.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 29, doi. 10.1386/chor.4.1.29_1
- By:
- Publication type:
- Article
7
Their hands in the dirt: How Kazuo Ohno and Stephanie Skura cultivate dance practices and alterity from nature.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 9, doi. 10.1386/chor.4.1.9_1
- By:
- Publication type:
- Article
8
INTRODUCTION.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 3, doi. 10.1386/chor.4.1.3_7
- Publication type:
- Article