Games of love and lust: Performance, masquerade and trauma in Lust, Caution and The Handmaiden.
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- Asian Cinema, 2023, v. 34, n. 1, p. 81, doi. 10.1386/ac_00064_1
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- Article
Works matching IS 1059440X AND DT 2023 AND VI 34 AND IP 1
Results: 8
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To see or not to see: Historical trauma and the production of fear in contemporary South Korean horror cinema.
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- Asian Cinema, 2023, v. 34, n. 1, p. 65, doi. 10.1386/ac_00063_1
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- Article
3
Illustrating isolation: Visual strategies in the films of Kon Ichikawa.
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- Asian Cinema, 2023, v. 34, n. 1, p. 39, doi. 10.1386/ac_00062_1
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- Article
4
In children's eyes: Historical and ethnographic value of child perspectives in 1960s South Korean cinema.
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- Asian Cinema, 2023, v. 34, n. 1, p. 3, doi. 10.1386/ac_00060_1
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- Article
5
Legend of The Chinese Boxer : Jimmy Wang Yu's cosmopolitan wuxia pian.
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- Asian Cinema, 2023, v. 34, n. 1, p. 21, doi. 10.1386/ac_00061_1
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- Article
6
昨天今天明天： 內地與香港電影的政治、 藝術與傳統 (Yesterday, Today, Tomorrow: Hong Kong Cinema with Sino-links in Politics, Art, and Tradition), 吳國坤 Kenny K. K. Ng (2021)
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- Asian Cinema, 2023, v. 34, n. 1, p. 129, doi. 10.1386/ac_00067_5
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- Article
7
Asian Cinema and the Use of Space: Interdisciplinary Perspectives, Lilian Chee and Edna Lim (eds) (2018).
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- Asian Cinema, 2023, v. 34, n. 1, p. 123, doi. 10.1386/ac_00066_5
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- Article
8
Queer voice(over): Reassembling female desire in Chinese cinema.
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- Asian Cinema, 2023, v. 34, n. 1, p. 103, doi. 10.1386/ac_00065_1
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- Article