The entertainment industry and India, Inc.
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 219, doi. 10.1386/ac.28.2.219_1
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- Publication type:
- Article
Works matching IS 1059440X AND DT 2017 AND VI 28 AND IP 2
Results: 10
1
2
Book Review.
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 243, doi. 10.1386/ac.28.2.243_5
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- Article
3
Unscrambling the narrative chronology of Hong Sangsoo's Hill of Freedom.
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- Asian Cinema, 2017, v. 28, n. 2, p. 235, doi. 10.1386/ac.28.2.235_1
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- Article
4
How does Hou Hsiao-hsien engage with popular memory? National allegory, language and family story in Good Men, Good Women (Hou Hsiao-hsien, 1995).
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- Asian Cinema, 2017, v. 28, n. 2, p. 117, doi. 10.1386/ac.28.2.117_1
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- Article
5
Marathi cinema: Notes towards a liminal history.
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- Asian Cinema, 2017, v. 28, n. 2, p. 199, doi. 10.1386/ac.28.2.199_1
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- Article
6
Editorial.
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 115, doi. 10.1386/ac.28.2.115_2
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- Article
7
Genre storytelling and glocalization in Mainland Chinese cinema at the turn of the century: The Missing Gun as a case study.
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 161, doi. 10.1386/ac.28.2.161_1
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- Publication type:
- Article
8
'You Won't Believe Her Eyes': Gender politics, cultural reiteration and the cinematic other in the transnational remake from Gin gwai (The Eye) (2002) to The Eye (2008).
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 181, doi. 10.1386/ac.28.2.181_1
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- Publication type:
- Article
9
12th Asian Cinema Studies Society (ACSS) International Conference, Lancaster University, Lancaster, 10-12 July 2017.
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- Asian Cinema, 2017, v. 28, n. 2, p. 249, doi. 10.1386/ac.28.2.249_7
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- Publication type:
- Article
10
'Lust, Caution'!?: Shanghai and the transnational and transgressive imaginations in classical Hollywood cinema.
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 139, doi. 10.1386/ac.28.2.139_1
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- Publication type:
- Article