Works matching IS 00357995 AND DT 2023 AND VI 63 AND IP 2
Results: 21
The Interjection !Olé!— origins in Caló (Andalusian Para-romani).
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- Romance Notes, 2023, v. 63, n. 2, p. 501, doi. 10.1353/rmc.2023.a919739
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"¿Tengo que comer gato?" Racial Stereotype in Quan Zhou Wu's Gente de aquí. Gente de allí. Ensayo gráfico sobre migrantes y españoles.
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- Romance Notes, 2023, v. 63, n. 2, p. 489, doi. 10.1353/rmc.2023.a919738
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Compositional Convergence in Whitman and Borges.
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- Romance Notes, 2023, v. 63, n. 2, p. 475, doi. 10.1353/rmc.2023.a919737
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Almudena Grandes and the "Problem of Spain".
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- Romance Notes, 2023, v. 63, n. 2, p. 463, doi. 10.1353/rmc.2023.a919736
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Memórias autobiográficas: De Os Cus de Judas a Caderno de memórias coloniais.
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- Romance Notes, 2023, v. 63, n. 2, p. 453, doi. 10.1353/rmc.2023.a919735
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La Rosalía y la nación: Redes sociales, discursos políticos y cultura nacional en Cataluña.
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- Romance Notes, 2023, v. 63, n. 2, p. 365, doi. 10.1353/rmc.2023.a919728
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Spaces of Estrangement in Luiz Ruffato's Eles Eram Muitos Cavalos.
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- Romance Notes, 2023, v. 63, n. 2, p. 441, doi. 10.1353/rmc.2023.a919734
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Digitizing Divas: Pedagogical Approaches to Contemporary Spanish Visual Culture.
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- Romance Notes, 2023, v. 63, n. 2, p. 415, doi. 10.1353/rmc.2023.a919732
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Rosalía as Resource: Pedagogical Synergies.
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- Romance Notes, 2023, v. 63, n. 2, p. 405, doi. 10.1353/rmc.2023.a919731
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Rosalía's Butterflies: Self-Reflective Celebrity and the Confessional Text.
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- Romance Notes, 2023, v. 63, n. 2, p. 391, doi. 10.1353/rmc.2023.a919730
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El viaje dionisíaco de Rosalía.
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- Romance Notes, 2023, v. 63, n. 2, p. 379, doi. 10.1353/rmc.2023.a919729
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Point de rencontres: Une étude de passages "infrahumains" dans Le Rond-Point d'Évelyne Trouillot.
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- Romance Notes, 2023, v. 63, n. 2, p. 427, doi. 10.1353/rmc.2023.a919733
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El mal querer: Rosalía's Postmodern "Universe" of Meanings.
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- Romance Notes, 2023, v. 63, n. 2, p. 351, doi. 10.1353/rmc.2023.a919727
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Rosalía, Feminine Fantasy, and Japan as Décor.
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- Romance Notes, 2023, v. 63, n. 2, p. 335, doi. 10.1353/rmc.2023.a919726
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Rethinking Rosalía Through the Japanese Commodification of Flamenco Culture.
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- Romance Notes, 2023, v. 63, n. 2, p. 321, doi. 10.1353/rmc.2023.a919725
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Rosalía's Cante: (Non-)Gitanidad, Gender, and Anti-Carceral Flamenco Tradition in "Juro Que".
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- Romance Notes, 2023, v. 63, n. 2, p. 309, doi. 10.1353/rmc.2023.a919724
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Glotofobia, apropiación cultural y privación relativa en la escena musical española contemporánea.
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- Romance Notes, 2023, v. 63, n. 2, p. 295, doi. 10.1353/rmc.2023.a919723
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De tablaos a tableaux: Ecos saurianos en Rosalía.
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- Romance Notes, 2023, v. 63, n. 2, p. 281, doi. 10.1353/rmc.2023.a919722
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Cantes por tangos y bulerías: Rosalía en el panorama musical español actual.
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- Romance Notes, 2023, v. 63, n. 2, p. 269, doi. 10.1353/rmc.2023.a919721
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Introduction.
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- Romance Notes, 2023, v. 63, n. 2, p. 247, doi. 10.1353/rmc.2023.a919719
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Rosalía and Flamenco: A Musicological Perspective.
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- Romance Notes, 2023, v. 63, n. 2, p. 257, doi. 10.1353/rmc.2023.a919720
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