Works matching IS 00274380 AND DT 2020 AND VI 77 AND IP 2
Results: 27
Music Received.
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- Notes, 2020, v. 77, n. 2, p. N.PAG
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3e Symphonie en ut mineur by Camille Saint-Saëns, and: Poèmes symphoniques by Camille Saint-Saëns (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0115
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The Norton Guide to Teaching Music History ed. by C. Matthew Balensuela (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0112
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The Symphony and Symphonic Thinking in Polish Music since 1956 by Beata Bolesławska (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0109
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Piety and Polyphony in Sixteenth-Century Holland: The Choirbooks of St Peter's Church, Leiden by Eric Jas (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0106
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Songs of the Finnish Migration: A Bilingual Anthology by Simo Westerholm (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0101
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Communications.
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0118
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From the House of the Dead by Leoš Janáček (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0116
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Books Recently Published.
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- Notes, 2020, v. 77, n. 2, p. N.PAG
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Creative Improvised Music: An International Bibliography of the Jazz Avant-Garde, 1959–Present by John Gray (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0113
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Music & Camp ed. by Christopher Moore and Philip Purvis (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0111
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Sound Objects ed. by James A. Steintrager and Rey Chow (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0110
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Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890–1930 by Samuel N. Dorf (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0108
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Discordant Notes: Marginality and Social Control in Madrid, 1850–1930 by Samuel Llano (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0107
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Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815–1848 by Mary Ann Smart (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0105
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Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform by Margaret R. Butler (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0104
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Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor ed. by Neil Gregor and Thomas Irvine (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0103
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Music and Modernity among First Peoples of North America ed. by Victoria Lindsay Levine and Dylan Robinson (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0102
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Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson by Carolyn Philpott (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0100
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The Cyril Scott Companion: Unity in Diversity ed. by Desmond Scott, Lewis Foreman, and Leslie De'Ath (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0099
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El músico como intelectual: Adolfo Salazar y la creación del discurso de la vanguardia musical española (1914–1936) by Francisco Parralejo Masa (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0098
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The Music of Joseph Joachim by Katharina Uhde (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0097
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Peggy Glanville-Hicks: Composer and Critic by Suzanne Robinson (review).
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0096
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Notes for Notes.
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0095
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Prices of Music Monographs and Scores as Reflected in Notes, 2013–2019.
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0094
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Madame Lavoisier's Music Collection: Lessons from a Private Library of the Nineteenth Century.
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0093
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The Changing Face of Academic Music Media Collections in Response to the Rise of Online Music Delivery.
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- Notes, 2020, v. 77, n. 2, p. N.PAG, doi. 10.1353/not.2020.0092
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