Works matching IS 00286087 AND DT 1999 AND VI 30 AND IP 1
Results: 14
Archaeologies of knowledge: Hill's middens, Heaney's bogs, Scherner's tablets.
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- New Literary History, 1999, v. 30, n. 1, p. 237, doi. 10.1353/nlh.1999.0011
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Why not the heroic couplet?
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- New Literary History, 1999, v. 30, n. 1, p. 221, doi. 10.1353/nlh.1999.0003
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Paul Celan: Poet of the south.
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- New Literary History, 1999, v. 30, n. 1, p. 217, doi. 10.1353/nlh.1999.0015
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Combat gnosticism: The ideology of First World War poetry criticism.
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- New Literary History, 1999, v. 30, n. 1, p. 203, doi. 10.1353/nlh.1999.0002
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`Rats' alley': The great war, modernism, and the (anti)pastoral elegy.
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- New Literary History, 1999, v. 30, n. 1, p. 179, doi. 10.1353/nlh.1999.0007
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The politics of genre in Wordsworth's Salisbury Plain.
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- 1999
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- Poetry Review
The epic as pastoral: Milton, Marvell, and the plurality of genre.
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- New Literary History, 1999, v. 30, n. 1, p. 143, doi. 10.1353/nlh.1999.0017
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`Wanton recollection': The idolatrous pleasures of Beowulf.
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- New Literary History, 1999, v. 30, n. 1, p. 129, doi. 10.1353/nlh.1999.0012
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Getting inside Sophocles' mind through Holderlin's Antigone.
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- New Literary History, 1999, v. 30, n. 1, p. 107, doi. 10.1353/nlh.1999.0013
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Poetry at one remove.
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- New Literary History, 1999, v. 30, n. 1, p. 93, doi. 10.1353/nlh.1999.0009
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Poetry and permeability.
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- New Literary History, 1999, v. 30, n. 1, p. 75, doi. 10.1353/nlh.1999.0008
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Poetry and culture: Performativity and critique.
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- New Literary History, 1999, v. 30, n. 1, p. 57, doi. 10.1353/nlh.1999.0014
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Deformance and interpretation.
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- New Literary History, 1999, v. 30, n. 1, p. 25, doi. 10.1353/nlh.1999.0010
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Teaching literature: The force of form.
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- New Literary History, 1999, v. 30, n. 1, p. 5, doi. 10.1353/nlh.1999.0005
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- Article