Works matching Eisenstein, Sergei, 1898-1948
Results: 184
Visions of Disrupted Chronologies: Sergei Eisenstein and Hedwig Fechheimer's Cubist Egypt.
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- Arts (2076-0752), 2022, v. 11, n. 5, p. N.PAG, doi. 10.3390/arts11050092
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- Article
The Eisenstein-Vygotsky Luria Collaboration: Triangulation and Third Culture Debates.
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- Projections: The Journal for Movies & Mind, 2019, v. 13, n. 1, p. 23, doi. 10.3167/proj.2019.130103
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- Article
Sergei Eisenstein and the Haitian Revolution: ‘The Confrontation Between Black and White Explodes Into Red’.
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- History Workshop Journal, 2014, v. 78, n. 1, p. 157, doi. 10.1093/hwj/dbu011
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- Article
On Eisenstein.
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- Modernism/Modernity, 1995, v. 2, n. 3, p. 163, doi. 10.1353/mod.1995.0054
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- Article
More Films about Filmmakers.
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- Literature Film Quarterly, 1976, v. 4, n. 4, p. 360
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- Article
Sergei Tret'iakov's Roar, China! between Moscow and China.
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- Itinerario, 2012, v. 36, n. 2, p. 91, doi. 10.1017/S0165115312000587
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- Article
Sergei Eisenstein and William Shakespeare: A Dialectical Love Story.
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- Anglistica AION: An Interdisciplinary Journal, 2022, v. 26, n. 2, p. 5, doi. 10.6093/2035-8504/11239
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- Article
“The Building to be built”: Gogol, Belyi, Eisenstein, and the Architecture of the Future.
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- Russian Review, 2006, v. 65, n. 3, p. 491, doi. 10.1111/j.1467-9434.2005.00410.x
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- Article
Eisenstein's Angel.
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- Russian Review, 2004, v. 63, n. 3, p. 374, doi. 10.1111/j.1467-9434.2004.00323.x
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- Article
Sergei Eisenstein's ¡Que viva México! in the Light of Mexico's Post-revolutionary Politics.
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- 2010
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- Arts/Entertainment Review
Towards a natural history of animated backgrounds.
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- Screen, 2020, v. 61, n. 2, p. 296, doi. 10.1093/screen/hjaa028
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- Article
‘The miracle of our century’: Sergei Eisenstein, Élie Faure and colour in the Silly Symphonies.
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- Screen, 2010, v. 51, n. 4, p. 383, doi. 10.1093/screen/hjq046
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- Article
Addressing the dialectics of sexual difference in Eisenstein's Que viva México!
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- 2007
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- Essay
Eisenstein, rhetoric and imaginicity: towards a revolutionary memoria.
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- Screen, 2000, v. 41, n. 4, p. 349, doi. 10.1093/screen/41.4.349
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- Article
Figuring the Financier: Dos Passos and Pierpontifex Maximus.
- Published in:
- 2010
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- Literary Criticism
Modernist Networks: Taxco, 1931.
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- Modernism/Modernity, 2011, v. 18, n. 2, p. 289, doi. 10.1353/mod.2011.0043
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- Article
This Is Not a Movie: Ulysses and Cinema.
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- 2006
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- Literary Criticism
Revisiting Eisenstein's "Alexander Nevsky" and Milton's "Paradise Lost."
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- 2012
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- Film/TV Criticism and Review
Whitman and Eisenstein.
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- Literature Film Quarterly, 1976, v. 4, n. 3, p. 264
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- Article
Contrapuntal Aurality: Exceptional Sound in Hollywood Monster Horror Films during the Early Sound Era.
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- Journal of Popular Film & Television, 2019, v. 47, n. 4, p. 215, doi. 10.1080/01956051.2019.1566201
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- Article
The Communist Walküre: Eisenstein's Vision for Marrying German Wagnerism with Soviet Communism.
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- Journal of Musicological Research, 2021, v. 40, n. 3, p. 183, doi. 10.1080/01411896.2021.1941005
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- Article
Book Reviews.
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- 2012
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- Book Review
When Peter Met Sergei: Art Cinema Past, Present and Future in Eisenstein in Guanajuato.
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- Journal of British Cinema & Television, 2016, v. 13, n. 2, p. 312, doi. 10.3366/jbctv.2016.0315
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- Article
Montage in Fernando Pérez Valdez's Suite Habana (2003).
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- Confluencia: Revista Hispánica de Cultura y Literatura, 2011, v. 26, n. 2, p. 31
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- Article
Come and See (1985): Klimov's Intimate Epic.
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- Quarterly Review of Film & Video, 2008, v. 25, n. 3, p. 212, doi. 10.1080/10509200601091458
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- Article
Moving Explosions: Metaphors of Emotion in Sergei Eisenstein's Writings.
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- Quarterly Review of Film & Video, 2004, v. 21, n. 4, p. 303, doi. 10.1080/10509200490446196
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- Article
The Shropshire Redemption: John Audelay's Carols, Repetition, and Confessional Authority.
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- Neophilologus, 2024, v. 108, n. 4, p. 655, doi. 10.1007/s11061-024-09815-x
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- Article
Eisenstein at 100: Recent Reception and Coming Attractions.
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- October, 1999, n. 88, p. 69, doi. 10.2307/779225
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- Article
Theory as Quotation(*).
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- 1999
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- Publication type:
- Literary Criticism
Perhaps...
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- October, 1999, n. 88, p. 43, doi. 10.2307/779223
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- Article
The primary sources of "the magic of art"': Eisenstein and East Asia.
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- JOSAH: Journal of the Society for Asian Humanities, 2022, v. 53, p. 198
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- Article
Montage in Russian Imaginism: Poetry, theatre and theory.
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- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 219, doi. 10.12697/SSS.2013.41.2-3.05
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- Article
From stage to brain: Montage as a new principle of scientific narrative.
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- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 200, doi. 10.12697/SSS.2013.41.2-3.04
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- Article
Point - pathos - totality.
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- Sign Systems Studies, 2013, v. 41, n. 2-3, p. 167, doi. 10.12697/SSS.2013.41.2-3.02
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- Article
Battleship Potemkin and Beyond.
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- Dissent (0012-3846), 2011, v. 58, n. 3, p. 91
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- Article
The Dialectical Image: Eisenstein in the Soviet Cinema.
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- Scientific Journal of Humanistic Studies, 2012, v. 4, n. 7, p. 240
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- Article
Sergei Eisenstein's "The Form of the Script": A New Translation.
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- Film History, 2022, v. 34, n. 4, p. 109, doi. 10.2979/fih.2022.a900044
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- Article
The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein's The Battleship Potemkin.
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- 2017
- Publication type:
- Film/TV Criticism and Review
Unorthodox Iconography: Russian Orthodox Icons in Battleship Potemkin.
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- Film Criticism, 2009, v. 33, n. 3, p. 50
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- Article
Lef, Eisenstein, and the Politics of Form.
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- Film Criticism, 1994, v. 19, n. 2, p. 55
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- Article
ANTONINAS ARTAUD IR GILLES'IO DELEUZE'O MODERNAUS KINO FILOSOFIJA.
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- Problems / Problemos, 2014, v. 86, p. 83, doi. 10.15388/Problemos.2014.0.3953
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- Article
Theatricality as Cruelty.
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- Image & Narrative, 2016, v. 17, n. 5, p. 54
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- Article
MIZUKO (WATER CHILD) AND EGG: FROM THE POLITICS TO THE POETICS OF CORPORAL TRAUMA THROUGH EISENSTEIN'S PLASMACITY.
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- Concept (2248-3756), 2022, v. 25, n. 2, p. 81
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- Article
The Idea and the Image. On Sergei Eisenstein's Battleship Potemkin.
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- Hermeneia: Journal of Hermeneutics, Art Theory & Criticism, 2020, n. 24, p. 77
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- Article
James Joyce and Sergei Eisenstein: Haunting Samuel Beckett's Film.
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- Journal of Beckett Studies (Edinburgh University Press), 2012, v. 21, n. 2, p. 181, doi. 10.3366/jobs.2012.0045
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- Article
'Music Made Visible': Sergei Eisenstein's Die Walküre and the Birth of Vertical Montage.
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- Wagner Journal, 2018, v. 12, n. 1, p. 40
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- Article
Writing-for-the-cut: What can screenwriters learn from film editors about storytelling?
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- Journal of Screenwriting, 2018, v. 9, n. 1, p. 85, doi. 10.1386/josc.9.1.85_1
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- Article
Os fundamentos de Eisenstein na montagem hollywoodiana de conflitos.
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- Comunicação & Sociedade, 2022, v. 44, n. 2, p. 163, doi. 10.15603/2175-7755/cs.v44n2p163-191
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- Article
The Potency of Film Editing: Rose Hobart Stop Return.
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- Contemporary Theatre Review, 2015, v. 25, n. 1, p. 68, doi. 10.1080/10486801.2015.992245
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- Article
Le Cinéma des Lumières: Diderot, Deleuze, Eisenstein.
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- 2023
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- Publication type:
- Book Review