Works matching IS 00267910 AND DT 2024 AND VI 139 AND IP 1
Results: 15
Rovine con vista. Napoli e il cinema di Elvira Notari by Giuliana Bruno (review).
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- MLN, 2024, v. 139, n. 1, p. 193, doi. 10.1353/mln.2024.a930294
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Italian Film in the Present Tense by Millicent Marcus (review).
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- MLN, 2024, v. 139, n. 1, p. 199, doi. 10.1353/mln.2024.a930297
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Il teatro 'pre-classicista' nelle corti padane. Court Cultures of the Middle Ages and Renaissance by Matteo Bosisio (review).
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- MLN, 2024, v. 139, n. 1, p. 190, doi. 10.1353/mln.2024.a930296
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Italian Literature in the Nuclear Age: A Poetics of the Bystander by Maria Anna Mariani (review).
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- MLN, 2024, v. 139, n. 1, p. 202, doi. 10.1353/mln.2024.a930295
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Italo by Ernesto Ferrero (review).
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- MLN, 2024, v. 139, n. 1, p. 196, doi. 10.1353/mln.2024.a930293
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Poggio Bracciolini and the Re(dis)covery of Antiquity: Textual and Material Traditions. Proceedings of the Symposium Held at Bryn Mawr College on April 8–9, 2016 ed. by Roberta Ricci (review).
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- MLN, 2024, v. 139, n. 1, p. 204, doi. 10.1353/mln.2024.a930298
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Dante and Violence: Domestic, Civic, Cosmic by Brenda Deen Schildgen (review).
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- MLN, 2024, v. 139, n. 1, p. 207, doi. 10.1353/mln.2024.a930292
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Contributors.
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- MLN, 2024, v. 139, n. 1, p. 210, doi. 10.1353/mln.2024.a930291
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- Article
From Fire in the Eye to the Eye of War: A Media Theory of Laura's Gaze in Petrarch's Canzoniere.
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- MLN, 2024, v. 139, n. 1, p. 166, doi. 10.1353/mln.2024.a930290
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Into the Woods: Forests as Storied Matter in Italo Calvino's Fiabe italiane and the Folktale Tradition.
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- MLN, 2024, v. 139, n. 1, p. 132, doi. 10.1353/mln.2024.a930289
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Descartes at War: Curzio Malaparte and Primo Levi.
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- MLN, 2024, v. 139, n. 1, p. 108, doi. 10.1353/mln.2024.a930288
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Jewish Italian Literature before Primo Levi and Giorgio Bassani.
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- MLN, 2024, v. 139, n. 1, p. 86, doi. 10.1353/mln.2024.a930287
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Books of Islands (Isolari) and Information Networks between Venice and the Ottoman Empire: The Case of Tommaso Porcacchi's L'isole più famose del mondo.
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- MLN, 2024, v. 139, n. 1, p. 60, doi. 10.1353/mln.2024.a930286
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"Laughing at the Vanity of Public Opinion": A Parody of Love by Fame in the Orlando Furioso.
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- MLN, 2024, v. 139, n. 1, p. 35, doi. 10.1353/mln.2024.a930285
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Quest'è la letra: From Lyric Parody to Modern Tragedy in Ruzante's Venice.
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- MLN, 2024, v. 139, n. 1, p. 1, doi. 10.1353/mln.2024.a930284
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