The Rise and Fall of Hollywood's Most Powerful Screenwriter.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 125, doi. 10.1353/flm.2024.a947141
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Works matching IS 03603695 AND DT 2024 AND VI 54 AND IP 2
Results: 20
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Peerless, Rouben Mamoulian, Hollywood and Broadway.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 122, doi. 10.1353/flm.2024.a947140
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Madness at the Movies: Understanding Mental Illness Through Film.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 119, doi. 10.1353/flm.2024.a947139
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The Magic Hours: The Films and Hidden Life of Terrence Malick.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 116, doi. 10.1353/flm.2024.a947138
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5
Cinema Is the Strongest Weapon: Race-Making and Resistance in Fascist Italy.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 112, doi. 10.1353/flm.2024.a947137
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6
Columbo Make Me a Perfect Murder.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 110, doi. 10.1353/flm.2024.a947136
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7
Changed Men: Veterans in American Popular Culture After World War II.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 108, doi. 10.1353/flm.2024.a947135
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8
George Cukor's People: Acting for a Master Director.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 105, doi. 10.1353/flm.2024.a947134
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9
Hollywood Enigma: Dana Andrews.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 102, doi. 10.1353/flm.2024.a947133
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10
Round Our Way: Sam Hanna's Visual Legacy.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 100, doi. 10.1353/flm.2024.a947132
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- Article
11
Eleanor Roosevelt on Screen: The First Lady's Appearances in Film and Television, 1932-1962.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 91, doi. 10.1353/flm.2024.a947129
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- Article
12
Redeeming Objects: A West German Mythology.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 94, doi. 10.1353/flm.2024.a947130
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13
One Tough Dame: The Life and Career of Diana Rigg.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 97, doi. 10.1353/flm.2024.a947131
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14
PLOT GENIES AND PLOT ROBOTS: AUTOMATING CREATIVE LABOR IN HOLLYWOOD, 1910-1940.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 4, doi. 10.1353/flm.2024.a947122
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15
From the Moment They Met It was Murder: Double Indemnity and the Rise of Film Noir.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 88, doi. 10.1353/flm.2024.a947128
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16
The Cavalry Trilogy: John Ford, John Wayne, and the Making of Three Classic Westerns.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 84, doi. 10.1353/flm.2024.a947127
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17
THE MARCH OF TIME: NEWS DOCUMENTARIES AND THE DRAMATURGY OF HISTORY.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 39, doi. 10.1353/flm.2024.a947124
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18
THE OLD MYTH AND THE NEW WOMAN: RACE AND GENDER HIERARCHY IN GONE WITH THE WIND.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 59, doi. 10.1353/flm.2024.a947125
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19
MANY MEN: THE LONGEST DAY AND CLASSICAL HOLLYWOOD STARDOM.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 71, doi. 10.1353/flm.2024.a947126
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20
'WHAT SHALL THE HISTORY BOOKS READ?': INGLOURIOUS BASTERDS AND THE ERASURE OF AMERICAN GENOCIDES.
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- Film & History (03603695), 2024, v. 54, n. 2, p. 22, doi. 10.1353/flm.2024.a947123
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- Article