Works matching Claude McKay
Results: 164
THE REMAKING OF THE RADICAL IN THE HARLEM RENAISSANCE: CLAUDE MCKAY’S HOME TO HARLEM.
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- Revista Canaria de Estudios Ingleses, 2022, n. 84, p. 31, doi. 10.25145/j.recaesin.2022.84.03
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- Article
Old Aesthetics, New Ethics: Claude McKay’s Socially Engaged (Proletarian) Sonnets.
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- Acta Neophilologica, 2023, v. 56, n. 1/2, p. 91, doi. 10.4312/an.56.1-2.91-106
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Black Internationalism, Print Culture, and Political Education in Claude McKay's Banjo.
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- Radical History Review, 2024, v. 2024, n. 150, p. 53, doi. 10.1215/01636545-11257395
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Claude McKay's BATTLE.
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- 2015
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- Poetry Review
Claude McKay's HARLEM SHADOWS.
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- 2009
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- Poetry Review
Claude McKay, The Workers' Dreadnought , and collaborative poetics.
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- Literature & History, 2019, v. 28, n. 1, p. 27, doi. 10.1177/0306197319829356
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- Article
Claude McKay and Black Diaspora.
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- Language in India, 2019, v. 19, n. 6, p. 289
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Claude McKay Describes His Own Life.
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- MĀNOA: A Pacific Journal of International Writing, 2019, v. 31, n. 2, p. 103, doi. 10.1353/man.2019.0104
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Letters from London in Black and Red: Claude McKay, Marcus Garvey and the Negro World.
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- History Workshop Journal, 2018, v. 85, p. 281, doi. 10.1093/hwj/dby002
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Claude McKay: The Making of a Black Bolshevik.
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- Labor: Studies in Working Class History of the Americas, 2024, v. 21, n. 2, p. 152, doi. 10.1215/15476715-11021055
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In the Nest of Extreme Radicalism: Radical Networks and the Bolshevization of Claude McKay in London.
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- Comparative American Studies, 2017, v. 15, n. 3/4, p. 174, doi. 10.1080/14775700.2017.1551604
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"[T]he happiest, well-feddest wolf in Harlem": Asexuality as Resistance to Social Reproduction in Claude McKay's Home to Harlem.
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- 2020
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- Literary Criticism
"A love so fugitive and so complete": Recovering the Queer Subtext of Claude McKay's Harlem Shadows.
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- 2008
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- Literary Criticism
African American World War I Soldiers, Claude McKay, and the Harlem Renaissance.
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- Afro-Americans in New York Life & History, 2020, v. 41, n. 1, p. 25
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The Fold as Alternative Modernity: Claude McKay's Banana Bottom and the Romance of Nature.
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- 1999
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- Literary Criticism
Crosstown Jakes in 1920s Manhattan: Racial Formations in John Dos Passo's "Manhattan Transfer" and Claude McKay's "Home to Harlem."
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- 2008
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- Literary Criticism
Diaspora Cruises: Queer Black Proletarianism in Claude McKay's "A Long Way from Home."
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- Modern Fiction Studies, 2003, v. 49, n. 4, p. 714, doi. 10.1353/mfs.2003.0072
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RACE, CAPITALISM, AND THE THIRD-SEX IDEAL: CLAUDE MCKAY'S HOME TO HARLEM AND THE LEGACY OF EDWARD CARPENTER.
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- Modern Fiction Studies, 2002, v. 48, n. 4, p. 825, doi. 10.1353/mfs.2002.0077
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"A WOMAN IS A CONJUNCTION" The Ends of Improvisation in Claude McKay's Banjo: A Story without a Plot.
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- 2013
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- Essay
Claude McKay's "The Biter Bit": "Calalu" and Caribbean Colonialism.
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- Callaloo, 2007, v. 30, n. 1, p. 313, doi. 10.1353/cal.2007.0138
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"A Thing Apart": Sonnet Poetics and Radical Politics in Claude McKay's Harlem Shadows.
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- Aspeers, 2021, n. 14, p. 15, doi. 10.54465/aspeers.14-03
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The Making of a Black Bolshevik by Claude McKay and Winston James (review).
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- Modernism/Modernity, 2023, v. 30, n. 3, p. 648, doi. 10.1353/mod.2023.a920264
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'IF WE MUST DIE': WINSTON CHURCHILL AND CLAUDE MCKAY.
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- Notes & Queries, 2003, v. 50, n. 3, p. 333, doi. 10.1093/nq/500333
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A Critical Reading of Authentic Existence in Claude Mckay's Banana Bottom.
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- 2017
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- Book Review
The Picaresque Discourse in Claude McKay's novel Banjo.
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- 2012
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- Literary Criticism
Claude McKay's vagabond classicisms: empire, uplift, and antiquity.
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- Classical Receptions Journal, 2023, v. 15, n. 4, p. 355, doi. 10.1093/crj/clad016
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Folk Protest in the Poetry of Derek Walcott, E.K. Braithwaite and Claude McKay.
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- Kola, 2014, v. 26, n. 1, p. 60
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The Snares of Intimacy: Black Femininity in Claude McKay's Naturalist Novels.
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- Studies in American Naturalism, 2021, v. 16, n. 1, p. 1, doi. 10.1353/san.2021.0006
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The Shadow of Intimacy: Male Bonding and Improvised Masculinity in Claude McKay's Banjo: A Story Without a Plot.
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- Journal of West Indian Literature, 2012, v. 21, n. 1/2, p. 1
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Mulattoes, Reds, and the Fight for Black Liberation in Claude McKay's Trial By Lynching and Negroes in America.
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- Journal of West Indian Literature, 2010, v. 19, n. 1, p. 22
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The Dialectics of Barbarous Civilization: Black Transnational Modernism in Claude McKay's Banjo.
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- Texas Studies in Literature & Language, 2021, v. 63, n. 4, p. 1, doi. 10.7560/tsll63404
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"LIFE IS REAL AND LIFE IS EARNEST": MIKE GOLD, CLAUDE MCKAY, AND THE BARONESS ELSA VON FREYTAG-LORINGHOVEN.
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- American Periodicals, 2005, v. 15, n. 1, p. 56, doi. 10.1353/amp.2005.0010
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Anachronistic Life: Racial Vitalism and "Unhistorical" Temporality in Claude McKay's Home to Harlem.
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- 2019
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- Literary Criticism
Amiable with Big Teeth: The Case of Claude McKay's Last Novel.
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- 2013
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- Literary Criticism
Caribbean Models for Modernism in the Work of Claude McKay and Jean Rhys.
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- Modernism/Modernity, 2004, v. 11, n. 2, p. 219, doi. 10.1353/mod.2004.0043
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"HOME TO HARLEM, AWAY FROM HARLEM": TRANSNATIONAL SUBTEXTS IN NELLA LARSEN'S QUICKSAND AND CLAUDE MCKAY'S HOME TO HARLEM.
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- 2014
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- Literary Criticism
A Candid Conversation with Carl Cowl: Claude McKay's Last Literary Agent.
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- 2013
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- Essay
CLAUDE McKAY: THE EVOLUTION OF A CONSERVATIVE.
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- CLA Journal, 1992, v. 36, n. 2, p. 157
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REREADING CLAUDE MCKAY.
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- CLA Journal, 1990, v. 34, n. 1, p. 68
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CLAUDE MCKAY'S ROMANTICISM.
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- CLA Journal, 1989, v. 32, n. 3, p. 296
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REREADING BANJO: CLAUDE MCKAY AND THE FRENCH CONNECTION.
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- CLA Journal, 1986, v. 30, n. 1, p. 46
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Claude McKay's `If We Must Die,' Home to Harlem, and the hog trope.
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- 1995
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- Literary Criticism
The Anti-Essentialist Poetics of Claude McKay's Banjo.
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- Anglica. An International Journal of English Studies, 2020, v. 29, n. 1, p. 41
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Escaping the Tropics Through New York: Eric Walrond and Claude McKay in the American Grain.
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- Global South, 2013, v. 7, n. 2, p. 37, doi. 10.2979/globalsouth.7.2.37
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Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance.
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- 2009
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- Book Review
`A chafing savage, down the decent street': The politics of compromise in Claude McKay's protest...
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- 1994
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- Literary Criticism
The Red Is East: Claude McKay and the New Black Radicalism of the Twentieth Century.
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- 2009
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- Publication type:
- Literary Criticism
Writing from the Margins of the Margins: Michael Gold's "Jews Without Money" and Claude McKay's "Home to Harlem."
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- 2010
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- Literary Criticism
The last word: Claude McKay's unpublished `Cycle Manuscript'.
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- 1996
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- Literary Criticism
“The Beauty of Other Horizons”: Sartorial Self-Fashioning in Claude McKay's Banjo: A Story without a Plot.
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- 2014
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- Publication type:
- Literary Criticism