Shopping and Flirting: Staging the New Exchange in Seventeenth- and Eighteenth- Century Comedies.Published in:Restoration & 18th Century Theatre Research, 2015, v. 30, n. 1/2, p. 31, doi. 10.5325/rectr.30.1-2.0031By:Keenan, TimPublication type:Article
Cuckoldry as Performance, 1675-1715.Published in:2012By:Corcoran, KellyePublication type:Literary Criticism
The 'Plyant' Discourse of Wycherley's The Country Wife.Published in:SEL: Studies in English Literature (Johns Hopkins), 2000, v. 40, n. 3, p. 451, doi. 10.2307/1556256By:Knapp, Peggy A.Publication type:Article
THEATRICALITY AND SATIRE IN THE COUNTRY WIFE.Published in:1977By:Candido, JosephPublication type:Literary Criticism
Stooping to conquer in Goldsmith, Haywood, and Wycherley.Published in:1996By:Nelson, T.G.A.Publication type:Literary Criticism
"Write as I bid you": Eruptive Baroque Aesthetics in Wycherley's The Country Wife.Published in:2016By:Best, RoycePublication type:Literary Criticism
The Country Wife, Dance of the Cuckolds.Published in:Comparative Drama, 2014, v. 48, n. 3, p. 277, doi. 10.1353/cdr.2014.0024By:GELINEAU, DAVIDPublication type:Article