From the "L Chamber" to the Wood-Pile: Negotiating Space in Harriet E. Wilson's Our Nig.Published in:Canadian Review of American Studies, 2019, v. 49, n. 2, p. 160, doi. 10.3138/cras.2017.025By:Green-Barteet, Miranda A.Publication type:Article
Writing to Right the Spirit of Adoption: The Adoptive Mother / Savior in Harriet Beecher Stowe's Uncle Tom's Cabin, Harriet E. Wilson's Our Nig, and Frances Ellen Watkins Harper's "Moses: A Story of the Nile".Published in:Amerikastudien, 2022, v. 67, n. 3, p. 353, doi. 10.33675/amst/2022/3/7By:HAMPTON, SHARIFAPublication type:Article
"Nothing New Under the Sun": Postsentimental Conflict in Harriet E. Wilson's Our Nig.Published in:2006By:Piep, Karsten H.Publication type:Literary Criticism
Skin color as social, ethical, and esthetic sign in writings by black American women.Published in:1992By:Lindberg-Seyersted, B.Publication type:Literary Criticism
Reworking the Conversion Narrative: Race and Christianity in Our Nig.Published in:1999By:West, Elizabeth J.Publication type:Literary Criticism
Play(writing) and En(acting) Consciousness: Theater as Rhetoric in Harriet Wilson's Our Nig.Published in:Western Journal of Black Studies, 2010, v. 34, n. 3, p. 347By:LESTER, NEAL A.Publication type:Article
Our Nig; or, Sketches from the Life of a Free Black.Published in:2004By:Gardner, EricPublication type:Book Review