Works matching Zeami Motokiyo
Results: 21
Zeami's Buddhism and Noh in Kurosawa's Ikiru.
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- Journal of Religion & Film, 2024, v. 28, n. 2, p. 1, doi. 10.32873/uno.dc.jrf.28.02.04
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- Article
A Fan through the Ages: Layers of Adaptation in SITI Company's Hanjo.
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- Modern Drama, 2022, v. 65, n. 1, p. 97, doi. 10.3138/md-65-1-1077
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- Article
Warrior noh: Konparu Zenpō and the ritual performance of shura plays.
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- Japan Forum, 2006, v. 18, n. 2, p. 167, doi. 10.1080/09555800600730900
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- Article
El hagoromo de Zeami en las prácticas interartísticas brasileñas.
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- Arte, Individuo y Sociedad, 2020, v. 32, n. 4, p. 1105, doi. 10.5209/aris.67203
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- Article
KAKYŌ: EL ESPEJO DE LA ELOR.
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- Estudios de Asia y África, 1969, v. 4, n. 2, p. 154, doi. 10.24201/eaa.v4i2.153
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- Article
SHIKADOSHO EL LIBRO DE LA FLOR SUPREMA.
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- Estudios de Asia y África, 1968, v. 3, n. 2, p. 160, doi. 10.24201/eaa.v3i2.175
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- Article
YUYA, PIEZA DEL TEATRO NOH.
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- Estudios de Asia y África, 1966, v. 1, n. 2, p. 50, doi. 10.24201/eaa.v1i2.55
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- Publication type:
- Article
THE THEME OF "SPIRIT POSSESSION": MURASAKI SHIKIBU, GENJI MONOGATARI, ZEAMI, AOI-NO-UE AND YUKIO MISHIMA, AOI.
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- Studia Universitatis Babes-Bolyai, Philologia, 2013, v. 58, n. 1, p. 45
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- Article
Showing off the Drummers: Zeami as a Pragmatic Producer.
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- Japan Studies Association Journal, 2011, v. 9, p. 90
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- Article
'Water and Waves': The Syncretic Honji Suijaku Paradigm in Zeami's Yōrō.
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- Japan Mission Journal, 2021, v. 75, n. 4, p. 234
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- Publication type:
- Article
"Flower" as Performing Body in NŎ Theatre.
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- Asian Theatre Journal, 2011, v. 28, n. 2, p. 529, doi. 10.1353/atj.2011.0048
- Publication type:
- Article
Remembering Zeami: The Kanze School and Its Patriarch.
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- Asian Theatre Journal, 2003, v. 20, n. 2, p. 191, doi. 10.1353/atj.2003.0027
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- Article
They came to party: an examination of the social status of the medieval noh theatre.
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- Japan Forum, 2004, v. 16, n. 1, p. 111, doi. 10.1080/0955580032000189357
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- Publication type:
- Article
Painting with Music A performance across cultured.
- Published in:
- 1995
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- Book Chapter
Ezra Pound's Adaptation and Translation of the Japanese Nō.
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- Journal of American Studies of Turkey (JAST), 2012, n. 32, p. 33
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- Publication type:
- Article
Voices from the Past: Symbolic Madness in the Noh Play Kinuta, the Fulling Block.
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- Japan Studies Association Journal, 2013, v. 11, p. 144
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- Publication type:
- Article
Late Muromachi and Furyū Nō: Two Plays by Kanze Nagatoshi.
- Published in:
- Asian Theatre Journal, 2013, v. 30, n. 2, p. 466, doi. 10.1353/atj.2013.0040
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- Publication type:
- Article
Paradigms of Education in the Art of Acting.
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- Studia Universitatis Babes-Bolyai, Dramatica, 2022, v. 67, n. 2, p. 9, doi. 10.24193/subbdrama.2022.2.01
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- Article
The eternal flower of the child: The recognition of childhood in Zeami's educational theory of Noh theatre.
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- Educational Philosophy & Theory, 2019, v. 51, n. 12, p. 1227, doi. 10.1080/00131857.2018.1533463
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- Publication type:
- Article
Spirit of Place: Zeami's Tōru and the Poetic Manifestation of Mugen.
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- Japanese Studies, 2022, v. 42, n. 2, p. 137, doi. 10.1080/10371397.2022.2101991
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- Publication type:
- Article
Phenomenology of Ma and Maai: An Interpretation of Zeami's Body Cosmology from a Phenomenological Point of View.
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- New Generation Computing, 2019, v. 37, n. 3, p. 247, doi. 10.1007/s00354-019-00060-4
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- Publication type:
- Article