How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
Works matching DE "SOUND recording piracy"
Results: 81
1
2
A SURVEY OF STATE COPYRIGHT LAW.
- Published in:
- Southern Law Journal, 2014, v. 24, n. 2, p. 311
- By:
- Publication type:
- Article
3
A Behavioral Model of Digital Music Piracy.
- Published in:
- Journal of Organizational Computing & Electronic Commerce, 2004, v. 14, n. 2, p. 89, doi. 10.1207/s15327744joce1402_01
- By:
- Publication type:
- Article
4
Predicting Accounting Students' Intentions to Engage in Software and Music Piracy.
- Published in:
- Journal of Academic Ethics, 2015, v. 13, n. 4, p. 291, doi. 10.1007/s10805-015-9241-7
- By:
- Publication type:
- Article
5
Intention to Engage in Digital Piracy: A Conceptual Model and Empirical Test.
- Published in:
- Journal of Service Research, 2009, v. 11, n. 3, p. 246, doi. 10.1177/1094670508328924
- By:
- Publication type:
- Article
6
Copying, copyright and originality: imitation, transformation and popular musicians.
- Published in:
- European Journal of Cultural Studies, 2017, v. 20, n. 4, p. 363, doi. 10.1177/1367549417718206
- By:
- Publication type:
- Article
7
Maverick Recording Co. v. Whitney Harper : How the Fifth Circuit Virtually Eliminated Innocent Infringers Without Noticing.
- Published in:
- Tulane Journal of Technology & Intellectual Property, 2010, v. 13, p. 295
- Publication type:
- Article
8
Copyright & Fair Use.
- Published in:
- ARSC Journal, 2009, v. 40, n. 2, p. 225
- Publication type:
- Article
9
Copyright & Fair Use.
- Published in:
- ARSC Journal, 2005, v. 36, n. 1, p. 50
- By:
- Publication type:
- Article
10
Setting Historic Music Free.
- Published in:
- ARSC Journal, 2004, v. 35, n. 2, p. 337
- By:
- Publication type:
- Article
11
Fair Practices.
- Published in:
- ARSC Journal, 2004, v. 35, n. 2, p. 241
- By:
- Publication type:
- Article
12
The Bootleg South.
- Published in:
- Southern Cultures, 2013, v. 19, n. 1, p. 82, doi. 10.1353/scu.2013.0008
- By:
- Publication type:
- Article
13
Consumer Search and Retailer Strategies in the Presence of Online Music Sharing.
- Published in:
- Journal of Management Information Systems, 2006, v. 23, n. 1, p. 129, doi. 10.2753/MIS0742-1222230104
- By:
- Publication type:
- Article
14
Challenging Intellectual Property Law in the Internet: An Overview of the Legal Implications of the MP3 Technology.
- Published in:
- Information & Communications Technology Law, 2001, v. 10, n. 3, p. 319, doi. 10.1080/13600830120081944
- By:
- Publication type:
- Article
15
REPRODUCIBILITY.
- Published in:
- Metro, 2001, n. 131/132, p. 204
- By:
- Publication type:
- Article
16
Intellectual property online. A LANDMARK CASE. Will the copyright survive cyberspace?
- Published in:
- Strategic Finance, 2001, v. 82, n. 8, p. 52
- By:
- Publication type:
- Article
17
"Copyrights must amend".
- Published in:
- Theory in Action, 2012, v. 5, n. 4, p. 47, doi. 10.3798/tia.1937-0237.12032
- By:
- Publication type:
- Article
18
Bandidos de Cristo: Representations of the Power of Criminal Factions in Rio's Proibidão Funk.
- Published in:
- Latin American Music Review / Revista de Música Latinoamericana, 2007, v. 28, n. 2, p. 220, doi. 10.1353/lat.2007.0035
- By:
- Publication type:
- Article
19
Managing Pirate Culture: Corporate Responses to Peer-to-Peer Networking.
- Published in:
- JMM: The International Journal on Media Management, 2003, v. 5, n. 3, p. 173, doi. 10.1080/14241270309390032
- By:
- Publication type:
- Article
20
Copyright Piracy on the University Campus: Trends and Lessons from the Software and Music Industries.
- Published in:
- JMM: The International Journal on Media Management, 2002, v. 4, n. 3, p. 145, doi. 10.1080/14241270209389993
- By:
- Publication type:
- Article
21
Music in the Cloud and the Digital Sublime.
- Published in:
- Popular Music & Society, 2014, v. 37, n. 4, p. 393, doi. 10.1080/03007766.2013.810853
- By:
- Publication type:
- Article
22
Shopping for Legs and Boots: Tori Amos's Original Bootlegs, Fandom, and Subcultural Capital.
- Published in:
- 2010
- By:
- Publication type:
- Case Study
23
Rethinking the Digital Remix: Mash-ups and the Metaphysics of Sound Recording.
- Published in:
- Popular Music & Society, 2008, v. 31, n. 4, p. 489, doi. 10.1080/03007760802053211
- By:
- Publication type:
- Article
24
Hackers, Users, and Suits: Napster and Representations of Identity.
- Published in:
- Popular Music & Society, 2004, v. 27, n. 2, p. 161, doi. 10.1080/03007760410001685813
- By:
- Publication type:
- Article
25
Who are the Pirates? The Politics of Piracy, Poverty, and Greed in a Globalized Music Market.
- Published in:
- Popular Music & Society, 2004, v. 27, n. 1, p. 101, doi. 10.1080/0300776042000166639
- By:
- Publication type:
- Article
26
Can piracy lead to higher prices in the music and motion picture industries?
- Published in:
- Journal of the Operational Research Society, 2009, v. 60, n. 3, p. 372, doi. 10.1057/palgrave.jors.2602552
- By:
- Publication type:
- Article
27
Sound recording market: the ambiguous case of copyright and piracy.
- Published in:
- Industrial & Corporate Change, 2000, v. 9, n. 3, p. 415, doi. 10.1093/icc/9.3.415
- By:
- Publication type:
- Article
28
MUSICAL PLAGIARISM: A TRUE CHALLENGE FOR THE COPYRIGHT LAW.
- Published in:
- DePaul Journal of Art, Technology & Intellectual Property Law, 2014, v. 25, n. 1, p. 1
- By:
- Publication type:
- Article
29
Copyright and Scholars' Rights.
- Published in:
- Music, Sound & the Moving Image, 2007, v. 1, n. 1, p. 9, doi. 10.3828/msmi.1.1.3
- By:
- Publication type:
- Article
30
Predicting Moral Disengagement from the Harms associated with Digital Music Piracy: An Exploratory, Integrative Test of Digital Drift and the Criminal Interaction Order.
- Published in:
- International Journal of Cyber Criminology, 2018, p. 133, doi. 10.5281/zenodo.1467884
- By:
- Publication type:
- Article
31
Where do beliefs about Music Piracy come from and how are they shared? An Ethnographic Study.
- Published in:
- International Journal of Cyber Criminology, 2016, v. 10, n. 1, p. 21, doi. 10.5281/zenodo.58518
- By:
- Publication type:
- Article
32
'We are Promoters not Pirates': A Qualitative Analysis of Artistes and Pirates on Music Piracy in Nigeria.
- Published in:
- International Journal of Cyber Criminology, 2012, v. 6, n. 2, p. 1014
- By:
- Publication type:
- Article
33
ARISTA RECORDS, LLC v. LAUNCH MEDIA , INC.
- Published in:
- Berkeley Technology Law Journal, 2011, v. 26, n. 1, p. 584
- Publication type:
- Article
34
Music Piracy: a Rich but Narrow History.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
35
Motivations for Gratifications of Digital Music Piracy Among College Students.
- Published in:
- Atlantic Journal of Communication, 2010, v. 18, n. 5, p. 241, doi. 10.1080/15456870.2010.521471
- By:
- Publication type:
- Article
36
Music Publishers Warn on Copying.
- Published in:
- Journal of Education, 1934, v. 117, n. 2, p. 46
- Publication type:
- Article
37
Brussels I Regulation and online copyright infringement: ‘intention to target’ approach rejected.
- Published in:
- Journal of Intellectual Property Law & Practice, 2014, v. 9, n. 1, p. 18, doi. 10.1093/jiplp/jpt211
- By:
- Publication type:
- Article
38
Extended protection for recordings, performances and co-written songs.
- Published in:
- Journal of Intellectual Property Law & Practice, 2013, v. 8, n. 12, p. 907, doi. 10.1093/jiplp/jpt204
- By:
- Publication type:
- Article
39
A triple strike against piracy as the music industry secures three more blocking injunctions.
- Published in:
- Journal of Intellectual Property Law & Practice, 2013, v. 8, n. 8, p. 591, doi. 10.1093/jiplp/jpt097
- By:
- Publication type:
- Article
40
Psychological predictors of engagement in music piracy.
- Published in:
- Creative Industries Journal, 2017, v. 10, n. 3, p. 226, doi. 10.1080/17510694.2017.1373884
- By:
- Publication type:
- Article
41
The Bootleg Guide (Book).
- Published in:
- 2004
- By:
- Publication type:
- Book Review
42
SABAM v. S.A. TISCALI (SCARLET.
- Published in:
- Cardozo Arts & Entertainment Law Journal, 2008, v. 25, n. 3, p. 1280
- Publication type:
- Article
43
CATCHING Pirates in rosperous Brunei.
- Published in:
- ASEANAffairs, 2009, v. 3, n. 2, p. 24
- Publication type:
- Article
44
SIDDIK AKBAYIR BİR İNTİHAL (Mİ YOKSA YAĞMA MI?) DAHA YAPMIŞTI.
- Published in:
- Electronic Turkish Studies, 2006, v. 1, n. 1, p. 160
- By:
- Publication type:
- Article
45
The Effects of Changing Technology and Government Policy on the Commercialization of Music.
- Published in:
- Journal of Nonprofit & Public Sector Marketing, 2005, v. 13, n. 1/2, p. 75, doi. 10.1300/J054v13n01_05
- By:
- Publication type:
- Article
46
Lawful Personal Use.
- Published in:
- Texas Law Review, 2007, v. 85, n. 7, p. 1871
- By:
- Publication type:
- Article
47
Smuggled Sound: Bootleg Recording and the Pursuit of Popular Memory.
- Published in:
- Symbolic Interaction, 1997, v. 20, n. 4, p. 319, doi. 10.1525/si.1997.20.4.319
- By:
- Publication type:
- Article
48
2005-2006 Completed Research Grant Project.
- Published in:
- Law Library Journal, 2006, v. 98, n. 4, p. 847
- By:
- Publication type:
- Article
49
More Than Just Free Content: Motivations of Peer-to-Peer File Sharers.
- Published in:
- Journal of Communication Inquiry, 2009, v. 33, n. 3, p. 206, doi. 10.1177/0196859909333697
- By:
- Publication type:
- Article
50
The Dynamic Interplay Between Recorded Music and Live Concerts: The Role of Piracy, Unbundling, and Artist Characteristics.
- Published in:
- Journal of Marketing, 2017, v. 81, n. 4, p. 67, doi. 10.1509/jm.14.0473
- By:
- Publication type:
- Article