From the Editor.
- Published in:
- Afterimage, 2024, v. 51, n. 1, p. 1, doi. 10.1525/aft.2024.51.1.1
- By:
- Publication type:
- Article
Works matching DE "CAPITALISM in motion pictures"
Results: 42
1
2
Shifting French Documentary Militancy: From Workers' Rights to an Ethics of Unemployment.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
3
The Coming Together of Times.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
4
Intertextuality as 'Resonance': Masculinity and Anticapitalism in Pet Shop Boys' Score for Battleship Potemkin.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
5
The Cinematic Practice of a “cinéaste ordinaire”: Abdellatif Kechiche and French Political Cinema.
- Published in:
- 2012
- By:
- Publication type:
- Essay
6
Parasite.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
7
Mr. Kleks in space: science fiction for the end of state socialism.
- Published in:
- Studies in Eastern European Cinema, 2021, v. 12, n. 1, p. 83, doi. 10.1080/2040350X.2020.1807091
- By:
- Publication type:
- Article
8
Fuego en Castilla (1957-60): el cine espectral de José Val del Omar.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
9
CARTOON JAZZ: SOVIET ANIMATIONS AND THE KHRUSHCHEV "THAW".
- Published in:
- Film & History (03603695), 2015, v. 45, n. 2, p. 24, doi. 10.1353/flm.2015.a604516
- By:
- Publication type:
- Article
10
Imagining the End of Late Capitalism in Shane Carruth's Primer and Upstream Color.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
11
Guy Debord's Time-Image: In girum imus nocte et consumimur igni (1978).
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
12
Subjects of Finance.
- Published in:
- 2012
- By:
- Publication type:
- Interview
13
The Rise of Dark Americana: Depicting the “War on Terror” On-Screen.
- Published in:
- Studies in Conflict & Terrorism, 2016, v. 39, n. 1, p. 1, doi. 10.1080/1057610X.2015.1084802
- By:
- Publication type:
- Article
14
The Dark Knight Rises: Christianity, capitalism and psychopathology.
- Published in:
- Australasian Journal of Popular Culture, 2016, v. 5, n. 1, p. 49, doi. 10.1386/ajpc.5.1.49_1
- By:
- Publication type:
- Article
15
The Art and the Politics of The Forgotten Space.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
16
"Zombies Don't Recognize Borders": Capitalism, Ecology, and Mobility in the Zombie Outbreak Narrative.
- Published in:
- Amerikastudien, 2016, v. 61, n. 4, p. 527
- By:
- Publication type:
- Article
17
Proletarian Blackface: Appropriation and Class Struggle in Mike Judge's Office Space.
- Published in:
- Communication, Culture & Critique, 2016, v. 9, n. 3, p. 362, doi. 10.1111/cccr.12120
- By:
- Publication type:
- Article
18
Close-Up: Hip-Hop Cinema: "True to the Game": Straight Outta Compton's Affirmation of White Supremacist Capitalist Patriarchy.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
19
Barcelona as urban palimpsest: Architectonic memory and structural violence in José Luis Guerin's En construcción (2001).
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
20
The stink of the sacred: A Bataillean reading of Gainsbourg's film Je t'aime moi non plus.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
21
Dystopia fatigue doesn't cut it, or, Blade Runner 2049's utopian longings.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
22
A symposium on the legacies of Blade Runner: Cyberpunk's masculinist legacy: Puppetry, labour and ménage à trois in Blade Runner 2049.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
23
Vitality and reproduction in Blade Runner 2049.
- Published in:
- Science Fiction Film & Television, 2020, v. 13, n. 1, p. 15, doi. 10.3828/sfftv.2020.2
- By:
- Publication type:
- Article
24
Challenging capitalism: Ethics, exploitation and the sublime in Moon and Source Code.
- Published in:
- Science Fiction Film & Television, 2018, v. 11, n. 3, p. 417, doi. 10.3828/sfftv.2018.25
- By:
- Publication type:
- Article
25
Gender and ideological rivalry in Ninotchka and Circus: the capitalist and communist make-over.
- Published in:
- Studies in Russian & Soviet Cinema, 2014, v. 8, n. 1, p. 2, doi. 10.1080/17503132.2014.881614
- By:
- Publication type:
- Article
26
Deleuze, Žižek, Spring Breakers and the Question of Ethics in Late Capitalism.
- Published in:
- Film-Philosophy, 2018, v. 22, n. 1, p. 95, doi. 10.3366/film.2018.0064
- By:
- Publication type:
- Article
27
Refashioning the Modern American Dream: The Great Gatsby, The Wolf of Wall Street, and American Hustle.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
28
Prometheus by the Bay: Hollywood and tech capitalism in Silicon Valley.
- Published in:
- 2024
- By:
- Publication type:
- Film/TV Criticism and Review
29
This Land Was Made for You and Me: The Rise of the Oppressed in George A. Romero's Land of the Dead.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
30
An (Anti)Neoliberal Christmas.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
31
Slumdog Millionaire: Capitalism, a Love Story.
- Published in:
- Journal of Popular Culture (John Wiley & Sons, Inc.), 2016, v. 49, n. 1, p. 155, doi. 10.1111/jpcu.12390
- By:
- Publication type:
- Article
32
Utopian labour in The Hunger Games.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 1, p. 29, doi. 10.1386/ncin.16.1.29_1
- By:
- Publication type:
- Article
33
Character and Capital in the Wall Street Films of Oliver Stone.
- Published in:
- Film International (16516826), 2016, v. 14, n. 3/4, p. 43, doi. 10.1386/fiin.14.3-4.43_1
- By:
- Publication type:
- Article
34
Time is Money - the acceleration of time and the vanquishing of space in Melancholia, Another Earth and In Time.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
35
In Time: The First Hollywood Movie of the Occupy Wall Street Era.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
36
Colliding Worlds: The Disintegration of America in the Cinema of the Coen Brothers.
- Published in:
- Journal of American Studies, 2019, v. 53, n. 2, p. 333, doi. 10.1017/S0021875817001797
- By:
- Publication type:
- Article
37
The Non-Place between Sacred and Profane: Utopian Gestures in the Apparatus of Semiocapitalism in Laurent Cantet's L'emploi du temps.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
38
The Wasteful Semblances of David Cronenberg's Cosmopolis.
- Published in:
- Film Matters, 2016, v. 7, n. 2, p. 13, doi. 10.1386/fm.7.2.13_1
- By:
- Publication type:
- Article
39
Climate Change, Capitalism, 9/11, and The Day After Tomorrow.
- Published in:
- Film Matters, 2014, v. 5, n. 1, p. 71, doi. 10.1386/fm.5.1.71_1
- By:
- Publication type:
- Article
40
'The Scream Instead of the Statement?' Two Landmark Films in Science Fiction's Meandering Path to Critical Relevance.
- Published in:
- Film Matters, 2011, v. 2, n. 4, p. 24, doi. 10.1386/fm.2.4.24_1
- By:
- Publication type:
- Article
41
Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
42
Popular Cinema as Popular Resistance.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review