The Rhetorical Frame of Poussin's Theory of the Modes.
- Published in:
- Intellectual History Review, 2009, v. 19, n. 3, p. 287, doi. 10.1080/17496970903266202
- By:
- Publication type:
- Article
Works matching DE "PHILOSOPHY of painting"
Results: 37
1
2
A Discourse with Nature.
- Published in:
- Visual Communication Quarterly, 2020, v. 27, n. 2, p. 110, doi. 10.1080/15551393.2020.1732219
- By:
- Publication type:
- Article
3
What Makes an Image Singular Plural? Questions to Jean-Luc Nancy.
- Published in:
- Journal of Visual Culture, 2010, v. 9, n. 1, p. 63, doi. 10.1177/1470412909354256
- By:
- Publication type:
- Article
4
DISEÑO Y EJECUCIÓN, LOS LÍMITES DEL ARTE.
- Published in:
- Revista de Filosofía UIS, 2012, v. 11, n. 1, p. 189
- By:
- Publication type:
- Article
5
The temporality of sculptural viewing in Hemsterhuis's Lettre sur la sculpture.
- Published in:
- Sculpture Journal, 2018, v. 27, n. 2, p. 225, doi. 10.3828/sj.2018.27.2.6
- By:
- Publication type:
- Article
6
The Sensory Intention -- Art, Motif, and Motivation: A Comparative Approach.
- Published in:
- Contemporary Aesthetics, 2009, v. 7, p. 1
- By:
- Publication type:
- Article
7
The Ontology of Art.
- Published in:
- CR: The New Centennial Review, 2011, v. 11, n. 1, p. 75
- By:
- Publication type:
- Article
8
Reading Color: Looking Through Language in Warhol.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
9
Sémiologie et philosophie chez Louis Marin: La lisibilité de la peinture et la question de l'imagination.
- Published in:
- Early Modern French Studies, 2016, v. 38, n. 1, p. 48, doi. 10.1080/20563035.2016.1181426
- By:
- Publication type:
- Article
10
Intuition and Representation: Wölfflin's Fundamental Concepts of Art History.
- Published in:
- Journal of Aesthetics & Art Criticism, 2015, v. 73, n. 2, p. 164, doi. 10.1111/jaac.12161
- By:
- Publication type:
- Article
11
Umberto Boccioni's The City Rises: Prelude to a Philosophy of the Future.
- Published in:
- Storia dell'Arte, 2013, v. 136, n. 36, p. 125
- By:
- Publication type:
- Article
12
BEYOND THE HORIZON: COHERENT GEOMETRIC SYSTEMS IN RODCHENKO'S PAINTING.
- Published in:
- Structurist, 2009, n. 49/50, p. 66
- By:
- Publication type:
- Article
13
Winner of the Iain Brash Prize.
- Published in:
- Limina, 2008, v. 14, p. 12
- By:
- Publication type:
- Article
14
'The fault of being purely French': The Practice and Theory of Landscape Painting in Post-Revolutionary France.
- Published in:
- 2013
- By:
- Publication type:
- Essay
15
Category: Conference paper.
- Published in:
- Nordicum-Mediterraneum, 2013, v. 8, n. 2, p. 1
- By:
- Publication type:
- Article
16
Tra lineamenti di storia artistica ed erudizione antiquaria: il collezionismo di Vittorio Avondo.
- Published in:
- Studi Piemontesi, 2009, v. 38, n. 1, p. 183
- By:
- Publication type:
- Article
17
Painting’s double: Andrew Benjamin’s Disclosing Spaces.
- Published in:
- Thesis Eleven, 2011, v. 104, n. 1, p. 108, doi. 10.1177/0725513611399391
- By:
- Publication type:
- Article
18
EDITORIAL.
- Published in:
- British Journal of Aesthetics, 2010, v. 50, n. 4, p. NP, doi. 10.1093/aesthj/ayq041
- By:
- Publication type:
- Article
19
Aesthetics and Painting.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
20
La cuestión del colorido en la pintura: Hegel frente a Goethe y Diderot.
- Published in:
- Revista Estudios de Filosofía, 2012, n. 45, p. 123, doi. 10.17533/udea.ef.13480
- By:
- Publication type:
- Article
21
Recollections -- Revelations of Symbolic Life: On Yu Cheng-Yao's Attitude toward Life.
- Published in:
- Chinese Studies / Hanxue Yanjiu, 2009, v. 27, n. 3, p. 225
- By:
- Publication type:
- Article
22
Depth as breadth in rotation: Tableau as holding apparatus.
- Published in:
- Journal of Visual Art Practice, 2013, v. 12, n. 1, p. 25, doi. 10.1386/jvap.12.1.25_1
- By:
- Publication type:
- Article
23
Thickness and surface: Towards a painterly space.
- Published in:
- Journal of Visual Art Practice, 2013, v. 12, n. 1, p. 51, doi. 10.1386/jvap.12.1.51_1
- By:
- Publication type:
- Article
24
What do images do to painting, what does painting do to images? Two examples: Robert Suermondt and Thierry Costesèque.
- Published in:
- Journal of Visual Art Practice, 2013, v. 12, n. 1, p. 87, doi. 10.1386/jvap.12.1.87_1
- By:
- Publication type:
- Article
25
Notes on the Tableau.
- Published in:
- Journal of Visual Art Practice, 2013, v. 12, n. 1, p. 77, doi. 10.1386/jvap.12.1.77_1
- By:
- Publication type:
- Article
26
TAKING IT PERSONALLY: COMMENTS ON ISABELLE GRAW'S CONCEPT OF PAINTING.
- Published in:
- Brooklyn Rail, 2015, p. 45
- By:
- Publication type:
- Article
27
Poetry into painting: Mallarmé, Picasso and punning.
- Published in:
- French Cultural Studies, 2013, v. 24, n. 4, p. 346, doi. 10.1177/0957155813501118
- By:
- Publication type:
- Article
28
The Truth in Painting.
- Published in:
- 1989
- By:
- Publication type:
- Book Review
29
HOW PAINTINGS ARE.
- Published in:
- British Journal of Aesthetics, 1989, v. 29, n. 1, p. 65, doi. 10.1093/bjaesthetics/29.1.65
- By:
- Publication type:
- Article
30
GREENBERG'S KANT AND THE PROBLEM OF MODERNIST PAINTING.
- Published in:
- British Journal of Aesthetics, 1985, v. 25, n. 4, p. 317, doi. 10.1093/bjaesthetics/25.4.317
- By:
- Publication type:
- Article
31
La recol·lecció del pas del temps en Ignasi Aballí.
- Published in:
- Estúdio (1647-6158), 2013, n. 7, p. 22
- By:
- Publication type:
- Article
32
The Florenskian icon 'in' Lacan?
- Published in:
- Word & Image, 2010, v. 26, n. 1, p. 52, doi. 10.1080/02666280902903581
- By:
- Publication type:
- Article
33
'To rise from generation': the sublime body in William Blake's illuminated books.
- Published in:
- Word & Image, 1997, v. 13, n. 4, p. 340, doi. 10.1080/02666286.1997.10434296
- By:
- Publication type:
- Article
34
Heidegger's Philosophy of Art.
- Published in:
- Journal of Critical Realism, 2014, v. 13, n. 1, p. 84, doi. 10.1179/1476743013Z.00000000016
- By:
- Publication type:
- Article
35
Concerning the Range of Iconic Poetry.
- Published in:
- 2008
- By:
- Publication type:
- Literary Criticism
36
Painting as Stylized Vision: The Movement of Invisibility in "Eye and Mind".
- Published in:
- ASAGE: American Society for Aesthetics Graduate E-Journal, 2013, v. 5, n. 2, p. 1
- By:
- Publication type:
- Article
37
Rendering Visible: Painting and sexuate subjectivity.
- Published in:
- 2015
- By:
- Publication type:
- Essay