Orientalism and the Epic.
- Published in:
- 2014
- By:
- Publication type:
- Essay
Works matching DE "ORIENTALISM in motion pictures"
Results: 19
1
2
Cinematic Orientalism: Bab el Oued City & The Time that Remains.
- Published in:
- CINEJ Cinema Journal, 2017, v. 6, n. 2, p. 165, doi. 10.5195/cinej.2017.179
- By:
- Publication type:
- Article
3
Art, artifice, and eroticized infantilization: Imagining Japanese femininities in the Weimar Republic in Fritz Lang's Harakiri (1919) and Kapitän Mertens's "Kio, die lasterhafte Kirschblüte" (1924).
- Published in:
- 2023
- By:
- Publication type:
- Film/TV Criticism and Review
4
Taken by Muslims: captivity narratives in The Lives of a Bengal Lancer and Prisoner of the Mountains.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
5
Japonisme and the Birth of Cinema.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
6
The rhetoric of leaving, or the mirage of the fetishized West in Cristian Mungiu's Occident.
- Published in:
- Journal of European Studies, 2018, v. 48, n. 3/4, p. 250, doi. 10.1177/0047244118796091
- By:
- Publication type:
- Article
7
From Patriarchal Stereotypes to Matriarchal Pleasures of Hybridity: Representation of a Muslim Family in Berlin.
- Published in:
- 2023
- By:
- Publication type:
- Film/TV Criticism and Review
8
Military Orientalism at the Cineplex: A Postcolonial Reading of Zero Dark Thirty.
- Published in:
- Critical Studies in Media Communication, 2014, v. 31, n. 5, p. 464, doi. 10.1080/15295036.2014.906745
- By:
- Publication type:
- Article
9
From Orientalism to surrealism: Wojciech Jerzy Has interprets Jan Potocki.
- Published in:
- Studies in Eastern European Cinema, 2013, v. 4, n. 1, p. 47, doi. 10.1386/seec.4.1.47_1
- By:
- Publication type:
- Article
10
The unjustly neglected career of Wojciech Jerzy Has.
- Published in:
- Studies in Eastern European Cinema, 2013, v. 4, n. 1, p. 3, doi. 10.1386/seec.4.1.3_2
- By:
- Publication type:
- Article
11
Materialidad histórica como subversión en Aguaespejo granadino de José Val del Omar.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
12
'Lust, Caution'!?: Shanghai and the transnational and transgressive imaginations in classical Hollywood cinema.
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 139, doi. 10.1386/ac.28.2.139_1
- By:
- Publication type:
- Article
13
Women and posters as heterotopias in Ousmane Sembene's Xala.
- Published in:
- Journal of African Cinemas, 2013, v. 5, n. 2, p. 137, doi. 10.1386/jac.5.2.137_1
- By:
- Publication type:
- Article
14
China's reception of Michelangelo Antonioni's Chung Kuo.
- Published in:
- Journal of Italian Cinema & Media Studies, 2014, v. 2, n. 1, p. 23, doi. 10.1386/jicms.2.1.23_1
- By:
- Publication type:
- Article
15
BIZARRE BEAUTY: 1950s Runaway Production in Japan.
- Published in:
- 2014
- By:
- Publication type:
- Essay
16
Race in the Blade Runner cycle and demographic dystopia.
- Published in:
- Science Fiction Film & Television, 2020, v. 13, n. 1, p. 59, doi. 10.3828/sfftv.2020.4
- By:
- Publication type:
- Article
17
Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
18
'A Beautiful Idea': The King and I and the Maternal Promise of Sentimental Orientalism.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
19
Immersion in the 'Maximum City'? Interactivity, kinaesthetics and notions of embodiment in Slumdog Millionaire (2008).
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review