TARKOVSKY'S CINE-SAFARI: ANIMAL BODIES IN THE CINEMA OF ANDREI TARKOVSKY.
- Published in:
- Slavic & East European Journal, 2020, v. 64, n. 3, p. 511
- By:
- Publication type:
- Article
Works matching Tarkovskii, Andrei Arsen'evich, 1932-1986
Results: 108
1
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DELEUZE ON TARKOVSKY: THE CRYSTAL-IMAGE OF TIME IN STEAMROLLER AND VIOLIN.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
3
The Cinema of Tarkovsky: Labyrinths of Space and Time.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
4
Hemingway's "The Killers" and Heroic Fatalism: From Page to Screen (Thrice).
- Published in:
- Literature Film Quarterly, 2007, v. 35, n. 1, p. 404
- By:
- Publication type:
- Article
5
1+1=1: Impossible Translations in Andrey Tarkovsky's Nostalghia.
- Published in:
- Literature Film Quarterly, 2004, v. 32, n. 4, p. 300
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- Publication type:
- Article
6
Liturgy on the Reel: Ascesis through Film.
- Published in:
- Journal for Religion, Film & Media, 2022, v. 8, n. 1, p. 129, doi. 10.25364/05.8:2022.1.7
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- Publication type:
- Article
7
The End of Desire? Love and the Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky's STALKER (USSR 1979).
- Published in:
- Journal for Religion, Film & Media, 2020, v. 6, n. 1, p. 37, doi. 10.25364/05.06:2020.1.3
- By:
- Publication type:
- Article
8
LE SACRIFICE d'Andreï Tarkovski: une parabole sur le temps de la fin.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
9
«Escucha el Desierto del Sonido»: las Campanas Silentes (Claudio Parmiggiani) y la Música que ha Perdido el Elemento Sonoro (Salvatore Sciarrino).
- Published in:
- BRAC: Barcelona, Research, Art, Creation, 2023, v. 11, n. 3, p. 388, doi. 10.17583/brac.10993
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- Publication type:
- Article
10
A Christian Approach to Cinema: Tarkovsky. Film as Prayer.
- Published in:
- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 525, doi. 10.5195/cinej.2021.324
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- Publication type:
- Article
11
Stalker: una expedición al Misterio.
- Published in:
- Revista de Espiritualidad, 2023, v. 82, n. 327, p. 287
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- Publication type:
- Article
12
The Long Take: Messianic Time in Andrei Tarkovsky's Nostalghia.
- Published in:
- Journal for Cultural Research, 2009, v. 13, n. 3/4, p. 365, doi. 10.1080/14797580903244753
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- Publication type:
- Article
13
Tęsknota za ideałem. Rola dzieci w filmach i filozofii twórczej Andrieja Tarkowskiego.
- Published in:
- Przestrzenie Teorii, 2020, n. 33, p. 353, doi. 10.14746/pt.2020.33.17
- By:
- Publication type:
- Article
14
A. Tarkovsky's Stalker: A Study on the Process of Scenario Transforming the Strugatsky Brothers' Fantasy Novel to the Dostoevsky's Works.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
15
Tillich and Tarkovsky: An Existential Analysis of Mirror.
- Published in:
- Journal of Humanistic Psychology, 2012, v. 52, n. 4, p. 451, doi. 10.1177/0022167811423787
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- Publication type:
- Article
16
The phenomenon of the Russian / Soviet dacha and the image of the izba in Andrei Tarkovsky’s movie Mirror.
- Published in:
- Imaginaires, 2022, n. 24, p. 184
- By:
- Publication type:
- Article
17
In search of beauty: Anticipating the 'new Renaissance' of Italian cinema: Interview with Lora Guerra.
- Published in:
- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 667, doi. 10.1386/jicms_00204_7
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- Publication type:
- Article
18
Slow narration in Voyage in Time by Andrei Tarkovsky and Tonino Guerra (1983).
- Published in:
- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 505, doi. 10.1386/jicms_00194_1
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- Publication type:
- Article
19
Andrei Tarkovsky, Kazimierz Kutz and Federico Fellini: References and counterpoints.
- Published in:
- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 487, doi. 10.1386/jicms_00193_1
- By:
- Publication type:
- Article
20
The influence of Tarkovsky on the mystical gaze in Pontecorvo's Fatima (2020).
- Published in:
- Journal of Italian Cinema & Media Studies, 2023, v. 11, n. 3/4, p. 471, doi. 10.1386/jicms_00192_1
- By:
- Publication type:
- Article
21
Tonino Guerra: the screenwriter as a narrative technician or as a poet of images? Authorship and method in the writer-director relationship.
- Published in:
- Journal of Screenwriting, 2010, v. 1, n. 1, p. 113, doi. 10.1386/josc.1.1.113/1
- By:
- Publication type:
- Article
22
Andrei Tarkovsky: stalker of the unconscious.
- Published in:
- 2017
- By:
- Publication type:
- journal article
23
Langsamkeit/Slowness: Meditating on the Frame: Blind Spots and the Construction of Erotic Space in Andrei Tarkovsky's Nostalgia.
- Published in:
- 2013
- By:
- Publication type:
- Essay
24
Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice.
- Published in:
- New Sound: International Magazine for Music, 2023, v. 62, n. 2, p. 121, doi. 10.4324/9780429297618
- By:
- Publication type:
- Article
25
ALate Soviet Film Classic Invokes the Leather-Stocking Tales.
- Published in:
- James Fenimore Cooper Society Journal, 2024, v. 35, n. 1, p. 109
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- Publication type:
- Article
26
The ruins of history.
- Published in:
- Journal of European Studies, 2012, v. 42, n. 1, p. 68, doi. 10.1177/0047244111428847
- By:
- Publication type:
- Article
27
Art as revelation: Andrei Tarkovsky’s films and the insights of Víctor Erice.
- Published in:
- Journal of European Studies, 2011, v. 41, n. 1, p. 23, doi. 10.1177/0047244110391041
- By:
- Publication type:
- Article
28
Memória e autobiografia: uma abordagem do gênero textual no filme O Espelho, de Andrei Tarkovski.
- Published in:
- Comunicação & Sociedade, 2010, v. 31, n. 53, p. 167
- By:
- Publication type:
- Article
29
The Multiplicity of a Still: Considerations of a Still from Andrei Tarkovsky's Stalker.
- Published in:
- Mise-en-Scène, 2018, v. 3, n. 2, p. 19
- By:
- Publication type:
- Article
30
Neden Tarkovski Olmak İstiyoruz? 2000 Sonrası Türkiye Sineması’ndaki Ruhani Eğilimler Üzerine.
- Published in:
- Culture & Communication / Kültür ve İletişim, 2020, n. 46, p. 376, doi. 10.18691/kulturveiletisim.660495
- By:
- Publication type:
- Article
31
Filmography.
- Published in:
- 2017
- Publication type:
- Directory
32
Note on the Cover Illustration.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
33
5. Posthumanism and "Multi-Realism": Comparing The Matrix with Tarkovsky's Stalker and Solaris.
- Published in:
- Critical Posthumanisms, 2015, v. 1, p. 133
- By:
- Publication type:
- Article
34
UMJETNIK KAO JURODIVI: SVETAC ILI LUDAK?
- Published in:
- Studia Ethnologica Croatica, 2019, v. 31, n. 1, p. 135, doi. 10.17234/SEC.31.4
- By:
- Publication type:
- Article
35
Dreaming birth for an unborn child: poetic memories of Winnicott's 'mirror role of mother and family' and Tarkovsky's film Mirror.
- Published in:
- Journal of Child Psychotherapy, 2021, v. 47, n. 2, p. 255, doi. 10.1080/0075417X.2021.1980602
- By:
- Publication type:
- Article
36
Bach at the Space Station.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
37
Pervivencia del icono: La perspectiva invertida en el cine ruso contemporáneo.
- Published in:
- Goya, 2013, n. 344, p. 264
- By:
- Publication type:
- Article
38
Signs, Signals and Signifiers: The Doghouse and the Semiotics of AI.
- Published in:
- Architectural Design, 2024, v. 94, n. 3, p. 70, doi. 10.1002/ad.3057
- By:
- Publication type:
- Article
39
Working for Tarkovsky.
- Published in:
- Science Fiction Studies, 2004, v. 31, n. 3, p. 418
- By:
- Publication type:
- Article
40
The Science-Fiction Films of Andrei Tarkovsky.
- Published in:
- Science Fiction Studies, 1987, v. 14, n. 3, p. 294
- By:
- Publication type:
- Article
41
On Grief and Reason, On Poetry and Film: Elena Shvarts, Joseph Brodsky, Andrei Tarkovsky.
- Published in:
- 2007
- By:
- Publication type:
- Literary Criticism
42
EXPRESSIONS OF EMOTIONS THROUGH THE COLOUR BLUE: ANDREI TARKOVSKY'S SOLARIS AND ANDREI ZVYAGINTSEV'S THE RETURN.
- Published in:
- Concept (2248-3756), 2022, v. 24, n. 1, p. 36
- By:
- Publication type:
- Article
43
Tracing the Russian Hermeneutic: Reflections on Tarkovsky's Cinematic Poetics and Global Politics.
- Published in:
- Alternatives: Global, Local, Political, 2009, v. 34, n. 1, p. 59, doi. 10.1177/030437540903400104
- By:
- Publication type:
- Article
44
MODERNITY CRISIS AND ITS REFLECTIONS IN TARKOVSKY'S NOSTALGHIA AND MIRROR.
- Published in:
- University Faculty of Communication Journal / Istanbul Üniversitesi Iletisim Fakültesi Hakemli Dergisi, 2013, n. 44, p. 49
- By:
- Publication type:
- Article
45
The Cinematic Gaze as 'A Long Loving Look at the Real': Andrei Tarkovsky and Walter Burghardt's Theology of Contemplation.
- Published in:
- Heythrop Journal, 2022, v. 63, n. 3, p. 425, doi. 10.1111/heyj.13576
- Publication type:
- Article
46
Analyzing High-Fidelity Thematic Elements of the World of Stalker: From the Tarkovsky Film to the GSC Game World Video Game.
- Published in:
- Film Matters, 2018, v. 9, n. 1, p. 93, doi. 10.1386/fm.9.1.93_1
- By:
- Publication type:
- Article
47
THE SACRED QUALITY IN TARKOVSKI'S CINEMA.
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2010, v. 55, n. 1, p. 79
- By:
- Publication type:
- Article
48
Vallejo y Tarkovski: la nostalgia metafísica.
- Published in:
- Fuentes Humanísticas, 2023, v. 35, n. 67, p. 205, doi. 10.24275/DBCU6388
- By:
- Publication type:
- Article
49
Vladimiro Rivas Iturralde, académico de la lengua.
- Published in:
- Fuentes Humanísticas, 2023, v. 35, n. 67, p. 201, doi. 10.24275/YMAC5205
- By:
- Publication type:
- Article
50
The Soviet Nomad.
- Published in:
- Bulletin of Science, Technology & Society, 2015, v. 35, n. 3/4, p. 67, doi. 10.1177/0270467615624309
- By:
- Publication type:
- Article