Revisiting the Theatre of the Absurd in Christopher Durang's For Whom the Southern Belle Tolls (1993) and Desire, Desire, Desire (1995).
- Published in:
- Arab World English Journal, 2015, n. 3, p. 138
- By:
- Publication type:
- Article
Works matching Stoppard, Tom, 1937-
Results: 128
1
2
A LESS THAN ORIGINAL SCREENPLAY: BERNARD SHAW'S INFLUENCE ON SHAKESPEARE IN LOVE.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
3
"CURABLY ROMANTIC": ROMANCE, ROMANTICISM, AND EMERGING FEMINISM IN THE PLAYS OF TOM STOPPARD.
- Published in:
- 2010
- By:
- Publication type:
- Essay
4
Window/Picture: L'assassin menace and Artist Descending a Staircase.
- Published in:
- 1999
- By:
- Publication type:
- Literary Criticism
5
How Do We Know That We Know What We Know in Tom Stoppard's Jumpers?
- Published in:
- 1986
- By:
- Publication type:
- Literary Criticism
6
Speaking for the Liberal Arts.
- Published in:
- California English, 2016, v. 21, n. 3, p. 11
- By:
- Publication type:
- Article
7
Arcadian Gestures in an Irreversible World: Stoppard, Serres, and Panofsky.
- Published in:
- CR: The New Centennial Review, 2021, v. 21, n. 1, p. 1
- By:
- Publication type:
- Article
8
The Mathematical Heart of Tom Stoppard.
- Published in:
- Modern Drama, 2024, v. 67, n. 1, p. 50, doi. 10.3138/md-67-1-1319
- By:
- Publication type:
- Article
9
Hermione Lee, Tom Stoppard: A Life.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
10
Tom Stoppard and the Darkside of Drama, Theatre, and Philosophy.
- Published in:
- Modern Drama, 2020, v. 63, n. 1, p. 63, doi. 10.3138/md.1063
- By:
- Publication type:
- Article
11
The Mote in God's i: Fourier, Fractals, and Imaginary Numbers in Tom Stoppard's Arcadia.
- Published in:
- Modern Drama, 2019, v. 62, n. 2, p. 191, doi. 10.3138/md.0936r
- By:
- Publication type:
- Article
12
Compromised Epistemologies: The Ethics of Historiographic Metatheatre in Tom Stoppard's Travesties and Arcadia.
- Published in:
- Modern Drama, 2016, v. 59, n. 3, p. 306, doi. 10.3138/md.2957R
- By:
- Publication type:
- Article
13
The Field of Modern Drama, or Arcadia.
- Published in:
- Modern Drama, 2015, v. 58, n. 3, p. 285, doi. 10.3138/md.0761
- By:
- Publication type:
- Article
14
"The Habit of Art": In the Beginning Was the Word.
- Published in:
- Modern Drama, 2013, v. 56, n. 3, p. 352, doi. 10.3138/md.0565
- By:
- Publication type:
- Article
15
All Wilde on the Western Front: Alan Bennett, Tom Stoppard, and the Theatre of War.
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
16
Dancing on the X-rays: On the Theatre of Memory, counter-memory, and Postmemory in the Post-1989 East-European Context.
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
17
'TWO SIDES OF THE SAME COIN, OR THE SAME SIDE OF TWO COINS' AN ANALYSIS OF TOM STOPPARD'S ROSENCRANTZ AND GUILDENSTERN ARE DEAD.
- Published in:
- 1981
- By:
- Publication type:
- Literary Criticism
18
Epistemological Postmodern Science in Tom Stoppard's Hapgood and Arcadia Through a Lyotardian Perspective.
- Published in:
- Forum for World Literature Studies, 2020, v. 12, n. 3, p. 515
- By:
- Publication type:
- Article
19
Tom Stoppard’s The Hard Problem: A Consideration.
- Published in:
- 2016
- By:
- Publication type:
- Performance Review
20
"This is not science. This is story-telling": The Place of the Individual and the Community in A.S Byatt's Possession and Tom Stoppard's Arcadia.
- Published in:
- Clio (0884-2043), 2004, v. 33, n. 3, p. 265
- By:
- Publication type:
- Article
21
Tom Stoppard’ın “Rosencrantz ve Guildenstern Öldüler” Adlı Eserinde Zaman, Hafıza ve Kimlik Sorunsalı.
- Published in:
- Gaziantep University Journal of Social Sciences, 2021, v. 20, n. 3, p. 1270, doi. 10.21547/jss.867784
- By:
- Publication type:
- Article
22
Stoppard's Philosophical Investigations; Or, Wittgenstein's Dogg's Hamlet.
- Published in:
- Philosophy & Literature, 2023, v. 47, n. 1, p. 200, doi. 10.1353/phl.2023.a899686
- By:
- Publication type:
- Article
23
NIETZSCHE, SHAW, STOPPARD: THEATER AND PHILOSOPHY IN THE BRITISH TRADITION.
- Published in:
- Philosophy & Literature, 2012, v. 36, n. 1, p. 79, doi. 10.1353/phl.2012.0012
- By:
- Publication type:
- Article
24
From Fears of Entropy to Comfort in Chaos: Arcadia, The Waste Land, Numb3rs, and Man's Relationship With Science.
- Published in:
- Bulletin of Science, Technology & Society, 2007, v. 27, n. 1, p. 81, doi. 10.1177/0270467606297626
- By:
- Publication type:
- Article
25
Playgoing in Manhattan.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
26
Tom Stoppard: Reader's Reports on His Early Work.
- Published in:
- Interdisciplinary Studies of Literature, 2023, v. 7, n. 4, p. 640
- By:
- Publication type:
- Article
27
Making ears serve for eyes: Stoppard's visual radio play.
- Published in:
- Word & Image, 2004, v. 20, n. 1, p. 63, doi. 10.1080/02666286.2004.10444006
- By:
- Publication type:
- Article
28
Re-presenting representations: the landscape garden as a sight/site of difference in Tom Stoppard's Arcadia.
- Published in:
- Word & Image, 1999, v. 15, n. 1, p. 97, doi. 10.1080/02666286.1999.10443977
- By:
- Publication type:
- Article
29
HERDING CATS or, The Possibilities of Unproduction Studies.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2017, n. 80, p. 18, doi. 10.7560/VLT8003
- By:
- Publication type:
- Article
30
Hypertextual adaptation: Humanistic enquiry through transfocalization in Stoppard's Rosencrantz and Guildenstern Are Dead.
- Published in:
- Journal of Adaptation in Film & Performance, 2012, v. 5, n. 2, p. 183, doi. 10.1386/jafp.5.2.183_1
- By:
- Publication type:
- Article
31
"Both Use and Art": Motifs and Method in Astrophil and Stella.
- Published in:
- Renaissance Papers, 2021, p. 13
- By:
- Publication type:
- Article
32
Yale Repertory Theatre New Haven, Connecticut 2014–2015.
- Published in:
- 2015
- By:
- Publication type:
- Performance Review
33
POSTMODERN ELEMENTS IN TOM STOPPARD'S THE REAL INSPECTOR HOUND AND FERHAN ŞENSOY'S FİŞNE PAHÇESU: A COMPARISON.
- Published in:
- Inönü University International Journal of Social Sciences / İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi (INIJOSS), 2023, v. 12, n. 2, p. 257, doi. 10.54282/inijoss.1358464
- By:
- Publication type:
- Article
34
Stoppard's LORD MALQUIST & MR MOON.
- Published in:
- 1985
- By:
- Publication type:
- Literary Criticism
35
Stoppard's TRAVESTIES.
- Published in:
- 1981
- By:
- Publication type:
- Literary Criticism
36
The little in a non-Euclidean world: On the artistic space in Tom Stoppard's film and play "Rosencrantz and Guildenstern are dead".
- Published in:
- Sign Systems Studies, 2005, v. 33, n. 2, p. 343
- By:
- Publication type:
- Article
37
The little in a non-Euclidean world: On the artistic space in Tom Stoppard's film and play "Rosencrantz and Guildenstern are dead".
- Published in:
- 2005
- By:
- Publication type:
- Literary Criticism
38
AFTER BECKETT: THE PLAYS OF PINTER, STOPPARD, AND SHEPARD.
- Published in:
- 1986
- By:
- Publication type:
- Literary Criticism
39
CATASTROPHE THEORY IN TOM STOPPARD'S PROFESSIONAL FOUL.
- Published in:
- 1984
- By:
- Publication type:
- Literary Criticism
40
AN INTERVIEW WITH TOM STOPPARD.
- Published in:
- 1981
- By:
- Publication type:
- Interview
41
Tom Stoppard: A Life by Hermione Lee (review).
- Published in:
- 2021
- By:
- Publication type:
- Book Review
42
Fear and Loathing in Prague: Tom Stoppard's Cahoot's Macbeth.
- Published in:
- Comparative Drama, 2018, v. 52, n. 1/2, p. 123, doi. 10.1353/cdr.2018.0005
- By:
- Publication type:
- Article
43
Tom Stoppard: Bucking the Postmodern.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
44
Stoppard's Postmodern Difference: The Courage of No Convictions.
- Published in:
- Labyrinth: An International Refereed Journal of Postmodern Studies, 2013, v. 4, n. 2, p. 5
- By:
- Publication type:
- Article
45
Tom Stoppard's Plays as Playful Intertextuality.
- Published in:
- Labyrinth: An International Refereed Journal of Postmodern Studies, 2012, v. 3, n. 4, p. 61
- By:
- Publication type:
- Article
46
Building the stages of drama: Towards a Text World Theory account of dramatic play-texts.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
47
The Drama of Politics and Science: Stoppard's Hapgood.
- Published in:
- Perspectives on Political Science, 2006, v. 35, n. 3, p. 143, doi. 10.3200/PPSC.35.3.143-148
- By:
- Publication type:
- Article
48
'Oh, Phooey to Death!': Boethian Consolation in Tom Stoppard's Arcadia.
- Published in:
- 2000
- By:
- Publication type:
- Literary Criticism
49
Stoppard's Space Men: Rosencrantz and Guildenstern on Film.
- Published in:
- Literature Film Quarterly, 2008, v. 36, n. 2, p. 113
- By:
- Publication type:
- Article
50
Reading (and Writing) the Ethics of Authorship: Shakespeare in Love as Postmodern Metanarrative.
- Published in:
- 2004
- By:
- Publication type:
- Arts/Entertainment Review