Works matching IS 09241426 AND DT 2019 AND VI 211
Results: 36
CHAPTER 17: Shakespeare versus Shakespeare: Notes on Theatre-Making from Belgium to South Africa.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 313, doi. 10.1163/9789004414464_018
- By:
- Publication type:
- Article
CHAPTER 16: "Dis Nie Myne Nie, Dis Nie Joune Nie" or Kramer and Petersen's Ghoema: Inscribing the Past, Claiming the Present?
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 293, doi. 10.1163/9789004414464_017
- By:
- Publication type:
- Article
CHAPTER 15: An Unfinished Homecoming: Postmemory, Place and New Practices of Politicisation in the Plays of Nadia Davids and Amy Jephta.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 271, doi. 10.1163/9789004414464_016
- By:
- Publication type:
- Article
CHAPTER 14: Female Interventions in Contemporary South African Drama and Performance: An Analysis of Selected Work by Women Artists.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 252, doi. 10.1163/9789004414464_015
- By:
- Publication type:
- Article
CHAPTER 13: Recuperating Historical Narratives of Violence and Dislocation in Rehane Abrahams' What the Water Gave Me.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 229, doi. 10.1163/9789004414464_014
- By:
- Publication type:
- Article
CHAPTER 12: Intimate Exposure: Solo Women Performing in Post-apartheid South Africa.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 209, doi. 10.1163/9789004414464_013
- By:
- Publication type:
- Article
CHAPTER 11: Revisiting the Past, Imagining the Future: Aesthetic of Creolization in Post-apartheid South African Drama.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 183, doi. 10.1163/9789004414464_011
- By:
- Publication type:
- Article
CHAPTER 10: The Fault-Lines of Idiom: New Thematic and Stylistic Trends in the Plays of Allan Kolski Horwitz.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 164, doi. 10.1163/9789004414464_011
- By:
- Publication type:
- Article
CHAPTER 9: South African Theatre and the Politics of the Improvisatory.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 143, doi. 10.1163/9789004414464_010
- By:
- Publication type:
- Article
CHAPTER 8: From the Stage to the Page: Trauma, Reconciliation and Remembering in Craig Higginson's Dream of the Dog and The Dream House.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 121, doi. 10.1163/9789004414464_009
- By:
- Publication type:
- Article
CHAPTER 7: Alluring Voices from the Page to the Stage: Literary Characters and the Question of the "Real" in Reza de Wet's Verleiding.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 97, doi. 10.1163/9789004414464_008
- By:
- Publication type:
- Article
CHAPTER 6: Performing Athol Fugard's Outsider Art in The Road to Mecca and The Painted Rocks at Revolver Creek: Transformative Art Defies Percepticide.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 77, doi. 10.1163/9789004414464_007
- By:
- Publication type:
- Article
CHAPTER 5: Transformation and the Post-apartheid Condition: The Collision of Policy and Imagination in South African Theatre.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 63, doi. 10.1163/9789004414464_006
- By:
- Publication type:
- Article
CHAPTER 4: Theatre of the Native Tongue.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 57, doi. 10.1163/9789004414464_005
- By:
- Publication type:
- Article
CHAPTER 3: Being in Two Places at the Same Time.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 43, doi. 10.1163/9789004414464_004
- By:
- Publication type:
- Article
CHAPTER 2: On Black and White: Staging South African Identities after Apartheid.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 23, doi. 10.1163/9789004414464_003
- By:
- Publication type:
- Article
CHAPTER 1: A Fraught Process: Devising New Stage Idioms for Post-apartheid South Africa.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 1, doi. 10.1163/9789004414464_002
- By:
- Publication type:
- Article
Acknowledgments.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. XI
- By:
- Publication type:
- Article
CHAPTER 17: Shakespeare versus Shakespeare: Notes on Theatre-Making from Belgium to South Africa.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 313, doi. 10.1163/9789004414464_018
- By:
- Publication type:
- Article
CHAPTER 16: "Dis Nie Myne Nie, Dis Nie Joune Nie" or Kramer and Petersen's Ghoema: Inscribing the Past, Claiming the Present?
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 293, doi. 10.1163/9789004414464_017
- By:
- Publication type:
- Article
CHAPTER 15: An Unfinished Homecoming: Postmemory, Place and New Practices of Politicisation in the Plays of Nadia Davids and Amy Jephta.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 271, doi. 10.1163/9789004414464_016
- By:
- Publication type:
- Article
CHAPTER 14: Female Interventions in Contemporary South African Drama and Performance: An Analysis of Selected Work by Women Artists.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 252, doi. 10.1163/9789004414464_015
- By:
- Publication type:
- Article
CHAPTER 13: Recuperating Historical Narratives of Violence and Dislocation in Rehane Abrahams' What the Water Gave Me.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 229, doi. 10.1163/9789004414464_014
- By:
- Publication type:
- Article
CHAPTER 12: Intimate Exposure: Solo Women Performing in Post-apartheid South Africa.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 209, doi. 10.1163/9789004414464_013
- By:
- Publication type:
- Article
CHAPTER 11: Revisiting the Past, Imagining the Future: Aesthetic of Creolization in Post-apartheid South African Drama.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 183, doi. 10.1163/9789004414464_011
- By:
- Publication type:
- Article
CHAPTER 10: The Fault-Lines of Idiom: New Thematic and Stylistic Trends in the Plays of Allan Kolski Horwitz.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 164, doi. 10.1163/9789004414464_011
- By:
- Publication type:
- Article
CHAPTER 9: South African Theatre and the Politics of the Improvisatory.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 143, doi. 10.1163/9789004414464_010
- By:
- Publication type:
- Article
CHAPTER 8: From the Stage to the Page: Trauma, Reconciliation and Remembering in Craig Higginson's Dream of the Dog and The Dream House.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 121, doi. 10.1163/9789004414464_009
- By:
- Publication type:
- Article
CHAPTER 7: Alluring Voices from the Page to the Stage: Literary Characters and the Question of the "Real" in Reza de Wet's Verleiding.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 97, doi. 10.1163/9789004414464_008
- By:
- Publication type:
- Article
CHAPTER 6: Performing Athol Fugard's Outsider Art in The Road to Mecca and The Painted Rocks at Revolver Creek: Transformative Art Defies Percepticide.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 77, doi. 10.1163/9789004414464_007
- By:
- Publication type:
- Article
CHAPTER 5: Transformation and the Post-apartheid Condition: The Collision of Policy and Imagination in South African Theatre.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 63, doi. 10.1163/9789004414464_006
- By:
- Publication type:
- Article
CHAPTER 4: Theatre of the Native Tongue.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 56, doi. 10.1163/9789004414464_005
- By:
- Publication type:
- Article
CHAPTER 3: Being in Two Places at the Same Time.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 43, doi. 10.1163/9789004414464_004
- By:
- Publication type:
- Article
CHAPTER 2: On Black and White: Staging South African Identities after Apartheid.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 23, doi. 10.1163/9789004414464_003
- By:
- Publication type:
- Article
CHAPTER 1: A Fraught Process: Devising New Stage Idioms for Post-apartheid South Africa.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. 1, doi. 10.1163/9789004414464_002
- By:
- Publication type:
- Article
Acknowledgments.
- Published in:
- Cross / Cultures: Readings in the Post / Colonial Literatures in English, 2019, v. 211, p. XI
- By:
- Publication type:
- Article